Stanley Nelson explores the range of poetic form. He utilises a traditional sonnet format in one section and an open, non-linear format, in which he not only breaks up words, but separates syllables and letters in another. The poems expand across the page. This book offers a mix of visual and auditory imagery, creating an alternative universe. Continue reading
Limbos for Amplified Harpsichord by Stanley Nelson is a musical and metaphorical tour de force, unique in both style and theme. Nelson writes a rarefied kind of projective verse. Words explode on the page, often utilised more for their musical value than for their literal meaning. At the age of 74, Nelson has declared this collection to be his greatest poetic achievement. He has been called the greatest avant-garde poet of his generation. The author of 16 published poetry collections, Nelson continues to push the boundaries of poetic form. Continue reading
This volume brings together 13 major poets of the American small press scene, each representing an important branch of the avant-garde as it has developed over the past forty years. Each of the poets is presented in a large selection, in most cases chosen by the poets themselves. They range in age from 41 to 81, their poetics range from visual/conceptual poetry to surrealism, from personal/observation poetry to cut-up & collage poetry. Powerful, touching, innovative & humorous, these poems illuminate the underground poetry scene to give the reader a view of the real new American poetry. Kirby Congdon, Hugh Fox, Stanley Nelson, Harry Smith, Richard Kostelanetz, A.D. Winans, Lyn Lifshin, Eric Greinke, Lynne Savitt, Doug Holder, John Keene, Mark Sonnenfeld & Richard Morris Continue reading
Stanley Nelson is considered by many to be the foremost avant-garde poet of his generation. In his third collection, Nelson once again demonstrates the validity of that claim with four new long poems, City of the Sun, Fragrances, Genesis Vibes and Heidegger. These poems deal with deep archetypes, science and religion in a manner that is simultaneously deconstructive yet formal. Stanley Nelson continues to present us with his unique vision of the possibilities of poetry in this latest offering. Who else could combine the courtesans and the old testament with jazzy music and quarks? Continue reading