Composer-pianist Satoko Fujii always writes large ensemble music that’s celebratory, eventful, and sweeping in scale. But for this album, she wanted to make “something beyond. I don’t know how I can explain. I wanted to paint a picture that extends beyond its canvas. I composed for life, which has many stages and changes and dramas.” “Shiki,” the nearly forty-minute magnum opus that comprises two-thirds of this CD, does indeed reach for “something beyond.” In the hands of the Satoko Fujii Orchestra New York, the big band she’s maintained for recording projects since 1997, the music rises off the pages of the score and confronts us, consoles us, challenges us to feel and to contemplate ultimate questions. Rooted in life, Satoko’s insights into the human condition are passed through her unique artistic vision and back into our lives to enrich us with its wisdom. “Shiki” is a Japanese word that translates as “four seasons” in English and the music is as changeable as the wind and weather. “I wanted a title that suggested change,” she says. “I think we human being also have seasons in our life.” The composition is one of her grandest pieces of musical architecture. Soaring arches of melody are supported by great anchoring columns of orchestra chords and a subtly textured floor of ensemble drones underpins much of it. — Ed Hazell Continue reading →