Tomas Fujiwara | Taylor Ho Bynum | Stepwise | Not Two Records

On a spring day in 1997 I laid on a threadbare rug in an old Geary Street apartment in San Francisco. I had spent the day maniacally rushing around the city with my (very patient) friend to find a specific CD that had not yet come to Oregon, where I was living at the time. As my friend took a nap after all her driving, I stretched out in the sun and put on headphones : to listen. The name of the CD doesn’t matter for our purposes here, but what I heard is exactly to the point. It was pure, unadulterated joy. Big deal, right? We are constantly attacked in public by happy music. Joyful music on elevators, in ads for drugs and at the opening of tv shows. But this wasn’t just happy music; this was music that was nothing but joy, and there is a very big difference. This music I was hearing on that spring day wasn’t trying to represent joy. It wasn’t the kind of music that you want to dance to, or that gives you a warm sense of simpler times. This was a grouping of timbres, melodies, harmonies, and rhythms, played by a group of musicians, which summed up completely and wholly embodied the abstract concept of joy. It was in that moment, listening to that music as a young trumpet player, deciding whether or not to continue, that I saw a series of new paths open for me in my life. — — Nate Wooley, Fall 2009 Continue reading

Antonio Arnedo | Brian Willson | Dominic Duval | Border Crossing | Not Two Records

Throughout “In a Sentimental Mood” Dominic’s bass keeps a long-flowing, running dialogue with Brian sizzling cymbals and Antonio’s sublime sax. The one original piece is called “Dibujo” by Mr. Arnedo and it is sounds like a slightly twisted dream as it lurks towards a quirky conclusion. The final piece is Trane’s classic “Equinox” and a perfect closing song with some fine, haunting soprano from Antonio. This trio plays together as if they have been playing for many years, which is great considering that this was their first session together. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading

Szilard Mezei Ensemble | BOT | Not Two Records

If, as they say, the stick or rod is a part of the world-tree then this must be as true for the bow of the viola as it is for the flute, oboe, clarinet, tuba, or drumstick. Expert users of this bow are motivated by a quest for the path leading to the world-tree. As I imagine things, the person who draws his bow across his instrument knows that since they belong to the world-tree, sound and silence are not two separate things, but spring from the same stem. Because the root of these two things is one, silence cannot be the absence of sound, and sound is able to become music by virtue of the fact that it does not merely fill a space, but also creates that space. Accordingly, the person who having heard the silence stands centre-stage and calls forth sound with his bow creates and opens up a whole world. — Tibor Várszegi | Translated from the Hungarian by Chris Sullivan Continue reading

Joe McPhee | Dominic Duval | Jay Rosen | Mikolaj Trzaska | Magic | Not Two Records

As the 1990s drew to a close McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival, but the concert went unnoticed by the press; McPhee, Duval and Rosen therefore decided that an apt title for the group would be Trio X. A number of Trio X recordings, have since been released on the CIMP and CADENCE JAZZ RECORDS labels, and the band has received favorable critical notice for these, as well as for its live concert and festival appearances. This is the first Trio X album on NotTwo, and it features a special guest – one of the leading European improv music masters — Mikolaj Trzaska. Continue reading

Ken Vandermark | Marcin Oles | Bartlomiej Brat Oles | Ideas | Not Two Records

Our first contact with Ken Vandermark was just a handshake – at one of the concerts in Poland of the DKV formation. Marek Winiarski, the boss of NotTwo Records, introduced us to each other. Some time passed until we had the chance to play together for the first time. When the Vandermark Five gave a concert, at the Cracow music club Alchemia,we got together after and jammed. The idea of recording an album together was with us before the evening had ended. We had prepared original compositions for the recording session, but we talked before going into the studio, and after Ken Vandermark’s suggest we decided for the recording to be one of the free improvisation. We normally work in different musical fields and despite that, or maybe just because of that, every meeting like this brings about a new experience, even a kind of journey into the unknown… Marcin & Bartlomiej Brat Oles (album’s original linear notes) Continue reading

Ivo Perelman | Rosie Hertlein | Dominic Duval | Near to the Wild Heart | Not Two Records

