Not Two, 2004 | MW 756-2 | CD Christopher Dell – vibraphone | Chris Dahlgren – double bass | Maurice De Martin – drums Recorded (12.02.04) mixed and mastered (03.04.04) … Continue reading →
The violinist, fiddler and composer Albrecht Maurer studied violin at the Musikhochschule Köln and taught himself the piano, which he then later studied. In addition, he pursued the study of non-European tonal systems and computer music. He gathered his experience with new and experimental music through intensive work with many composers from the Kagel “school”, including Maria de Alvear, Carola Buckholt, and Manos Tsangaris. He has worked with various classical and jazz ensembles as pianist, synthesizer programmer, violinist, and singer. Albrecht Maurer belongs to a special part of the jazz world, named Modern Creative Jazz. Modern Creative is a contemporary form of Creative Music, which is seen as a further develovement of „free jazz“. It is non commercial. Continue reading →
The german clarinetist Theo Jörgensmann has always been open for progressive experiments. He is one of the musicians who made the clarinet socially acceptable again in the world of jazz, after the instrument had for years been considered to be old fashioned. It is now fifteen years ago that Theo Jörgensmann lead a successful quartet. After years of playing as a soloist in various projects he has now found a new ensemble with which he can make his visions of a vital, sensuous sounding, European improvised music become real. Christopher Dell, Christian Ramond, Klaus Kugel and Theo Jörgensmann were brought together by the sheer joy of playing music.The remarkable of this new group are its imagination, individuality and creative power. Continue reading →
After their acclaimed debut album “..actually, it’s better like this…”, this a long expected second album “3D: Not3”. The new album comes in a very special art-edition 2 CD-box designed by Konstantin Kern. For anyone who needs drawers: call it anything, in between the chairs of improvisation, minimal-music and sound-art.
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Pata Music or the Concept of Composed Spheres
If you want to know the meaning of “pata” you will have to learn that your dictionary stubbornly refuses to reveal any information in this respect. To illuminate the origin of the little word we need a short literary excursion into the fascinating world of Doctor Faustroll. Because it was he who in 1898 under the overall control of the French Alfred Jarry created the expression of ” pata physics “. In the epilogue of the German edition (Alfred Jarry, Heldentaten und Ansichten des Doctor Faustroll, Pataphysiker; Publisher: Zweitausendeins) the translater Klaus Völker gives the following definition: ” Pata physics is the science which is based on unreal logic and a new reality beyond the borders of the world of external appearences removed from the usual principles of causality. Everything is able to be mixed up, to be changed, to be turned around and exchanged: things, times and spaces. But nothing is arbitrary, only that every simplicity consists of an interrelated and self-penetrating complexity.” Continue reading →