Barnes ( Lewis “Flip” )

William Hooker | LIGHT | The Early Years 1975-1989 | No Business Records

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Light Box: Conception of William Hooker Don’t tell him he plays loud. He learned about music and his instrument playing within a tradition that straddles R&B and jazz. That tradition congeals in the smoothly accessible, yet sonically forceful music of the organ trios of the mid-sixties and it demanded amplitude. “An organ is powerful— a Hammond B3 with a Leslie tone cabinet. That’s a six foot cabinet. It’s got that swirly thing inside and you have to play with a certain amount of power,” — Thomas Stanley Continue reading →

Sabir Mateen | The Sabir Mateen Jubilee Ensemble | Not Two Records

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greetings my sisters and brothers…
i (we) really hope that you enjoy this debut recording of the jubilee ensemble. this is not a big band but an extension of the sabir mateen quartet (the name at that time, now it is called the sabir mateen ensemble). these compositions were originally composed for a small band but like most of the music i write, it can be played for any size band. this is one dream that has been fulfilled to release a large band recording. I want to thank the creator for allowing me to be alive to do this and my fellow musicians / artists for their never ending hard work and dedication to their art and i want to thank robert o’haire, plus marek winiarski and the staff of nottwo records for giving me the opportunity to record this. peace! — sabir mateen – february 22nd 2011 Continue reading →

Kip Hanrahan | Paul Haines | Darn It! | American Clavé

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…Darn it! Strings together an outrageous number of artists performing one after another in a polyglot line that stretches from Paul Bley’s solo piano ‘Threats That Matter’ through funky dance numbers by Greg ‘Iron Man’ Tate to a duet by trombonist Roswell Rudd and Canadian poetry Paul Haines, ‘Etait Dans La Nuit.’ Even its beautiful package, designed by artist / film maker / musician Michael Snow (who also contributes a lovely piano piece) enforces the compilation’s linearity, unfolding into a long accordion of personnel and poetry… Darn it! Overcomes stylistic impediments successfully, reveling in the way Haines’ terse writing can endure so many different kinds of interpretation.” — John Corbett, Downbeat Continue reading →

William Parker Double Quartet | Alphaville Suite | RogueArt Jazz

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I first saw Jean Luc Godard’s Alphaville on American television in the early 1970’s. It didn’t take long for me to realize that Alphaville wasn’t just another science fiction spy thriller; it was really a wake up call to modern society to be vigilant… …It has always been my dream write to a piece of music inspired by this great film. The plan was to have a double quartet, one quartet made up of strings (Julia Kent, and Shiau-Shu Yu cello, Jessica Pavone viola, and Mazz Swift violin). The other quartet is the regular working band of Rob Brown, alto sax, Lewis Barnes, trumpet and Hamid Drake, drums. I read the films screenplay and bought the DVD of the film to refresh my memory. Then I began to write the music, ending up with 15 compositions each one capturing a different aspect of the movie. The concept was to create an alternative soundtrack that could possibly be used in the film. While at the same time have a life of it’s own as concert music. Due to time restraints we only could record about half the music. Eight musicians blending as one while at the same time not giving up their individuality. — William Parker, excerpt from the liner notes Continue reading →