Alan Silva & Burton Greene | keyboards
All compositions are by Alan Silva and Burton Greene. Electronics: Synthesizers and Module Recorded and edited by Burton Greene. Recorded at Le Pavillion, Ruaudin, France, August 28 and 31, 2008. Photo of Alan and Burton by Catherine Silva. Mastering by Maurizio Giannotti at Newmastering Studio, Milano, Italy. Artwork by Stefano Misesti. Executive producer: Fabrizio Perissinotto.
Tracklist: 1. North American Indian Reflections 2. Fate Of The Aztecs And Incas 3. The Indian In All Of Us 4. Great Scott 5. The Unkown Passage 6. String Beings
Retro electronics for this time!
Amazing and strong vintage synth and keys duo improvisations by free jazz pioneers Alan Silva and Burton Greene, still exploring and pushing boundaries after half a century of no compromise careers.
It’s not about the latest (electronic) instruments or gadjets.. it’s about the creativity of the composer/improvisor. Alan Silva and I have so-called “dated” instruments or “retro electronics”, but you can just judge for yourself if what we do with them is dated on not..!.. i.e. I’ve heard creative drummers working just with pots and pans or beating on tables or the backs of chairs with drum sticks and I’ve been amazed at what they can produce. A colleague pianistJasper Van t’Hof worked extensively with an old PPG analog keyboard back in the 70´s and 80´s The company stoppedproducing them for a long time, but popular demand by young musicians inspired by musicians like Jasper brought back the PPG sound in digital module form much later on. My Roland gear is very simple.. I use an old D50 synth with a U110 module.. I’ve made something like 400 programs for it including all kinds of complex polyphony detuned orchestras, combi instruments that don’t exist other than on my keyboard or module. Alan uses mostly just presets on his instrument but what he gets out of them, I’ve never heard anoyone else do. Enjoy!
Alan Silva – keyboards
Silva was born a British subject to an Azorean / Portuguese mother, Irene da Silva, and a black Bermudian father known only as “Ruby”. At the very height of racial segregation in the United States, Silva emigrated to the United States at the age of five with his mother, eventually acquiring U.S. citizenship by the age of 18 or 19. He adopted the stage name of Alan Silva in his twenties.
Silva was quoted in a Bermudan newspaper in 1988 as saying that although he left the island at a young age, he always considered himself Bermudian. He was raised in the Harlem neighborhood of New York City, where he first began studying the trumpet, and moved on to study theupright bass. Silva is known as one of the most inventive bass players in jazz and has performed with many of the great names in the world of avant-garde jazz, including Cecil Taylor, Sun Ra, Albert Ayler, Sunny Murray, and Archie Shepp.
Silva performed in 1964′s October Revolution as a pioneer in the free jazz movement, and for Ayler’s Live in Greenwich Village album. He has lived mainly in Paris since the early 1970s, where he formed the Celestrial Communication Orchestra, a group dedicated to the performance of free jazz with various instrumental combinations. In the 1990s he picked up the electronic keyboard, declaring that his bass playing no longer surprised him. He has also used the electric violin and electric sarangi on his recordings.
Since around 2000 he has performed more frequently as a bassist and bandleader, notably at New York City’s annual Vision Festivals.
Originally from Chicago, he began his long career of many recordings and performances in New York´s legendary jazz scene of the 1960’s. He and Bassist Alan Silva contributed to the beginnings of free jazz in New York with the formation of their Free Form Improvisation Ensemble. He also co-founded the East West Trio with Indian sitarist Jamaluddin Bhartiya and percussionist Daoud Amin in 1973, one of the first World Music groups (and long before they called it that.) Since that time he has travelled all over Europe and the USA with performances and recordings of his compositions and arrangements in many different types of music styles and ensembles. As Burton says it: “Music is or should be universal, without limits.. Borders eventually become boring.. they should be transcended. I like all kinds of music as long as it´s not dull or repetitious or superficial.. as long as it´s creative and from the heart.” His !4 piece New Age Jazz Chorale (1975-78) did concerts and recordings in Europe, years before most other groups were termed as “New Age”.
In the last 20 years he’s been busy with his klezmer, Sephardic, Balkan, jazz ensemble Klezmokum, and various jazz solo, trio or quartet combinations. He also has a solo orchestral electronics program, teaches jazz, world music workshops, and lectures. His autobiographical book written over 20 years: “Memoirs of A Musical Pesty-Mystic” appeared in print in 2001 (Cadence Jazz Books). His solo piano recording for Drimala Records: “Live At Grasland” was voted one of the top 10 CD releases in All About Jazz (2005). His groups in recent years based in New York and recorded on CIMP Records include a duet with bassist Mark Dresser, a quartet with trumpeter Roy Campbell, Lou Grassi, and Adam Lane. Concerts and recordings also on the CIMP label are his trio with Ed and George Schuller on bass and drums, and a quintet with the Schuller brothers, Russ Nolan on saxes and flute, Paul Smoker on trumpet.
His solo piano CD “Retrospective 1961–2005 came out in January, 2007 on the CIMP label. Burton’s group, a quintet: Klez-Edge had a CD Release in May, 2008: “Ancestors, Mindreles, NaGila Monsters” is on John Zorn’s Tzadik CD label in New York. Also Released on the Tzadik label in June, 2009 is the intimate duo CD: “Two Voices in the Desert” with Burton’s long time colleague and Klezmokum clarinetist Perry Robinson. A more recent release (September, 2009) getting great reviews on Latham Records is “Groder & Greene”, spontaneous improvisations in New York with Brian Groder, Rob Brown, Adam Lane, Ray Sage, and Burton Greene. In February 2010 Porter Records brought out a rare recording: Burton Greene Quartet: “Live at the Woodstock Playhouse 1965” with Marion Brown, Rashied Ali, Reggie Johnson. A Klezmokum CD: “Where We Come From, Where We’re Going” came out recently on the Music & Words label (September, 2010).
Scheduled CD releases for 2012 will include an electronic music duo with Burton’s long time colleague Alan Silva called “Parallel Worlds” for the Long Song Records label (Italy), and a solo piano CD of Burton’s latest compositions: “Narada Burton Greene: Live At Kerry-town House” on the NoBusiness Records label (Lithuania). Burton’s music is featured on about 70 recordings: records and CD’s.
For more information, recordings, or bookings please contact Burton Greene at: Burton Greene, Postbus 16610 – 1001RC Amsterdam – The Netherlands – Phone: 31.20.6250087 – email: firstname.lastname@example.org
CD version (incl. shipment cost world-wide)