Butch Morris was quite eloquent and specific about what he needed from his music —- He came up in that modernist age where everything always had to be new, and he had enough perspective to see what parts of “new” were useful and what wasn’t —– He worked hard, the conduction method wasn’t born over-night, it took years to develop —- I was lucky to know him from our California days in the 70s —- and J.A.Deane was a close associate of the maestro and lived here in New Mexico at the time, so a radio show with his perspective was within our grasp —- I had interviewed Butch via telephone already a couple times on this Thursday jazz show, and he even called during this broadcast to say Hi and that he was listening in NYC via the Net —- (J.A. Deane was the production engineer for the 10-CD box set TESTAMENT that covered the first 50 conductions. Dino was a participant in many subsequent conductions with Butch performing all over the world. Dino also explored conduction from behind the podium himself when he launched his own long-standing ensemble Out of Context in 1996.) At the time of this radio show we did not know that Butch’s body had been assailed by cancer, nor did Butch. We were innocent that such dire history lay ahead. (Dino & Colleen relocated to Colorado in June 2o14.) — Mark Weber Continue reading
In Memory of Michael Pingarron and Paul Gleason Continue reading
This is an opportunity.
What’s our message?
Too many messages!
A little message won’t hurt…
Let us loiter together
& know one another…
by Harry Partch Continue reading
William Carlos Williams wrote of Alfred Kreymborg: “Crude symbolism is to associate emotions with natural phenomena such as anger with lightning, flowers with love it goes further and associates certain textures with. Such work is empty. It is typical of almost all that is done by the writers who fill the pages every month of such a paper as. Everything that I have done in the past – except those parts which may be called excellent – by chance, have that quality about them. It is typified by use of the word “like” or that “evocation” of the “image” which served us for a time. Its abuse is apparent. The insignificant “image” ma be “evoked” never so ably and still mean nothing. With all his faults Alfred Kreymborg never did this. That is why his work – escaping a common fault – still has value and will tomorrow have more (Spring and All).” Continue reading
The inspiration for this Laundromat-themed issue came from David Cope’s poem As the dryers rolled. I had 3 of my own laundromat poems & figured it’d be a good idea for a collection. —David Roskos Continue reading
“Inclusion is always an option.” Beth Borrus said that.
“I urge you all to make magazines.” I said that. Continue reading
I don’t remember the reason we sat in front of Rite Aid that night. Someone needed a prescription filled. I do remember my mom banging her paims on the steering wheel, Asking, “Why did you ever become a writer?” “I don’t know mom. it was you and dad that bought me a desk for Christmas.” “That’s because your 6th grade teacher told us you had potential to be a professional writer. Not poetry, music and that other stuff.” She was visibly angry at the situation which brought us together. We were picking up pills for her husband Bob I now remember. It was the eve of his disappearance. Entering one hospital after another. Finally – allowed to rest – we surrounded Bob with the Lord’s Prayer. Such remembrance strangely triggered by a Leonard Cohen self-portrait – A drawing of his face – left lobe opened – in which he scrawled:
I never found the girl
I never got rich
– John Lunar Richey Continue reading