Even when the mood is more reflective as on “The Spreading of the Idea of Popular Sovereignty,” there’s still an ambience of kinetic activity. Thanks for this is in no small part due to the amount of ground Joe Morris covers on bass beneath Hobbs’s braying fractiousness. Luther Gray’s work here has the effect of giving the music momentum for all of its relatively low-key aspect. Rhythmic vitality is to the fore also on “The Story of a Word,” wherein the group echoes the spirit of the trio Ornette Coleman had with David Izenzon and Charles Moffett without uncritically aping its every move. Hobbs treads a fine line between injecting melodic impetus and employing his alto sax as a third voice in rhythmic service and again the results have about them that air of individuality that’s never anything other than welcome. It’s no surprise that “Gunpowder” has its own incendiary quality. That stems largely from the tension the three musicians conjure up. Again Morris gives the music a momentum of which Hobbs certainly and Gray arguably seem to be in denial. As elsewhere, the resulting music hints not so much at a new vocabulary as it does a new form of interrelationship between rhythm and melody. — Nic Jones, AllAboutJazz Continue reading →