Francine Witte. Winner of the 2009 Pecan Grove Press National Chapbook Competition. Copyright C 2009 by Francine Witte. All Rights reserved. Cover art: “Shreds of Blue”, Copyright C 2009 by Pecan Grove Press. ISBN: 1-978-931247-61-0. Pecan Grove Press, Box AL, 1 Camino Santa Maria, San Antonio, TX 78022 Continue reading
A Family Saga Set in the Green Heartlands… In this fine Appalachian novel, Larry Smith chronicles four generations of McCalls, their joys and sorrows, their sins and their nobility….Such regional fiction has always been about people: their connections with one another, their home place, their struggles to survive and to prosper. It’s all here, set, in the grand tradition of Wendell Berry and Conrad Richter, against the Ohio landscape: its hills and its rivers, its frontier beginnings and its later industrial development. We care about the place and its people. Finishing the novel, we understand ourselves and our nation with a deeper knowledge. — Annabel Thomas, author of Stone Man Mountain. Continue reading
Yes, this writer is a woman, who knows that “every mouth’s its own love language, / lust’s first cousin.” And yes, she is a black woman, for whom the eyes of Barack Obama “are so deep brown / I see blue in them, / ocean water, / bones rising, / right fists raised.” And yes, like the rest of us, she’s getting older, “hair graying in places / I shouldn’t have hair.” But beyond all divisions, she is a poet, who knows that poetry is music, and music is “the first place Black and White / came together like unwritten notes / in a jazz composition.” In these poems Mary Weems both challenges and embraces America in all its turbulence and beauty. We should be grateful. — George Bilgere, author of Haywire. Continue reading
Over half the book is devoted to discussing, describing, and initiating newcomers to the various poetry scenes in Cleveland…Overall, both Cap City Poets and Cleveland Poetry Scenes offers interesting and distinct poetic portraits of their cities and scenes which should intrigue readers from all areas of Ohio. — Corey E. Andrews, Ohioana Quarterly Continue reading
A book for all times. Poems of Witness & Elegy, Exhortation & Action, Reconciliation, Shared Humanity, Wildness & Home, Ritual & Vigil, Meditation & Prayer Continue reading
if i scratch, if i write – the levy film produced & directed by KON PET MOON with Allen Ginsberg, Russell Salamon, Joan Turnbo, Russell Atkins, Martin Simon, Grace Butcher, Kent Taylor, John Scott, John Rose, Tony Walsh, Jake Leed, Dagmar Walter, Steve Ferguson, Ralph Delaney, Robert Carothers, Cleo Malone, Frank Osinski and Gerald Gold. 16-9 Anamorphic Widescreen 104 minutes.
This dvd is part of the d.a.levy & the mimeograph revolution book, edited by Larry Smith and Ingrid Swanberg. Chronology of his life and work, Biographical essays, Photographs, Interviews, Profiles, Statements, Letters, Art Work, Collage, Poems and Critical appreciations of his writing and art levy’s “Cleveland Prints” Eight pages in full color. ISBN -1-933964-07-3 | 276 pages. Continue reading
In Memory of Michael Pingarron and Paul Gleason Continue reading
This issue is for Flea Market Vendors everywhere & for anyone who has ever been broke. Continue reading
This is an opportunity.
What’s our message?
Too many messages!
A little message won’t hurt…
Let us loiter together
& know one another…
by Harry Partch Continue reading
William Carlos Williams wrote of Alfred Kreymborg: “Crude symbolism is to associate emotions with natural phenomena such as anger with lightning, flowers with love it goes further and associates certain textures with. Such work is empty. It is typical of almost all that is done by the writers who fill the pages every month of such a paper as. Everything that I have done in the past – except those parts which may be called excellent – by chance, have that quality about them. It is typified by use of the word “like” or that “evocation” of the “image” which served us for a time. Its abuse is apparent. The insignificant “image” ma be “evoked” never so ably and still mean nothing. With all his faults Alfred Kreymborg never did this. That is why his work – escaping a common fault – still has value and will tomorrow have more (Spring and All).” Continue reading