Gustafsson ( Mats )

Swedish azz presents: Eric Carlsson & All Stars | Volume One & Two | Not Two Records

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Swedish azz is not a joke or a sideshow, as it might appear in a career as drivingly exploratory as Gustafsson’s. Nor is it merely a verbal game, playing with the derivations of jazz/jass/yazz. It is both homage and homecoming, a warm acceptance of the view from a small window on the world. It doesn’t take up slingshots or seek to knock down the neighbouring structures. It is accepting music, as rich and as heady as cognac. — Brian Morton Continue reading →

Correction with Mats Gustafsson | Shift | No Business Records

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The inmates riot in the House of Correction. The girls who put up postcards in London telephone boxes – are telephone boxes used for anything else now? – offer correction among other delights. The ticker-tape in newspaper offices – also not much used now – hesitates on a story, flags CORRECTION, and adjusts the casualty figures up or down. We know what the word means, and what it means is somewhere on the pleasure/pain divide, somewhere between sticking to and breaking the rules, some measure of restraint coupled to a throwing over of all restraint. — Brian Morton Continue reading →

Barry Guy New Orchestra (small formations) | Mad Dogs | Not Two Records

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In László Krasznahorkai’s The Melancholy of Resistance, the defeated musicologist Mr. Eszter, distraught at the fraud of equal temperament (which fakes the elegance of pure tuning), decries that the “world […] was too full of the noises of banging, screeching and crowing, noises that were simply the discordant and refracted sounds of struggle, and that this was all there was to the world if we but realized it.” It may well be that the world can be heard in bangs and screeches and crows; however, not all are the product of struggle. Some arise from the joys of cooperation, exploration, innovation, even downright Dionysian celebration and excess. These are the bangs and screeches of Mad Dogs, and they are a rallying cry for a world (or at least music) we can be proud of.– Dan Sorrells Continue reading →

Christian Skår Winther | Magnus Skavhaug Nergaard | Joakim Heibø Johansen | Mats Gustafsson | Ich Bin Nintendo & Mats Gustafsson | Va Fongool Records

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The three wildlings in ICH BIN N!NTENDO trooped up with The Thing’s critically acclaimed saxophone player, Mats Gustafsson, on their debute album released in october, 2012. Recording it during a live gig in Oslo, they managed to fully absorb the ultimate scolding energy of trembling musicians the album deserved and would not get from any studio. To fulfill the noise-soundscape to this record, Lasse Marhaug mixed and mastered it to perfection. ICH BIN N!NTENDO is a purely improvised trio and can be compared to bands like The Ex and the more experimental releases from ZU. Though, in the company with Mats Gustafsson, the closest comparison would be, if anything, the Original Silence recordings. Continue reading →

THE THING with Barry Guy | METAL ! | No Business Records

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Recorded live at Saint Catherine’s Church, Vilnius, Lithuania on 3rd April, 2011 by Arūnas Zujus. All compositions by Mats Gustafsson (STIM), Ingebrigt Håker Flaten (TONO), Paal Nilssen-Love (TONO) & Barry Guy (PRS), except “Ride the Sky” by Lightning Bolt, “Praseodymium” by Ingebrigt Håker Flaten (TONO) & Barry Guy (PRS) and “Neodymium” by Mats Gustafsson (STIM) & Paal Nilssen-Love (TONO). Mixed and mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by The Thing and Barry Guy. Executive producer – Danas Mikailionis. Co-producer – Valerij Anosov Continue reading →

TARFALA TRIO | Mats Gustafsson | Barry Guy | Raymond Strid | SYZYGY | No Business Records

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The TARFALA TRIO has its roots from 1992, meeting at the SOLO – 92 festival in Stockholm, Sweden. After that first encounter in 1992, the trio has worked sporadically and played festivals in Europe and releasing 2 Cds on Maya Recordings. This recording captures them playing live in Belgium, 2009. It is explosive, high energy loaded ferocious music focusing on low dynamic melodic material. Tarfala Trio is at their peak creating the most exciting improvised music you can hear today. Continue reading →