Misha Feigin | Only One Road Revisited

Misha Feigin – classical guitar, voice 1-17 / balalaika 17 | Marc Vainrot – viola de gamba 3,4 | Segei Proshutinsky – medieval flutes, crumhorn 2,3,4 | Sergei Kopchenkov – piano, harpsichord 7,11 | Alexander Ivanov – keyboard 6,11 | Sergei Gurgbeloshvili – saxophone 7 | Mark Pekarsky – percussions 9 | Mihail Utkin – cello 9 | Lliya Lungin – flute 10 | Moscow String Quartet 9 | Mark Hamilton – electric guitars, electronics 12-17 | Dannie Kely – bass 12-17 | Hussam Al-Aydi – oud, keyboards, voice 14. Cover photo by LaDonna Smith. Insert photo by Misha Feigin. Back cover photo by Valentin Mitskevich Continue reading

Misha Feigin | Moscow by Heart

Misha Feigin: guitar, voice | Helmut Bieler-Wendt – violin, objects | Johannes Frisch – double bass. Poem by Misha Feigin. Produced by Misha Feigin. Cover photo by Valentin Michkevitch. All tracks recorded live at Badischer Kunstverein in full length with no overdubs or post production. Track 1 & 2 recorded in October 2004 at the first meeting of this trio. Track 4 to 6 recorded in May 2012. DPR Records, 221 N. Clifton Ave. # 31, Louisville KY 40206, USA. All music by Moscow by Heart Continue reading

Butch Morris Conduction Jazz Radio Show | Free Download

Butch Morris was quite eloquent and specific about what he needed from his music —- He came up in that modernist age where everything always had to be new, and he had enough perspective to see what parts of “new” were useful and what wasn’t —– He worked hard, the conduction method wasn’t born over-night, it took years to develop —- I was lucky to know him from our California days in the 70s —- and J.A.Deane was a close associate of the maestro and lived here in New Mexico at the time, so a radio show with his perspective was within our grasp —- I had interviewed Butch via telephone already a couple times on this Thursday jazz show, and he even called during this broadcast to say Hi and that he was listening in NYC via the Net —- (J.A. Deane was the production engineer for the 10-CD box set TESTAMENT that covered the first 50 conductions. Dino was a participant in many subsequent conductions with Butch performing all over the world. Dino also explored conduction from behind the podium himself when he launched his own long-standing ensemble Out of Context in 1996.) At the time of this radio show we did not know that Butch’s body had been assailed by cancer, nor did Butch. We were innocent that such dire history lay ahead. (Dino & Colleen relocated to Colorado in June 2o14.) — Mark Weber Continue reading

EX-P | Ancora Saigon | fratto 9

Improvisation and an estranged kind of sound are still the main features, searched inside the huge territories of rock. We’re aware of being a little late, we often look to a musical world and way of making music that’s run beside the times. The two electric basses can explore deeply the heaviness and versatility of the only true contemporary musical instrument, so technologic on the surface and neo-tribal at the core. Drums can distract from rhythms, sometimes becoming an acoustic colour and environmental noise generator. Continue reading

EX-P | Carpaccio Esistenziale | fratto 9

Entity formed by musicians strongly professing their psychedelic faith sons of post-modern breaking-up, incapable of choosing between jazz noise and Italian tunes of Japanese manga, ill at ease in paying our respects both to Pink Floyd and to the most tremendous metal. After ten years, conflagration leaves room to the need of building up a more constant and meditative way, creating EX-P. Continue reading

A Spirale | Agaspastik | fratto 9

Try to imagine Kevin Drumm and Bhob Rainey playing rock together, with a drummer that deviate their already deviant music playing something coming from the sixties. The aim is to make music “not playing” (barbarous music, quoting Cornelius Cardew), a torn body that spits blood, whose only movement is generated by spastic contractions due to injuries. Agaspastik represents the “step beyond” of A Spirale, that from electroacoustic destructuration of “Porosità” (cd-r) and “Gariga” (SM – 1360) expand their range of possibility and control over the sound matter, losing themselves in the languages of radical improvisation, of power noise, of punk… Very dark and violent music, with bewildering moments of melody… Continue reading

Andrea Marutti | Fausto Balbo | Detrimental Dialogue | fratto 9

Andrea Marutti and Fausto Balbo have met in 2005 at Lab12 in Vigevano; both active in music making since more than fifteen years, their friendship has grown over the years on the fertile ground of the interest that they share about electronic experimentation and their wide and open-minded listening habits. “Detrimental Dialogue”, their very first collaboration, deeply explores various types of analogue and digital synthesis (additive, subtractive, Physical Modeling, FM, Phase Distortion, Granular, etc.) and live electronics elements. Recorded together in the authors’ studios and then worked out in seclusion between 2007 and 2009, the tracks on “Detrimental Dialogue” were subsequently redefined during a one-week long collective mixing session rigorously made with analogue equipment and precious outboard effects at Fausto Balbo’s studio. Continue reading

Aspec(t) | Waspnest | fratto 9

Aspec(t) are SEC_ and Mario Gabola from Naples, Italy. SEC_ plays electronics through laptop. processed tapes, and analog synthesizer. Mario plays saxophone and feedbacks through a System of resonant dru m s and small speakers. Their music shares the timbrical research and the execution control typical of some radical irapro music (Pateras/Baxter/Brown, John Butcher, Jim Denley, Bruce Russell,..), but meets the visceral intensity and the obscure poetic of thé new aktionsm and of noise music (Rudolf Eb.er, Dave Phillips, Joke Lanz) as well as the research on analog devices and concrete sound materials of the sonic poetry (Lionel Marchetti, Jérôme Noetinger). The resuit is a fascinating and inextricable forest of sounds: frenetic structures, noise explosions, ancestral cries, an unceasing perversion of the soundscape and the time stream. Continue reading