Adam Pierończyk – tenor & soprano sax | Marcin Oleś – acoustic bass | Bartłomiej Brat Oleś – drums. Produced by Bartłomiej Brat Oleś and Marcin Oleś. Executive producer: Marek Winiarski. Recorded March 1-2, 2001 at Studio Radio TAK, Kielce. Engineer: Jacek Hajnrych. Cover photo: Mateusz Gross. Liner photos: M&M Gross. Design:Mariusz Kulan.
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Jacek Kochan – drums | Andre Leroux – tenor sax, soprano sax (1, 3, 5, 7) | Adam Pierończyk – tenor, soprano sax (2, 4, 6) | Michel Donato – bass (1, 3, 5, 7) | Sławomir Kurkiewicz – bass (2, 4, 6) | Grzegorz Nagórski – trombone (2, 6) | Piotr Wojtasik – trumpet (2, 4, 6) | Jean Pierre Zanella – alto, soprano sax (1, 3, 5, 7) Continue reading →
Interzone Plays with Adam Pierończyk Not Two, 2000 | MW 716-2 | CD Adam Pierończyk – tenor & soprano sax, zoucra | Mircea Tiberian – piano | Maurice de Martin … Continue reading →
PBS is a 1999’s trio led by drummer Jacek Kochan. The dominant style here is an Ornette-ish kind of free blues feel, with material contributed by all three men. Kochan, who directs the musical flow from the traps, studied in the U.S. back in the Eighties, and he combines the melodic drumming of a master like Max Roach with the polyrhythmic approach to Elvin Jones. His beat is infectious, and so is the lift he brings to a band. Considering that you can feel that kind of energy through your home stereo, imagine how inspiring it must be to be sharing a bandstand with Kochan. Saxophonist Pieronczyk has an attractively gruff sound on tenor, loose and facile with hints of Sixties-era Rollins and Coltrane. His soprano is a pleasant surprise, controlled and tuneful. Kochan’s “Sparrow Dance” is his soprano feature, as he races bassist Ed Schuller’s busy throb and the composer’s pounding drums to the end. Schuller is in his element here, with a lot of space to fill with his massive sound and an active rhythm partner in Kochan. He also contributes two compositions. His “Sooner Then Before” is a dedication to the late Jaki Byard, with Pieronczyk on tenor charging through the melody urged on by Kochan and the composr’s probing bass. It’s a long track, but they prove time and again on the CD that they can grab and hold the listener’s interest without strain, even on original tunes that run as long as ten minutes. The other long piece, “For Walter” by Pieronczyk, is a tender song that evokes a relaxed performance and a spirited tenor solo. All told, an ispired first-time encounter among three musicians with limitless imaginations and big ears. Very hip, and recommended. — Stuart Kremsky (Cadence) Continue reading →
The music on this album wants to reflect the great musical heritage of Romanian and especially Transylvanian folklore. The traditional songs are taken from the “Lautari” and vilagers’ repertoire, which you can still hear on weedings celebrations and in the village bars around the Carpathians The original compositions are written under the strong sensual impressions of our mutual trips through the Transylvanian highlands in the years 1997-2000. Enjoy the Music! — Maurice de Martin & Mircea Tiberian Continue reading →