Andy Meyer | Kyle Farrell | Jenna Barvitski | The Giants of Gender | Edgetone Records

(the)giants of gender are an experimental / avant-garde trio comprised of Andy Meyer (reeds), Kyle Farrell (vibraphone/percussion), and Jenna Barvitski (violin, viola), whose debut, self-titled album on EdgeTone Records is an almost unclassifiable amalgam of sounds and styles that is ultimately a very demanding and uneasy listen. Combining haunting classical arrangements with passages that touch on jazz, prog, avant-garde, and World music styles, the trio at times comes across like a head on collision between Oregon, Ornette Coleman, and Gentle Giant. Sort of….but not really. Despite the many moments of chaos and dissonant bombast, there are passages of tranquil beauty, like the gorgeous oboe and violin duet on the enchanting “a turtle lives in the waters”, and the emotional strains of “Soft Times”. Unfortunately, there’s not enough of that though, as the trio seems more inclined to crash and bash their way through this release. Listen to the furious assault of drums, violin, and sax cacophony during “Melody For the House”, or the monstrous waves of distorted sounds on “As Non Living”, for examples of just how avant-garde these three can take their music. For the most part, quite a bit of this debut seems anything but music, but like I mentioned earlier, there are enough moments of real beauty here to think that (the) giants of gender have only just begun, and we might see something really meaningful from them yet. — Pete Pardo Continue reading

Jim Ryan’s Forward Energy | Configurations 2002 | Edgetone Records

In what appears to be taking shape as the dark ages of the early 21st century simply endorsing the music that comprises Configurations 2002 – buying it, listening to it, and above all making it — can be seen as an act of rebellion. With political and cultural hegemony increasingly becoming the new world order of the day, radical free-thinking creativity runs directly counter to the seemingly inexorable tendencies of globalization and AOLTime Warner assembly line entertainment. It takes refuge in such virtually undisclosed locations as 21 Grand, The Luggage Store Gallery, 1502 Performance Space, and Kimo’s, venues unknown to the general public while faithfully sustained by the San Francisco Bay Area’s creative music community. On one day in May, 2001, and three days in January, 2002, Jim Ryan gathered the various configurations of his aptly named Forward Energy ensemble in those subterranean haunts and recorded five hours of spontaneous music-making, which have been distilled into this potent double CD. — Derk Richardson Continue reading

Jim Ryan’s Forward Energy | Where Are They? | Edgetone Records

This highly controversial release from one of the jazz masters of the beat generation presents his powerful group Forward Energy in “Where Are They?” In one of Jim Ryan’s best musical recordings to date, you get full bodied jazz explorations from lyrical flute work to full force high energy driving free wheeling swing. Guests include the legendary former Blue Note trumpet player Eddie Gale as well as young Los Angeles lionesses tenor saxophonist Alicia Mangan. Employing his unique classic poetry and slamming saxophone work, Jim presents thought provoking music that will keep you on your toes. Continue reading

Eddie the Rat | Insomnia Sound Bible | Edgetone Records

Insomnia Sound Bible is the songbook to a sleepwalker’s guide through oblivion. Its soundscape is made of violins and cellos, trumpets and clarinets, lots of percussion and homemade instruments, and telepathic harmonizing and other voices. As with all Eddie the Rat recordings, the intention is for the CD to be listened to as a whole, however, these are songs which can also be taken in their own context. Continue reading

E. Doctor Smith | The Drummstick | Edgetone Records

Having played for 20 years in jazz, fusion, pop, and folk bands as a serious student of drums, E. Doctor Smith developed a love of digital drumming that compelled him to design and build an instrument that would give him maximum flexibility as a writer, drummer, and performer. The Drummstick, a percussion controller with 16 finger-pads mounted on a 2 x 6 piece of wood, is worn like a guitar and used exclusively to achieve Doc’s primary goal in life— to make spirits dance. “From the banjo-meets-Bruford tribal groove of ‘Futureboy’ to the atmospheric sonic landscapes of “Girl of a Thousand Days,” E. Doctor Smith treads a musical road less traveled. His intrepid ensemble’s acid jazz explorations wander into every world musical nook and cranny, making this collection a trip well worth taking.” — Stephen Bray Continue reading

Thollem McDonas | Arrington de Dionyso | Intuition, Science, And Sex | Edgetone Records

Intuition, Science, And Sex is a free trio album meditation on one mode with two musicians and drone machines. On September 11th, 2007 Arrington deDionyso (Bass Clarinet) and Thollem McDonas (Rickety Old Beat-Up Piano) met in an industrial area of Portland with a simple question and complicated answers. Simplicity and complexity in their respective perfections, each idea developed over long spans of time. The result is a very different kind of album for both of these two prolific musicians. Continue reading

Rent Romus | Lords of Outland | Culture of Pain | Edgetone Records

Rent Romus’ long awaited release since 2000 with his ever changing group collective The Lords of Outland, crosses over the boundries of jazz and improvisation infusing noise, free thematic creation, and dismayed sonic expression on the state of the ‘union’, and its self-proclaimed iron fisted mighty hand of destruction and power as a means to world diplomacy and control. Continue reading

Yehudit & Beth Snellings | Different Strokes…Live | Edgetone Records

A Very Unusual Jazz Duo two classically trained and jazz savvy string players stretch the bounds of their instruments to create a unique approach to jazz standards and original compositions. Formed in the spring of 2000, Different Strokes has performed at venues around the Bay Area, including the Old First Church Concert Series, San Francisco Arts Festival, the SIMM series, the People in Plazas Series, the Canvas Gallery, the Dolores Park Café and the Citizen Cupcake Café (San Francisco), the Mill Valley Fall Arts Festival, the Bird’s Nest Jazz Series and the Voila Juice Bar and Café (Oakland), Rustico’s Restaurant and Caffe Trieste (Sausalito and Berkeley) as well as the Healdsburg Society for Music and Art. Different Strokes is also on the performance roster of Bread and Roses, Inc. The duo’s debut CD, “Different Strokes Live,” is available on the Edgetone label. Continue reading

C.O.M.A. | COMA | California Outside Music Associates | Edgetone Records

C.O.M.A. California Outside Music Associates inspired by the influences of Ornette Coleman and world music, blend sound creating a free expressive music. Originating from backgrounds in music education and performance, their styles have ranged from classical to modern rock and everything in between. Dax Compise and Brian Clark are both graduates of the Conservatory at the University of the Pacific (UOP), and John Vaughn has a bachelors and masters degree in music as well as a long history of working the east coast and mid-west jazz scenes. Their debut CD on Edgetone features original composition featuring their unique explorations and solid music traditions. Continue reading

Henry Kuntz & Paul V. Kuntz | JAsZ KHARdMA

The title JAsZ KHARdMA stems from Paul’s occasional use of a number of R. Crumb’s Early Jazz Greats Trading Cards inside the piano, laying the cards across the strings to achieve a flapping percussive effect. JAsZ KHARdMA evokes as well that improvisational inspiration of ours that comes from the jazz tradition. It represents our personal connection to that tradition through our family’s New Orleans history and ancestry. Appropriated images from the Early Jazz Greats Trading Cards within the album cover & CD art are used with permission graciously granted by R. Crumb. — Henry Kuntz Continue reading