Second excellent work for ElectroAcousticalSilence on Amirani, here is an awesome sound investigation, with lyrical flights in a contemporary atmosphere and sudden perspective changes in depth, space, drama and warmth.Pisani’s bassoon poetry and Cosottini fluegelhorn sweetness find in Taketo Gohara‘s sound design a new teathrical dimension and a vertigo delight, excellently sustained and pushed by the groovy dash of Pedol’s grounding bass and the Melani’s refined drums. Continue reading →