William Parker

William Parker | Centering | Unreleased Early Recordings 1976 – 1987 | 6 CD Box Set | No Business Records

Posted by

5

This box of music is dedicated to my wife, Patricia. I would also like to thank the producer Danas Mikailionis for his conviction to the project and Ed Hazell for guiding us through these musical memories. I give sincere thanks to all the musicians who made a commitment to the music; those who have passed on to the next life – Billy Bang, Malik Baraka, Denis Charles, Raphe Malik, Jay Oliver, Charles Tyler, Arthur Williams – and those who continue to play and create beautiful music of their own today – Ramsey Ameen, Brenda Bakr, Roy Campbell Jr., Daniel Carter, Ellen Christi, Charles Downs, Charles Gayle, John Hagen, Masahiko Kono, Rozanne Levine, Alex Lodico, Zen Matsuura, John Mingione, Jemeel Moondoc, Lisa Sokolov, Ricardo Strobert, and David S. Ware. — William Parker Continue reading →

Billy Bang’s Survival Ensemble | Black Man’s Blues – New York Collage | No Business Records

Posted by

2

The late, great violinist’s first two albums — the first so obscure I missed it when I assembled a discography for my 2005 Voice piece on Bang. A quartet for the first record, with Bilal Abdur Rahman on tenor and soprano sax, William Parker on bass, and Rashid Bakr on drums. Rahman, an old friend of Bang’s, picked up Islam in prison and recorded reluctantly but more often than not his cutting and slashing is terrific here. Both albums are hit and miss, with bits of spoken word spouting political critique — “when the poor steal, it’s called looting; when the rich steal, it’s called profit” is one turn of phrase. Second album adds Henry Warner on alto sax and Khuwana Fuller on congas — Warner’s another player who shows up on rare occasions but always makes a big impression. Way back when I would probably have hedged my grade, seeing each album as promising but half-baked, but now they’re indisputable pieces of history — and not just because Bang and Parker went on to have brilliant careers. Also note that the label in Lithuania that rescued them cared enough to provide a 36-page booklet on the era and this remarkable music. — Tom Hull Continue reading →

Mike Pride | Scrambler | Not Two Records

Posted by

0

Mike Pride’s Scrambler starts off with a bang. On the first track, “A Cry For Unity” , the drummer-leader starts the trip with a barricade of beats. Soon enough his “Cry For Unity” is answered by a tremendous trio of sounds, William Parker booming his bass in with Charlie Looker’s subtle yet key guitar, allowing Tony Malaby to fly out of the boundaries of his sax. Looker steps front stage in “Sometimes It Just Goes To Show” with a refreshing tone. Clean and fast, with the occasional handmade effect, Looker delivers. At the drop of a hi-hat, this band of four can go off in their own dimensions, as they weave in and out of each other to create a smooth and ‘scrambling’ sound. The beauty is that as much as these guys go out riffing, they tighten up just as quickly with a flawless transition. A master collaboration of musicians.– allaboutjazz Continue reading →

Jason Kao Hwang | Will Connell Jr. | William Parker | Takeshi Zen Matsuura | Commitment – The Complete Recordings – 1981-1983 | No Business Records

Posted by

8

In some ways, Commitment was typical of many bands of their time. Between 1978 and 1984, they enjoyed a modest success by the subterranean standards of the Lower East Side. They struggled for gigs during the waning years of the New York loft scene, enjoyed higher profile gigs at several Kool Jazz Festivals, made one short European tour, and recorded one LP. But their music is more significant than this story might indicate. Hwang was among the first improvisers to emerge out of the Asian American movement. His presence in the band as composer and improviser makes Commitment one of the first Afro-Asian free jazz ensembles. The presence of Asian American, African American, and Asian musicians in one band was almost unprecedented in the New York lofts, and their fusion of elements from Asian and African American cultures was unique – Ed Hazell Continue reading →

David S. Ware Quartet | Live in Vilnius | No Business Records

Posted by

4

We are happy to introduce a new piece of music of the planetary value and significance – the last recording of the legendary David S. Ware Quartet. The performance took place in Vilnius in March 2007 and will be remembered among the most exciting musical acts ever. It’s our pleasure to deliver this music as a double recording to a wider audience worldwide and share the joy with you! NoBusiness Records is proud and happy to announce that this performance has been released as a double limited edition LP. Continue reading →