William Hooker | LIGHT | The Early Years 1975-1989 | No Business Records

Light Box: Conception of William Hooker Don’t tell him he plays loud. He learned about music and his instrument playing within a tradition that straddles R&B and jazz. That tradition congeals in the smoothly accessible, yet sonically forceful music of the organ trios of the mid-sixties and it demanded amplitude. “An organ is powerful— a Hammond B3 with a Leslie tone cabinet. That’s a six foot cabinet. It’s got that swirly thing inside and you have to play with a certain amount of power,” — Thomas Stanley Continue reading

Henry Kuntz & Paul V. Kuntz | DOUBLE VISION | HBD 03

On Double Vision, Paul and I began with the concept of “festival form” as showcased by the Envision Ensemble Live at Berkeley Arts Festival. At Paul’s suggestion, we expanded the bounds of the sonic fairgrounds to include: on Bluebonnet Poppies solo music of mine from the LP Ancient of Days, Light of Glory; on Redwood Oaks duo music by myself and John Kuntz from the cassette New World Music; and on Sagebrush Tumbleweeds generic crowd noise which is always an integral part of any festival sound field. — Henry Kuntz Continue reading