Al Faaet & J.A. Deane | Grand Cross Eclipse | Zerx
Percussion & trombone / electronics. Meteoric engagement. Cumulative effect. Eine Kleine buenas noches nachtfockingmusik. Continue reading
Musician, composer, sound designer, performer, BioAcoustics research associate: (bass flute, percussion, lap steel, sampling, electronics). Studied music in the Los Angeles public school system grades 5 through 12 and left college after one year to conduct independent studies in acoustic and electronic composition. Ten years of study while working as a musician/arranger in Los Angeles and San Francisco in rock, funk, salsa, jazz and free improvisation ensembles. Also as a “studio musician” doing pop, film and commercial recording sessions and as a sound designer/recording engineer for theater companies and dance companies.
Over the past twenty-five years J. A. Deane (a.k.a. Dino) has performed on over 40 recordings. From his own work to recordings by Ike and Tina Turner, Butch Morris, Brian Eno, Jon Hassell, and John Zorn. Mr. Deane has created sound designs for over 45 theatrical productions, and has worked with playwright/directors Sam Shepard, Joseph Chaikin, and Christoph Marthaler. In the world of dance he has composed, recorded and performed music for over 50 dance works during a twenty-year collaboration with choreographer Colleen Mulvihill. As a musician/performer Mr. Deane has given concerts at over 80 international music festivals in the U.S., Canada, Europe, Asia and South America.
In New Mexico he works with Theater Grottesco, producer Mark Weber, drummer Al Faaet, The Bubbadinos, and “OUT OF CONTEXT” (a conducted improvisation ensemble consisting of viola, cello, bass flute, bass trombone, harp, acoustic guitar, percussion, and live sampling). Mr. Deane is also a BioAcoustics research associate. BioAcoustics uses low frequency sound to help stimulate the self-healing potential of the body.
For a full portrait, bio and discography read An Interview with J.A.Deane by R D Armstrong.
Percussion & trombone / electronics. Meteoric engagement. Cumulative effect. Eine Kleine buenas noches nachtfockingmusik. Continue reading
“These guys are Roswell Rudd’s back-up band when he comes to New Mexico. Luxuriant maelstrom. Blissful chaos. No trivial corridor. Heraldic trombones !” — Mark Weber Continue reading
“The quiet before the storm. Lonesome whippoorwill. My grandfather used to call me up and say, “Mark, when’re we gonna make some music?” and I’d haul over to his place and we’d make some. Will the rappers someday be able to call their grandkids and ask the same?” — Mark Weber Continue reading
All tunes recorded in New Mexico, except #1. Mastered by Quincy. All compositions ©2000 by the artists (unless otherwise noted). fRont cOver by Mark Weber. Back cover by Ben L. … Continue reading
“Hubcaps & poetry. Used cars three year warranty. We were asked to do this installation at an art gallery for this city-wide cultural provocation on the theme of auto transportation. Autotransportation? ( We used a volunteer for the levitation portion of our act but there was something wrong with the foot pedals. )” — Mark Weber Continue reading
“As it sez right there on the slip cover, Ultra Americana Deluxe. And may I just add to that, here and right now, that these here Bubbadinos continue to explore the EXTREMELY alt. Western kinda canyons even Johnny Dowd merely peers down every now and then… provide more than their fair share of Uneasy Listening Pleasure… Turn it on, tune in, drop far out.” — Gary “Pig” Gold, In Music We Trust, March 2003 Continue reading
“These Times comes on the heels of Deane’s Grand Cross Eclipse (Zerx 024), and though the two disks were recorded about 12 years and 2000 miles apart, with different accompanying musicians, the similarities between these two recordings demonstrate how strong Deane’s music-making concepts really are… An interesting recording, and one highly recommended for fans of experimental electronics, and distorted guitars (especially Frisell’s).” — Dave Wayne, JazzWeekly Continue reading
J. A. Deane – conductor, sampler | Carla K. Barlow – sampler | Stefan Dill – electric guitar | Steve Feld – double bell euphonium | Tom Guralnick – soprano … Continue reading
As much as Bubba D loved playing the tracking sessions Dino loved the mixing sessions with the post crew DQW (dino/quincy/weber). When we finally dug into the studio “concept album” (#4- yup, we’re beating a dead horse/the sargent bubbadino sessions), we used George Martin’s book (with a little help from my friends), about the making of Revolver/Sgt. Pepper’s/Magical Mystery Tour, as the script for the entire project.– J.A. Deane Continue reading
My greatest invention. Some people call these things “samplers” akin to them embroidery and needlework delicacies those dear 19th century maidens stitched together. Just like that. — Mark Weber ALL … Continue reading