Nemu Records

A European label like Nemu has the flexibility to present performers based both close by and across the pond. The only requirement, crucial for a new label, is a shared aesthetic. Not music that all sounds the same, but accomplishes similar things. Carnival Skin is a quintet of Americans except for German drummer Klaus Kugel, who is one of four Europeans in the Syntopia Quartet. Both albums are compelling, feature unusual front lines and highlight the often drastic differences between American and European jazz that no one usually wants to admit. Continue reading

Bruce Eisenbeil | Klaus Kugel | Perry Robinson | Peter Evans | Hilliard Greene | Carnival Skin | Nemu Records

Passionately concocted free jazz played with a strong, but never stolid, consensus of purpose. / This is definitely a group were variance of experience and style work as core virtues. / sharp-toothed collective improvisation / dynamic shifts that stretch from passages of somber quiet to flareups of explosive jangling catharsis. — Derek Taylor , ALLABOUTJAZZ.COM Continue reading

Steve Swell | Rivers Of Sound Ensemble…….News From the Mystic Auricle | Not Two Records

Steve Swell’s third release on the Polish NotTwo label moves the trombonist into new, though not entirely unfamiliar territory. On this occasion, his regular Slammin’ the Infinite band has expanded with the addition of trumpeter Roy Campbell to become the Rivers of Sound Ensemble. Hilliard Greene, who plays in Swell’s quartet with Gebhard Ullmann, takes over the bass chair from Matt Heyner, with drummer Klaus Kugel and reed maestro Sabir Mateen as holdovers. More significant though is Swell’s dispensation with composition for the three 20+ minute pieces presented here, each sporting group credits suggesting a collective genesis. That’s not to imply that this is merely a set of free jazz blowouts, though there are some cathartic moments to be sure. What’s striking is the restraint on show and the spontaneously conceived arrangements, which conjure a different setting for each horn soloist: evidence of the protagonist’s years of hard won experience on the New York free jazz scene. — John Sharpe, All About Jazz Continue reading