Connie Crothers Quartet

Connie Crothers Quartet | Deep Friendship | NA1058

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The deepest friendship fosters freedom and from there, the joy of flight. The deepest friendship, like real freedom, is pluralistically unified, a place where the boundaries are malleable, at one moment wide open to the slow build and arc of myriad histories, then suddenly capturing a single moment in all its import, a look, a shared remembrance, a phrase spoken with neither artifice nor conceit, a simple act of communication whose ramifications define and transcend the shared experience, worlds and galaxies emerging from the gestural seed. Continue reading →

Connie Crothers | Lenny Popkin Quartet | Jazz Spring | NA1017

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The influence of Lennie Tristano’s teachings survives into the ’90s with the Connie Crothers/Lenny Popkin Quartet a principal exponent. “Jazz Spring” melds contrasting approaches, with mixed results. Crothers can be a forceful, percussive pianist, prone to dark, minor chords delivered with a stabbing attack. Popkin favors the tenor saxophone’s upper register, and plays smoothly in a style somewhat suggestive of Lee Konitz. As an accompanist, Crothers maintains tension, but sounds stern and hard-edged, almost at odds with the group’s bright, upbeat approach. As a soloist, Crothers adopts a more expansive, introspective persona. On the CD’s best tracks, “Jazz Spring” and “Beyond a Dream,” she exhibits a lighter touch, unraveling elaborate melodic lines. in this mode, she interacts effectively with Popkin’s tenor. — Down Beat, August 1994 Continue reading →

Connie Crothers Quartet | CCQT | Ontology | NA1035

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“The most striking aspect of the music they create is their ability to communicate their individuality while blending into a functioning, cohesive ensemble. This requires a considered approach to the question of “…the nature aand relations of being…” in a democratic group context — thus ontology. Maintaining an individual identity while coalescing into such a satisfying ensemble, and simultaneously creating such a high level of musical quality and surprise, is the true challenge of jazz. The degree to which these four musicians succeed on “Ontology” is refreshing and rare.” — Art Lange, June 19999 (from liner notes) Continue reading →

Connie Crothers Quartet | music is a place | NA1043

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They may have started as members of the Lennie Tristano school of jazz, but the members of this highly evolved and polished quartet, as much a collective as the band of pianist Crothers, has ventured far beyond the tenets of Tristano. They take liberties with time, tone, tempo, dynamics and attack that would horrify more orthodox Tristanoites. The lesson they do take to heart is the valuable one of perseverance, of the importance of playing their music as often as possible, or, as Crothers says, “I put a ton of time behind everything I do . . . I spend time with music. It’s a joy! Never work.” Continue reading →