The art of throwing spinning-tops It’s on. It’s overflowing with energy.The music tosses the spinning-top of reality, since playing is spinning around what is, where hides what is not, what once was, and what one day will be. To play is to drill. And to improvise is to recover and develop “the faculty and the ability to ceaselessly birth sensations.” (Novalis) To improvise is to make the world flow, or to let oneself go as it flows. Sounds visit us and their levels rise within us like the waters of a flooding river – closeness of the Nile and the Mississippi. (Edward “Kidd” Jordan is the instigator of River Niger, a composition sometimes played by this quartet, which is at Jeff Albert’s instigation). When he is playing, Jeff Albert, proud heir of the tailgaters, has all the dykes and seawalls at his disposition. When he is playing, “Kidd” Jordan accumulates cataracts and deltas. There are at least two types of accumulation: the methodical accumulation of the merchant economy, the one which compiles and compacts, which amasses objects, signs, bits and pieces, which amasses time-frames also, in order to confirm them in their conformity and isolation. There is the poetic accumulation: it is spasmodic, disparate, thought-provoking -while it gathers, it squanders; while is uses, it rejuvenates. Lucid silt. — Alexandre Pierrepont (Translation: Romain Tesler) Continue reading →