Recorded November 30, 2009 at Radio Studio Zürich, Switzerland by Martin Pearson. All compositions by Nate Wooley, Christian Weber and Paul Lytton. Mixed by Will-y Klangdach and Christian Weber. Mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by Danas Mikailionis. Co-producer – Valerij Anosov
Tracklist Side A 1. Pushing up Daisies 2. Moribund 3. Nickel Eyes | Tracklist Side B 1. La Grande Mort 2. Check Out Time (The End)
was born in 1974 in Clatskanie, Oregon, a town of 2,000 people in the timber country of the Pacific Northwestern corner of the U.S. He began playing trumpet professionally with his father, a big band saxophonist, at the age of 13. His time in Oregon, a place of relative quiet and slow time reference, instilled in Nate a musical aesthetic that has informed all of his music making for the past 20 years, but in no situation more than his solo trumpet performances.
Nate moved to New York in 2001, and has since become one of the most in-demand trumpet players in the burgeoning Brooklyn jazz, improv, noise, and new music scenes. He has performed regularly with such icons as John Zorn, Anthony Braxton, Fred Frith, Evan Parker, and Yoshi Wada, as well as being a collaborator with some of the brightest lights of his generation like Chris Corsano, C. Spencer Yeh, Peter Evans, and Mary Halvorson.
Wooley’s solo playing has often been cited as being a part of an international revolution in improvised trumpet. Along with Peter Evans and Greg Kelley, Wooley is considered one of the leading lights of the American movement to redefine the physical boundaries of the horn, as well as demolishing the way trumpet is perceived in a historical context still overshadowed by Louis Armstrong. A combination of vocalization, extreme extended technique, noise and drone aesthetics, amplification and feedback, and compositional rigor has led one reviewer to call his solo recordings “exquisitely hostile”.
In the past three years, Wooley has been gathering international acclaim for his idiosyncratic trumpet language. Time Out New York has called him “an iconoclastic trumpeter”, and Downbeat’s Jazz Musician of the Year, Dave Douglas has said, “Nate Wooley is one of the most interesting and unusual trumpet players living today, and that is without hyperbole”. His work has been featured at the SWR JazzNow stage at Donaueschingen, the WRO Media Arts Biennial in Poland, Kongsberg and Copenhagen Jazz Festivals, and the New York New Darmstadt Festivals. He is currently an artist-in-residence at Brooklyn’s Issue Project Room and just completed a residency at London’s Café Oto.
doublebass, composition, electronics, born in Zürich/Switzerland. 1990 discovery of the doublebass. 1993-96 studies at the University of Music and Dramatic Arts Graz. 1995-98 studies at the Bruckner Conservatory Linz with Adelhard Roidinger. 1998 studies with Ernst Weissensteiner, Vienna. 2000-06 operative and artistic management of the WIM Zürich. 2000- music for film & theater, soundinstallations. 2001 grant from the city of Zürich; composition commissioned by ProHelvetia. 2003 Zürich culture award (Werkjahr). 2004- extensive touring all over the world. 2007-10 guest lecturer at the University of Berne.
born 8 March 1947, London is an English free jazz percussionist. Lytton began on drums at age 16. He played jazz in London in the late 1960s while taking lessons on the tabla from P.R. Desai. In 1969 he began experimenting with free improvisational music, working in a duo with saxophonist Evan Parker. After adding bassist Barry Guy, the ensemble became the Evan Parker Trio. He and Parker continued to work together into the 2000s; more recent releases include trio releases with Marilyn Crispell in 1996 (Natives and Aliens) and 1999 (After Appleby).
A founding member of the London Musicians Collective, Lytton worked extensively on the London free improvisation scene in the 1970s, and aided Paul Lovens in the foundation of the Aachen Musicians’ Cooperative in 1976.
Lytton has toured North America and Japan both solo and with improvisational ensembles. In 1999, he toured with Ken Vandermark and Kent Kessler, and recorded with Vandermark on English Suites. As well Lytton collaborated with Jeffrey Morgan (alto & tenor saxophone) with whom he recorded the CD “Terra Incognita” Live in Cologne, Germany.
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