Misha Feigin | Moscow by Heart

Misha Feigin: guitar, voice | Helmut Bieler-Wendt – violin, objects | Johannes Frisch – double bass. Poem by Misha Feigin. Produced by Misha Feigin. Cover photo by Valentin Michkevitch. All tracks recorded live at Badischer Kunstverein in full length with no overdubs or post production. Track 1 & 2 recorded in October 2004 at the first meeting of this trio. Track 4 to 6 recorded in May 2012. DPR Records, 221 N. Clifton Ave. # 31, Louisville KY 40206, USA. All music by Moscow by Heart Continue reading

Misha Feigin | Skippers In Training

The poetry of Misha Feigin bristles with improvisational energy, gentle resignation, a joie de vivre that is, by turns, wily and philosophical. A murder of crows in a naked tree become “the silent notes / In the chord of grief,” yet the heart of a solitary sparrow remains “big enough / To shelter one more spring.” These are poems that celebrate language, light, and the lucky accident that finds us alive in a place where “any choice is a cosmic choice.” Choose this book as I have done, and you will discover, time and again. “In every new breath… / The same nourishment.” Dig in! — Brett Eugene Ralph, the author of Black Sabbatical Continue reading

Misha Feigin | Cloud Letters

Misha Feigin won the Thomas Merton Prize for Poetry and was awarded the Al Smith Fellowship for Creative Nonfiction. His books include a novel Searching for Irina and a book of poetry, The Last Word in Astronomy, both by Fleur Publishing, Misha’s latest book is a collection of poetry, Abraham’s Bagel by Avid Readers Publishing Group. Continue reading

Misha Feigin | Abraham’s Bagel

Abraham’s Bagel is Misha Feigin’s second collection of poetry. He has received the Thomas Merton Prize for Poetry and was awarded the Al Smith Fellowship for Creative Nonfiction. His other books include Searching for Irina and The Last Word in Astronomy, both by Fleur Publishing. Continue reading

Misha Feigin | The Dew Drop Blues

With “Dew Drop Blues” Misha Feigin has created a beautiful set of anomalies, poetics that turn on an angle that only a bent mathematician such as he could invent and filled with a sardonic wit that is simultaneously dark and euphoric. And when words fail or need to transcend, Misha’s virtuosic guitar continues to propose impossibilities and hallucinations that tie everything together. — Elliot Sharp Continue reading