An artist-owned record label founded in 1997 by pianist/composer Satoko Fujii and trumpeter/composer Natsuki Tamura. With 27 CDs so far, from solo, duo, trio and quartet to big band and orchestra formats, Libra is dedicated to the near limitless musical and creative vision of these two highly prolific and creative cutting-edge artists. CDs feature beautiful original artwork on environmentally friendly paper covers. Continue reading
Tamura is a real world citizen of music, as familiar in traditional jazz, European folk as Japanse traditional music, as well as avant-garde. He has the amazing capability of integrating all these influences without diminishing any of the ingredients, but rather enhancing them, and all this while creating his own voice and sound full of artistic authenticity.The closing tune on the album, “Matsuri”, says it all, taking the listener from the usual tender warmth over intense staccato moments to alarming pig squeals and back to normal. Beautiful! — Stef
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This music is evidence of the existence of entire jazz worlds that most listeners and even collectors might easily be unaware of. Satoko Fujii is obviously a master and a visit to her website reveals a rich catalog of recordings. That such music can be recorded is evidence that such worlds can be easily visited by wanders who fly about in their internet tardis. Tornado was released by Circum-Libra Records. You can also get solo recordings by Fujii (Gen Himmel) and Tamura (Dragon Mat) on Libra Records. I will review these in short order. I urge you to seek out and purchase these recordings. This is music worth investing money, time, and heart in. —Ken Blanchard Continue reading
Koh was born 1979 as Koh Otera in Tokyo, Japan. At the age of 4 she started taking piano lessons. In 1992 she began studying the piano under Fumiko Yoshida (associate professor of Kunitachi College of Music) and Grete Dichler (professor of University of Music and Performing Arts Vienna, Austria), and from 1998 onward Koh began performing in public. Koh gratuated in 2002 from Kunitachi College of Music, and participated at various music festivals, and in 2004 she played together with Satoko Fujii and invited Ted Reichman to record in New York. Continue reading
KOH (Koh Otera) began her musical career with the help of composer and pianist Satoko Fujii, who produced and played on the Japanese vocalist, pianist and composer’s spare and promising debut, Yamabuki (Libra, 2005). A unique vocalist and pianist, with a rare sensitivity to poetic texts that are the basis for her playful compositions, KOH proves—six years later, with two completely different releases—why Fujii trusted her talent. On both sets she collaborates with drummer Masahiro Uemura, known for his association with sound sculptor Otomo Yoshihide’s outfits and the Shibusa Shirazu Orchestra. — Eyal Hareuveni Continue reading
I love Satoko’s strong charts and engaging harmonies for all of the reeds and brass with inspired solos from the tenor sax and trombone, but it is the strong ensemble sections that really stand out… Her great New York Orchestra has not played in New York for quite a while, we can only hope they have an opportunity to do so in the not too distant future. In the meantime, you can get this treasure and their many layers of talent. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading
My husband, Natsuki Tamura will turn sixty years old this year. In Japan we have a special celebration for sixty years olds, called “Kanreki.” We use the Chinese zodiac in Japan which is called “Eto,” so 12 years is one cycle. 60 is a special number because it is 12 x 5 and 10 x 6. The duodecimal system and decimal system meet at 60. I wanted write some music for this, and read a bit about the Chinese zodiac. Each of the 12 animals in the zodiac has its own character and each character inspired me a lot, so I wrote a short piece for each of them to make one long suite. Each piece has featured solo player. — Satoko Fujii Continue reading
They (Mengelberg and Verploegen) converse and dovetail with the amazingly prolific team of trumpeter Natsuki Tamura and pianist Satoko Fujii in a uniquely textured and beautifully nuanced performance recorded live at Amsterdam’s Bimhuis… At 43:31 this music would have fit on a single vinyl LP and it feels just right: long enough to be satisfying and short enough to leave you wanting more. Crossword Puzzle is a poly-portmanteu packed with creative, adventurous music. — Bill Barton, Signal To Noise Continue reading
As with all Fujii recordings, Watershed contains some very challenging and complex music, amidst quite a bit of beauty and wonder. The juxtaposition of traditional Japanese melodies and this quartet’s unusual sensibilities—even by avant- garde jazz standards—may ensure that even some of Fujii’s longtime fans are perplexed, or even confounded, by this music, yet, there’s no denying the passion and virtuosity involved. — Dave Wayne Continue reading
It must be a daunting job to be the third wheel in a trio with the likes of Satoko Fujii and Natsuki Tamura. Percussionist John Hollenbeck rises to it, though… Fujii’s prepared piano and Hollenbeck and Tamura’s quiet extended technique become an organic whole, sounding oddly electronic at times although the group is billed as being acoustic only… Hollenbeck, too, is an imaginative and subtle composer. He doesn’t try to stand out, at times disappearing altogether to allow Fujii’s compositions to show through. And they do. Fragment is yet another set of strong pieces well-played by the startlingly prolific pianist. ― Kurt Gottschalk, All About Jazz, New York Continue reading