Music in its purest state. Improvisation intended as a method of instant collective composition. Sonorous symbols which are as bare and essential as Zen aphorisms are dropped onto hypnotic and feverish pulsations. Gashes of a new psychedelia, with a visual valence that is cinematographic. Dilutions of sound meet with a killer instinct for proportions and colours. Displacements in real time, guided only by sparse but very distinct micro-thematic reference points. Enrico Terragnoli’s guitar is a box of sounds with unlimited secret compartments. Giorgio Pacorig’s Rhodes distances itself from the limits of its own tradition. Danilo Gallo’s bass meanders darkly around the gut and Zeno De Rossi’s drumming here is absolutely unbeatable. — Giorgio Signoretti Continue reading →