Udo Schindler, Dr. Stephan Richter | 2. Salon für Klang und Kunst
Second of the series “Salon für Klang und Kunst”. Live session. Continue reading

Second of the series “Salon für Klang und Kunst”. Live session. Continue reading
Third in the series “Salon für Klang und Kunst”. One track. 25 Minutes. Live. Continue reading
fifth in the series “salon für klang und kunst” is localized talks| 26.02.2010 | all music by udo schindler (GEMA) and sebastiano tramontana (GEMA). liverecording: udo schindler. www.arch-musik.de Continue reading
Blaise Siwula – tracks 1-5 and 7-9 | tenor saxophone | track 6 | clarinet Duet track 9 | tenor saxophone | with Alan Wilkinson | baritone saxophone
Warm thanks to Alan for initiating these shows, Jim Dvorak @ Cross Kings and Paul Hession | nofrillsmusic.com | nfm-001
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Blaise Siwula – (alto-saxophone, tenor-saxophone, bass clarinet, bamboo flute) | Nobu Stowe – (piano) | Ray Sage – (drums)
Recorded at Wombat Studio Brooklyn, 9/4/2005. Recorded by Ross Bonadonna. Mixed by Blaise Siwula and Ross Bonadonna. Produced by Manfred Schiek.
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This music is the result of a casual session at my studio in Brooklyn. Carsten has been visiting NYC for the past few years in August and attending the improvised music series I curate – C.O.M.A. that takes place on Sundays at ABC No-Rio on the Lower Eastside. We had some interesting encounters during the open sessions and I suggested we meet at my place before he returned to Munich. Afterwards Carsten thought since we had no expectations an appropriate title would be “Projection: Zero”. As we both have an interest in Zen Buddhism it made sense… the music…the titles…the concept… The unique sound on this recording comes from our different backgrounds and approaches to music. — Blaise Siwula Continue reading
Following the recording session on September 4th 2005 which produced the Konnex Records release “BLAISE SIWULA, NOBU STOWE & RAY SAGE – Brooklyn Moments” (KCD 5177), Blaise, Ray and I decided to keep the trio as a regular-working unit. Mostly due to the distance between NYC (Blaise & Ray) and Baltimore (myself), we had to wait awhile to perform together again. The chance came when we had a gig at Kavehaz in the Chelsea district of Manhattan almost four months after. For this gig, we were joined by two guest musicians: the Ornette Coleman’s Prime Time guitarist, Bern Nix, and the up-and-coming viola player, Robyn Siwula. — Nobu Stowe Continue reading
Fulgornatus – “ornate lightning” from Latin roots- was recorded 10-4-08 in Brooklyn, NY. The song titles refer to reflective responses of the structures ie spontaneous compositions. This partnership began via the internet. John Gilbert guitar is a resident of Tampa, Fl and Blaise Siwula alto/tenor sax and clarinet is in Brooklyn, NY. They met at Blaise’s studio in Brooklyn with two microphones and a HD recorder and performed the concepts that had been inferred via email and phone calls. 20th century classical music … microtonal approaches in composition… Messeian…. Thelonious Monk. John Gilbert- guitarist and musical innovationist, serialist of microtones & death metal guitarist. Blaise Siwula – Saxophones/Clarinets adherent of free original music in any medium or genre. Continue reading
The album’s title is reflective of that experience and was suggested by a relief above a doorway of the palace at Palenque, Chiapis. To the Mayans, cross eyes were considered a mark of great beauty. — Henry Kuntz Continue reading
Jesus said: “I am the Light that is above them all, I am the All, and the All came from me and the All attained to me. Cleave a piece of wood and I am there; lift up the stone and you will find me there.” — The Gospel According to Thomas Continue reading