Hasidic New Wave | Live In Cracow | Not Two Records

As part of the Jewish Culture Festival Cracow hosted an exceptional group from the US – The Hasidic NewWave. The concert of the quintet, which fuses jazz and funk with elements of Jewish and Arabic music, was truly a special event.Co-leaders trumpeter Frank London and saxophonist Greg Wall, guitarist David ,,Fuze” Fiuczynski, bassist Fima Ephron, and drummer Aaron Alexander displayed not only inventiveness, finesse, and unbelievable technique, but created what could only be called a musical spectacle. They were able to draw the audience into the music as virtually active participants, creating a sort of collective celebration of it in spite of the fact that what they played is by no means ..accessible” music. With their Cracow appearance, The Hasidic New Wave fully confirmed the qualities displayed on their CD ,,The Jews and the Abstract Truth”. Wall played incredibly; his improvisations, though rather far out, were well–constructed and convincing. His playing bore not a trace of calculated-ness, just honest, expressive, and highly personal creativity. London displayed equal sound-sculpting prowess, invention and enthusiasm while also connecting with the audience well. The rhythm section also deserves high praise: Fiuczynski amazed listeners with his Frank Zappa-esque guitar stylings, showing great musicality, sound, and feel; Ephron not only accompanied well, but tastefully integrated a variety of electronic effects into the music; Alexander played in a relaxed but at the same time extremely precise manner, with a perfect command of dynamics. His drums had a unique, soft, subtle, and warm sound. The audience had a great time, the atmosphere in the room more reminiscent of that at a regular dance-band gig that an avant-garde jazz concert. Lack of space was the only reason people didn’t start to dance. — Robert Buczek (Jazz Forum) translated by Kami White Continue reading

Scott Amendola | Ben Goldberg | Devin Hoff | Plays Monk | Long Song Records

Does the world really another trio interpretation of Thelonious Monk’s music? Well, take one look at the personnel involved here, and you’ll Know this isn’t simply another stab at revivalist orthodoxy. Bassist Devin Hoff, drummer Scott Amendola, and clarinetist Ben Goldberg have worked together and separately in many of the Bay Area’s most interesting groups (Hoff and Amendola are two thirds of the Nels Cline Singers; Goldberg is the newest member in the Tin Hat ensemble) and each is a strong band leader in his own right. They’ve also participated in two of the more intriguing recent homages to jazz masters. All three were members of New Monastery, Nels Cline’s recent homage to Andrew Hill; and Hoff was the bassist on The Door, the Hat, the Chair, the Fact, Goldberg’s tribute to Steve Lacy. — Signal to Noise Continue reading

Los Angeles Jazz Quartet | Family Song | Not Two Records

Dear Listener we are proud to present our latest recording, family song. The quartet has been composing, performing and recording with the same personnel for five years. Most of the titles of the compositions on this CD contain references to our families and friends. For this reason we would like to dedicate this album to those people who occupy a special place in our lives. LA. Jazz Quartet, July 1998 Continue reading

Vandermark 5 | Annular Gift | Not Two Records

The Vandermark 5’s Annular Gift is its most accessible and swinging recording to date. Recorded live (one reason) in Krakow, Poland, the quintet has come together (reason two) as a true aggregate of players. This is their fifteenth official release (there have been some CD-Rs and compilation discs) and third for the Polish label Not Two. The others were the sprawling and ultimately satisfying 12-CD collection of live dates at Alchemia in 2004 (since Alchemia, cellist Fred Lonberg-Holm replaced trombonist Jeb Bishop in V5) and a double-LP, Four Sides Of The Story (2006). Continue reading

Whit Dickey Trio | Emergence | Not Two Records

Ms. Eri Yamamoto is a NY based jazz pianist who has been playing regularly with her own trio for nearly a decade. After releasing three discs on her own Jane Street label, Eri hooked up with Matt Shipp and William Parker and has been moving into freer playing and forms. After playing on two discs for William Parker, Thirsty Ear released two discs under Eri’s name, another trio date and a duos session with William Parker, Hamid Drake, Daniel Carter & Federico Ughi. On each of these discs, Eri’s playing gets more adventurous. I caught this trio with Eri, Daniel Carter & Whit Dickey at this year’s Vision Fest (2009) and was knocked out by their performance. This is a studio recording and does have impressive sound and although these are group improvisations, it rarely sounds that way. “Conversation” is sparse and rather bluesy yet minimal piano, simmering muted trumpet and ultra subtle drums. What’s is interesting about this disc is that both Daniel Carter and Whit Dickey are known for being some of downtown’s most intense free improvisers, yet here they are unusually restrained and fit perfectly with the calm yet quietly provocative overall vibe. For “Get Up”, it is as if the players are moving through a dream and swinging at a medium tempo. “Mobile” is even more sparse and haunting, with exquisite flute from DC and suspense-filled sounds from Eli and Whit. “Twirls” is aptly titles since Whit sounds like he is twirling, providing the central uplifting rhythmic flow with the piano and tenor spinning around him. Throughout this disc Eli paints a skeletal thread between the members of this fine trio, weaving as one elegant singular force. A surprise move, a sly feint, from what we might otherwise expect from these folks. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading