Spacy Naan Cheese | More Cheese
Spacy Naan Cheese est un power trio qui invite à une expérience musicale psychédélique alliant Jazz Rock des 70’s, sonorités indiennes et énergie Metal. Continue reading
All artists filed by last name under Q, R and S :
Spacy Naan Cheese est un power trio qui invite à une expérience musicale psychédélique alliant Jazz Rock des 70’s, sonorités indiennes et énergie Metal. Continue reading
Martin Küchen – tenor and soprano saxophones – Jon Rune Strøm – double bass | Tollef Østvang – drums Track 1 (A) and 4 (B) by Leo Küchen and Martin … Continue reading
Today if one thinks back to the beginnings of European or more exactly (West) German Free Jazz, the names of Manfred Schoof, von Schlippenbach, Brotzmann, Globe Unity, or Gunter Hampel immediately come to mind. Much less known is the existence of two more remarkable groups which set out to play and record the then-new music called -Free Jazz- at the end of the 1960s. The “Free Jazz Group Wiesbaden” (FJGW) was one of those ensembles which today, undeserv-edly, are almost forgotten. — Ernst Nebhuth Continue reading
Bobby Bradford – cornet | Frode Gjerstad – alto sax and Bb clarinet | Ingebrigt Håker Flaten – bass | Frank Rosaly – drums Recorded 29th March 2014 at Philadelphia … Continue reading
Ken Vandermark – baritone/tenor saxophone, Bb clarinet | Stefano Ferrian – alto/tenor saxophone | Simone Quatrana – piano, zither/fx | Luca Pissavini – double bass | Sec_ – revox tape … Continue reading
Szilard Mezei – viola | Andrea Berendika – flute, alto flute | Bogdan Rankovic -alto sax, bass clarinet | Branislav Aksin – trombone | Mate Pozsar – piano | Erno … Continue reading
In Japanese culture KANREKI is the celebration of one’s 60th birthday. It is a time of reflection of one’s past experiences and renewal of one’s energies while moving forward into a new chapter of one’s life with clarity and determination. This CD would not have been possible without all the musicians here, Marek Winiarski and the love of Barbara Manes. — Steve Swell Continue reading
The work of composing rehearsing, and performing Double Arc took place in November, 2013. Now, more than a year and a half later, I am writing the liner notes to complete the last aspect of the project. The extended distance in time between the recording and mixing/mastering of the musi gave me a different perspective toward the material than I have for most albums. Working on now — 19 months after the performance was documented at the Manggha Culture Center in Krakow — what strikes me most is that this piece seems to be my Pierrot le Fou. No insult intende toward Jean-Luc Godard by comparing his work to mine but, as that film can be seen as a such motion of ideas and filmic strategies that he had developed up until that point, Double Arc can be heard as taking similar place within my own creative development. — Ken Vandermark Continue reading
if not for you, Billie Holiday, Lester Young, Charlie Parker, Connie Crothers, Nick Lyons, Adam Caine, Michael and Sylas Hollander, Sheila Jordan, and Virg Dzurinko, this album would not have been possible. thank you for your inspiration, your music, your lyrics, your support and your love. — Cheryl Richards Continue reading
John Howard Riley (born 16 February 1943) is an English jazz pianist and composer. Riley was born in Huddersfield. He began learning the piano at the age of six, and began playing jazz as early as the age of 13. He studied at the University of Wales (1961–66), Indiana University in America under Dave Baker (1966–67), and then at York University (1967–70). Alongside his studies he played jazz professionally, with Evan Parker (1966) and then with his own trio (1967–76), with Barry Guy on bass and Alan Jackson, Jon Hiseman, and Tony Oxley for periods on drums. Additionally he worked with John McLaughlin (1968), the London Jazz Composers Orchestra (1970-1980s), and with Oxley’s ensemble (1972–81). He and Guy worked in a trio with Phil Wachsmann from 1976 well into the 1980s, and played solo piano throughout North America and Europe. From 1978 to 1981 he played in a quartet with Guy, Trevor Watts, and John Stevens; in the early 1980s he did duo work with Keith Tippett, with Jaki Byard, and with Elton Dean. From 1985 he worked in a trio setting with Jeff Clyne and Tony Levin. Riley has taught at the Guildhall School of Music and Drama and currently teaches at Goldsmiths, University of London, where he has taught continuously since the 1970s. Continue reading