EX-P | Ancora Saigon | fratto 9

Improvisation and an estranged kind of sound are still the main features, searched inside the huge territories of rock. We’re aware of being a little late, we often look to a musical world and way of making music that’s run beside the times. The two electric basses can explore deeply the heaviness and versatility of the only true contemporary musical instrument, so technologic on the surface and neo-tribal at the core. Drums can distract from rhythms, sometimes becoming an acoustic colour and environmental noise generator. Continue reading

Andrea Marutti | Fausto Balbo | Detrimental Dialogue | fratto 9

Andrea Marutti and Fausto Balbo have met in 2005 at Lab12 in Vigevano; both active in music making since more than fifteen years, their friendship has grown over the years on the fertile ground of the interest that they share about electronic experimentation and their wide and open-minded listening habits. “Detrimental Dialogue”, their very first collaboration, deeply explores various types of analogue and digital synthesis (additive, subtractive, Physical Modeling, FM, Phase Distortion, Granular, etc.) and live electronics elements. Recorded together in the authors’ studios and then worked out in seclusion between 2007 and 2009, the tracks on “Detrimental Dialogue” were subsequently redefined during a one-week long collective mixing session rigorously made with analogue equipment and precious outboard effects at Fausto Balbo’s studio. Continue reading

Aspec(t) | Waspnest | fratto 9

Aspec(t) are SEC_ and Mario Gabola from Naples, Italy. SEC_ plays electronics through laptop. processed tapes, and analog synthesizer. Mario plays saxophone and feedbacks through a System of resonant dru m s and small speakers. Their music shares the timbrical research and the execution control typical of some radical irapro music (Pateras/Baxter/Brown, John Butcher, Jim Denley, Bruce Russell,..), but meets the visceral intensity and the obscure poetic of thé new aktionsm and of noise music (Rudolf Eb.er, Dave Phillips, Joke Lanz) as well as the research on analog devices and concrete sound materials of the sonic poetry (Lionel Marchetti, Jérôme Noetinger). The resuit is a fascinating and inextricable forest of sounds: frenetic structures, noise explosions, ancestral cries, an unceasing perversion of the soundscape and the time stream. Continue reading