Wojtek Groborz Trio | Yet Another Bebop Day | Not Two Records

Bebop is still very much alive as you will find after listening to this CD. But you will find the opposite view written by many jazz historians who write, that bebop has never been understood in full and has been forgotten since the late 1940s. Parker and Gillespie’s music is still very much alive and inspiring many jazz musicians. I would like to state clearly that so called “modern jazz” began with bebop and that bebop is not the beginning of jazz. Henryk Cholinski Continue reading

The Resonance Ensemble | Head Above Water, Feet Out of The Fire | Not Two Records

Ken Vandermark – baritone saxophone & Bb clarinet | Mark Tokar – acoustic bass | Waclaw Zimpel – Bb & alto clarinet | Mikolaj Trzaska – alto saxophone & bass clarinet | Dave Rempis – alto & tenor saxophone | Michael Zerang – drums | Tim Daisy – drums | Steve Swell – trombone | Per-Åke Holmlander – tuba | Magnus Broo – trumpet | Devin Hoff – bass VI (on CD1 only)
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Blood Trio | feat. Sabir Mateen, Michael Bisio, Whit Dickey | Understory | Not Two Records

We’ve reviewed albums before with saxophonist and clarinetist Sabir Mateen bassist Michael Bisio and drummer Whit Dickey. Use the “search” engine on the right and lists of albums will appear, with the three artists as leaders in their respective bands, and in bands like Frode Gjerstad’s Circulasione Totale, William Parker’s orchestras, the David S Ware bands, or in albums with Joe Morris, Matthew Shipp, Joe McPhee, Daniel Carter … and many more. And now we get all three in a trio, and a real trio, with all three musicians shaping the sound. Is it all improvised? It’s hard to say, because most of the tracks have a clear and identifiable sound or even a theme, that, vague as it may be, creates the focus for the ensuing free development, with an underlying boppish element that is never far away. — Stef Continue reading

Joe McPhee | Fred Lonberg-Holm | Michael Zerang | Survival Unit III | Game Theory | Not Two Records

Joe McPhee – alto sax, pocket trumpet |Fred Lonberg-Holm – cello, electronics | Michael Zerang – percussion. Recorded in concert on October 26, 2010, at Instants Chavires, Paris, France by Jean-Marc Fossat. Mixed by Michael Zerang and Lou Mallozzi at Experimental Sound Studio, Chicago. Mastered by Rafal Drewniany (dts studio). Inside photo: Steve Robinson. Cover photo: Filip Przewozny. Cover design: Malgorzata Lipinska. Continue reading

Zlatko Kaucic Trio | Stefano Battaglia | Paolino dalla Porta | December Soul | Not Two Records

ZLATKO KAUCIC has been known to take household items and turn them into percussive instruments incorporating them into his music, experimenting with the sound they make and the sharpness and clarity of their timbres. This is also a point made by one of his most memorable fans Jakob, a ten year old boy, who attended Zlatko’s concert in Nova Gorica and said loudly to his father in the middle of the show, “Look what Zlatko is playing, some funny home-made instrument.” Provocative, thoughtful, spellbinding, and always original and contemporary, Zlatko Kaucic’s compositions have inspired collective improvisations in his native Slovenia and abroad for over thirty years, celebrating this achievement with his 2009 recording 30th Anniversary Concerts. His sonic contributions, experimental sounds and concepts can be found on 24 recordings combining his solo efforts and collaborative offerings.– SUSAN FRANCES Continue reading

Swedish azz presents: Eric Carlsson & All Stars | Volume One & Two | Not Two Records

Swedish azz is not a joke or a sideshow, as it might appear in a career as drivingly exploratory as Gustafsson’s. Nor is it merely a verbal game, playing with the derivations of jazz/jass/yazz. It is both homage and homecoming, a warm acceptance of the view from a small window on the world. It doesn’t take up slingshots or seek to knock down the neighbouring structures. It is accepting music, as rich and as heady as cognac. — Brian Morton Continue reading