For nearly two decades Brazilian-born and Brooklyn-based saxist Ivo Perelman has been evolving his own path of improvised jazz, playing solo, in duos, trios & quartets with a number of downtown’s best musicians. One of Ivo’s most constant companions is contrabassist Dom Duval who has recorded on perhaps a dozen of Ivo’s previous duo & trio CD’s. Violinist Rosie Hertlein has also recorded and performed with Ivo on occasion and is yet another local talent who has knocked me out whenever I’ve heard her play although she remains beneath the radar screen of recognition. Over the past decade, Ivo has also developed as a painter, helping him to establish himself in a different art scene. His wonderful and evocative works have adorned a number of his recent discs, this one has an especially appropriate cover. Tenor sax, violin and contrabass. An interesting combination which works so well here. The trio continually weave their wares around one another magically, swirling bowed notes with vocal-like sax sounds, ever distinctive, pure and often intense. Rosie has a way of matching Ivo’s middle register just right while Dominic holds the low end down and adds his own depth, warmth and richness. This is a most exciting dialogue that keeps developing, shifting, bending, twisting and coming together time after time. There is a sense of calm at the center of the storm, there is also an aura of mysterious ghosts floating throughout like those Ayler-with-strings moments. There are also those occasional eruptions and well-selected screams which are perfectly shadowed by the strings as they navigate the rapids washing over all three members of this grand trio with one voice. The further out this trio goes, the more they remain in the same orbit circling around one another in balanced, elliptical threads. Beauty is a rare thing and this discs is a rare treat.– Bruce Lee Gallanter, Downtown Music Gallery Continue reading

Gianni Mimmo | Harri Sjöström | Live at Bauchhund Berlin 2010 | Amirani Records

The soprano saxophone is an unsafe place. Here two musicians devoted to the “fish horn” in an intriguing sound mirror play. Transparence and flexibility of this rare formula rapresent the first nucleus of a reciprocal discover, a distance suddenly dialogic and without hiding possibility. It’s a dance, ovelapping different and close identities, where the inner voices catch themselves, giving room to a new narration, easy and complex at the same time, and to an expressive push. Deeply explored here, the soprano sax shows still a surprising modernity, a plastic psossibility, a great elegance and a more phisycal, direct sometimes violent side. Both pupils of the modern soprano sax master Steve Lacy, but with different derivations, Harri Sjöström and Gianni Mimmo are considered among the most interesting sound declinations of the soprano saxophone. Lyrical, ispired, harsh and warm at the same time they are performers with a personal style, great skills and sensitive feelings. Continue reading

Gebhard Ullmann | Michael Jefry Stevens | Joe Fonda | George Schuller | Conference Call | What About…? | Not Two Records

One of the finest improvising units working today Conference Call is a complete band, capable of touching all the jazz bases, be they individual or group improvisation, or the performance of composed music. The quintet’s sixth release, What About…? is a two-disc session from the band’s 10th anniversary tour, and was recorded live at Alchemia in Krakow, Poland.– Mark Corroto – All About Jazz Continue reading

Sabir Mateen | Frode Gjerstad feat. Steve Swell | Sound Gathering | Not Two Records

Saxophonist Sabir Mateen is one of those musicians who have been playing free jazz since the seventies, playing with all the icons of the genre such as Cecil Taylor, William Parker, Daniel Carter, Steve Swell and Frode Gjerstad, to name just a few. With the latter two he recorded a new album on Not Two, and a solo album on RogueArt. He is a frequent player in the free jazz mini big bands, like the Little Huey Orchestra, Gjerstad’s Circulasione Totale, and Earth People. On this album Sabir Mateen is co-leader with Norwegian saxophonist Frode Gjerstad, and with Steve Swell on trombone, Clif Jackson on bass and David Gould on drums. On the long first track, Swell’s trombone is one of the strongest voice, both in volume and presence, wailing in all emotional registers, from distress to sadness, with the two saxes adding appropriate background support, but the piece becomes strongest when the saxes do their solo-thing. Otherwise there are lots of dialogues and trialogues, and as the title of the album indicates, this is more about sound that about lyricism. That changes with the second piece, when Mateen picks up his flute for a hesitant, almost fragile slowly moving forward tune. With the third piece we’re back in high intensity territory, a kind of jubilant blowing fest. You get the gist: wild interaction reigns, lots of dense interplay, but in my opinion a little lacking in focus and real musical vision.–Stef Continue reading

Matthew Shipp | Sabir Mateen | Sama | Not Two Records

Pianist Matthew Shipp and multi-instrumentalist Sabir Mateen make for fascinating duet partners on this album, which is an eight part suite of completely improvised music recorded at the Roulette Studio in New York City. While Mateen plays a battery of instruments from saxohpone to flute, it appears that he sticks to clarinet throughout this recording. The high woody sound of the clarinet makes from a fascinating contrast with Shipp’s often low and probing keyboard playing. Shipp’s piano playing is clearly articulated and patient whether his is laying down a foundation for Mateen to improvise over, or engaging him in a head-to-head duet. Shipp lays down beautifully stark and dark toned chords and notes, and Mateen swirls and probes them in a natural and organic way. There is nothing forced about the music, the two work together seamlessly with a common goal and strategy in mind. The suite builds logically through a series of dynamic moods and textures, from fast paced free improvisation to long and low abstractions of melody and form. Both musicians are patient and sympathetic duet partners and they make music that has an open ended muse and graceful poise.– “Music And More”, Friday, April 23, 2010 Continue reading