Greenley ( Ken )

Big Hammer No. 5 | Iniquity Press

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William Carlos Williams wrote of Alfred Kreymborg: “Crude symbolism is to associate emotions with natural phenomena such as anger with lightning, flowers with love it goes further and associates certain textures with. Such work is empty. It is typical of almost all that is done by the writers who fill the pages every month of such a paper as. Everything that I have done in the past – except those parts which may be called excellent – by chance, have that quality about them. It is typified by use of the word “like” or that “evocation” of the “image” which served us for a time. Its abuse is apparent. The insignificant “image” ma be “evoked” never so ably and still mean nothing. With all his faults Alfred Kreymborg never did this. That is why his work – escaping a common fault – still has value and will tomorrow have more (Spring and All).” Continue reading →

Big Hammer No. 15 | Iniquity Press

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REMEMBERANCES

I don’t remember the reason we sat in front of Rite Aid that night. Someone needed a prescription filled. I do remember my mom banging her paims on the steering wheel, Asking, “Why did you ever become a writer?” “I don’t know mom. it was you and dad that bought me a desk for Christmas.” “That’s because your 6th grade teacher told us you had potential to be a professional writer. Not poetry, music and that other stuff.” She was visibly angry at the situation which brought us together. We were picking up pills for her husband Bob I now remember. It was the eve of his disappearance. Entering one hospital after another. Finally – allowed to rest – we surrounded Bob with the Lord’s Prayer. Such remembrance strangely triggered by a Leonard Cohen self-portrait – A drawing of his face – left lobe opened – in which he scrawled:

I never found the girl
I never got rich
Follow me

– John Lunar Richey Continue reading →

Ken Greenley | Uncle Sam’s Portrait | Iniquity Press

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Ken Greenley is a writer living and working in Denver, Colorado. The number of places he’s lived is only exceeded by the number of Jobs he’s had. Greenley like to explore the themes of class division (in a supposedly classless country), the struggle to stay spiritual in the modern world, and first-time experiences of any kind. He thinks art, particulary writing, should combat media brainwashing and examine the clash between what we’re told and what really happens. His work has appeared in numerous small press publications, such as Big Hammer, Philadelphia Poets, and The Bukowski Hangover Project. Continue reading →