The Resonance Ensemble | Double Arc | Not Two Records

The work of composing rehearsing, and performing Double Arc took place in November, 2013. Now, more than a year and a half later, I am writing the liner notes to complete the last aspect of the project. The extended distance in time between the recording and mixing/mastering of the musi gave me a different perspective toward the material than I have for most albums. Working on now — 19 months after the performance was documented at the Manggha Culture Center in Krakow — what strikes me most is that this piece seems to be my Pierrot le Fou. No insult intende toward Jean-Luc Godard by comparing his work to mine but, as that film can be seen as a such motion of ideas and filmic strategies that he had developed up until that point, Double Arc can be heard as taking similar place within my own creative development. — Ken Vandermark Continue reading

The Resonance Ensemble | Head Above Water, Feet Out of The Fire | Not Two Records

Ken Vandermark – baritone saxophone & Bb clarinet | Mark Tokar – acoustic bass | Waclaw Zimpel – Bb & alto clarinet | Mikolaj Trzaska – alto saxophone & bass clarinet | Dave Rempis – alto & tenor saxophone | Michael Zerang – drums | Tim Daisy – drums | Steve Swell – trombone | Per-Åke Holmlander – tuba | Magnus Broo – trumpet | Devin Hoff – bass VI (on CD1 only)
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Hamid Drake | Kent Kessler | Ken Vandermark | DKV Trio | Past Present | Not Two Records

You can wonder whether seven albums are really worth it, and what it offers more than their existing catalogue. The answer is simple, it’s as good as the “Live At Wells & Chicago” album, their best album in my opinon, with similar drive and raw lyricism, and with a great sound quality, much better than “Baraka”, “Live” and “Trigonometry”. So, get your copy while they are available! — Stef Continue reading

The Resonance Ensemble | What Country Is This? | Not Two Records

In mid December of 2004for some completely unknown reason, a complimentary issue of Time Magazine showed up in my mailbox. I hate the periodical, never read it except when I’m at the dentist, so I have no idea why it arrived. On the front cover was George W. Bush’s face, he had been selected as “Person of the Year” by the magazine’s editors after his reelection as president. Just one more reason to hate the publication. As I flipped through the pages with masochistic curiosity while drinking my morning coffee, I came across the following, an excerpt from Late Ripeness, written by Czeslaw Milosz, a poet I had never heard of. — Ken Vandermark Continue reading

Ken Vandermark | Mark In The Water | Not Two Records

By the end of the night twenty pieces were recorded, and everyone present seemed to be as exhausted and elated as I was. Though a few notated compositions were played (“Sweet Dragon” by Joe McPhee closed the first set, “Love Cry” by Albert Ayler was the first encore of the second set, “Goodbye Tom B.” by Joe was the third encore and final performance of the evening), none of these performances were used for the album; they can be found on Marek Winiarski’s Not Two compilation, “Krakow Jazz Fall 2011.” Of the remaining material- nine portraits and eight open improvisations – I felt that only three of the “portraits” were strong enough to release, and that seven of the nine open pieces were worth including on “Mark In The Water.” Ironically, the conceptual strategy that helped me with the gig also proved to be the least viable from a musical standpoint. The mirror of this material has made it dear to me- it’s time to take the creative leap that Rutherford, Brötzmann, and McPhee encouraged; to erase the slate, walk on stage without a plan, and try to “tell the truth,” whatever that might be. — Ken Vandermark. Continue reading

The Resonance Ensemble | Kafka In Flight | Not Two Records

Magnus Broo – trumpet (Stockholm) | Michael Zerang – drums (Chicago) | Ken Vandermark – tenor saxophone, Bb clarinet (Chicago) | Mikolaj Trzaska – alto saxophone, bass clarinet (Gdansk) | Mark Tokar – bass (Kiev) | Steve Swell – trombone (New York) | Dave Rempis – alto & tenor saxophones (Chicago) | Per-Âke Holmlander – tuba (Stockholm) | Tim Daisy> – drums (Chicago) | Waclaw Zimpel – Bb & bass clarinet, taragato (Warsaw). All compositions by Ken Vandermark (Twenty First Mobile Music / ASCAP). Recorded in concert at the Philharmonic Hall, Gdansk, Poland, by Piotr Traszkiewicz on October 31, 2009. Mixed by Bob Weston and Ken Vandermark at Chicago Mastering Service. Cover design by Marek Wajda. Thanks to the musicians, Marek Winiarski, Marek Wajda, Ola Trzaska (who made the concert in Gdanks possible), the presenters who took a chance on the band (except for the organizer in Szekesfehervar, who never paid us), and of course – the listeners. Continue reading

Vandermak 5 Special Edition | The Horse Jumps & The Ship Is Gone | Not Two Records

This 2-CD’s set documents an expanded Vandermark 5 at Chicago’s Green Mill club in June of 2009. The quintet is assisted by Scandinavian stalwarts Magnus Broo (trumpet) and Håvard Wiik (piano), both members of Atomic who previously worked with several members of the Chicago outfit. The album once again proves that the Vandermark catalogue for this band is an awe-inspiring work-in-progress. Using several songs from ‘Annular Gift’ (Not Two, 2009) as a foundation, leader Ken Vandermark augmented his compositions, rewriting passages and rethinking their structures to fit this seven-piece Special Edition. The result is a striking balance of tight interplay, free excursions and anything in between. The album includes recent compositions, returns to ‘A Discontinuous Line’ and ‘Beat Reader’ (with a marvellous version of “Friction”), contains one new composition (“Nameless”) and two pieces composed by the guests: Broo’s “New Weather” and Wiik’s “Green Mill Tilter”. ‘The Horse Jumps And The Ship Is Gone’ is another strong V5-release, that not only confirms Vandermark’s reputation as one of the hardest working men in the business, but also the band’s telepathic interplay and adventurous spirit. — Instantjazz Blog Continue reading