Radius | Witch of Agnesi | Plutonium Records

One of the exhilarating aspects of improvisation is that it occasionally gives musicians from divergent locations the freedom to get together and create instant compositions that sound as if they come from a working group. This is one of those instances. Recorded in concert at the aptly-named Outpost Performance Space in Albuquerque, New Mexico, the disc combines the talents of local tuba explorer Mark Weaver with that of discriminating drummer Dave Wayne of nearby Santa Fe, plus multi-reedman Alan Lechusza from San Diego, California and young bass master Damon Smith of California’s Bay area.–Ken Waxman, Toronto, June 3, 2002 Continue reading

Patti Littlefield | Mark Weaver | Resonance | Plutonium Records

Resonance certainly stands out from the glut of singer sessions. First off there’s the instrumentation: vocalist Patti Littlefield and tuba player Mark Weaver for the most part, though Weaver mixes in some didgeridoo. Then there’s the unusual choice of tunes ranging from adventurous originals to standards with some Blues and Country mixed in. But what most sets this apart is the quality of the work. Littlefield is a self-assured vocalist who brings the voice of each song to life. She establishes this from the start. She endows “You’re My Thrill” with a dangerous, sensual edge and then takes it further by interpolating a stanza of erotic poetry in the middle. Each song is a dramatic set piece. She gives the familiar tunes, such as “Caravan,” new twists, yet remains true to their emotional cores. Littlefield carries this off without strain. She’s so natural the listeners will be ready to run off with her when they hear “Small Day Tomorrow,” and sympathize with her psychological woes on her original, “Perfect Blues.” The spare accompaniment of Weaver’s horn only heightens the drama. He provides a resonant grounding. And his didgeridoo playing is more than the usual novelty. It adds an exotic touch that complements the New Age lyrics of “Footprints” and conjures an eerie atmosphere that helps revive “House of the Rising Sun” after so many raucous Blues-Rock renditions. The duo ends with a playful and lightly dancing “Jitterbug Waltz” that puts the exclamation point on this noteworthy session. —David Dupont (Cadence Magazine Oct 2009, p.219) Continue reading

AMH Trio | Alan Lechusza | Mark Weaver | Harris Eisenstadt | Live at Field & Frame | Plutonium Records

Releases like “live at the Field & Frame” serve notice that free improvisation and outside jazz (…or whatever you want to call it) are alive and well outside of NYC, Chicago and San Francisco. Tuba-ist Mark Weaver encountered San Diego-based multi-woodwind player Alan Lechusza while playing in Portland Oregon, in groups led by trumpeter Rob Blakeslee and trombonist Michael Vlatkovich. To quote Weaver’s own liner note, he and Lechusza “immediately felt an affinity” for each others’ playing, and planned their own project. — Dave Wayne Continue reading

Biggi Vinkeloe | Mark Weaver | Damon Smith | Desert Sweets | Plutonium Records

This is a band worthy of attention. They tap into the rich improvising tradition of exploration and offer superior sonic results. There are 22 tracks on this CD, all with examples of outstanding technical virtuosity and dazzling musical moments. Anyone familiar with numerology knows that 22 is a special number. It is one of the master numbers (along with 11) that represent the master cosmic vibrations in the universe, and signify a highly enlightened experience beyond the range of human understanding. The listening experience offered here is certainly one that stretches beyond our previous improvising understandings as listeners. This is a sonic journey that travels through some fascinating and beautiful new improvised terrain and offers a totally unique and rewarding listening experience. Enjoy the ride. —Adam Lane, new york/oakland, feburary 2002 Continue reading

Mark Weaver’s Brassum | Warning Lights | Plutonium Records

Given its name which reflects its brass-heavy instrumentation, you’d expect Mark Weaver’s Brassum to be a celebration of the brass band tradition with evocations of marching bands… But with leader and tubaist Mark Weaver taking on the role of the string bass, this band really is a free Bop ensemble with catchy, intriguing tunes setting up edgy blowing. Little Weaver plays wouldn’t fall easily under the fingers of an adept bassist. That’s not to say that his big brass bass doesn’t add a dominant color to the date. The tuba’s expansive sound envelops the ensemble with a golden fog. Even when vamping, Weaver’s lines (and this applies as well to the undisputed master of this school of tuba, Bob Stewart) resonate with the other horns in the way a string bass does not. Weaver and Eisenstadt prove to be a playful rhythm section. Clucas works well within the context of Weaver’s compositions. Vlatkovich further lifts the session with his robust, ripping trombone lines. …this music, through crafty writing and daring playing, achieves a sound larger than you’d assume from the seemingly meager complement of instruments. —David Dupont (Cadence magazine vol.30, No.6, June 2004, p.46-47) Continue reading

Paul Baylis | Jon Howard | Stuart McCallum

This meeting of this Manchester England based improvised music trio centres on 3 improvisations recorded during the summer of 2010. Most Interestingly,while these 3 excursions consist of a hair over an hour of extended works,the first 2 cuts “Forth” and Osiris Slain clock in at almost 30 minutes each. While these players may be unknown to most,the members have played with quite a few British talents like John Stevens, Dudu Pukwana, Cinematic Orchestra and Tim Garland as well as select meetings with other international names. For the most part, the performances are slowly unfolding dramas that make the most of spacious surroundings and a dreamy sonic landscape. Though mellow,this is vibrant music of beauty filled with gentle melodies that are often sparked by Baylis alto. — Jay Collins Cadence Magazine Ap,May,June 2011 Continue reading

Todd Moore (1937 – 2010) | A Memorial Reading | Vox Audio

This reading took place in tribute to Todd Moore at The Hardwood Art Center in Albuquerque, NM on May 22, 2010. Todd’s own reading from “The Name Is Dillinger” was produced by Todd Moore, J. A. Deane and Mark Weber for Zerxpress (2001) and is used with permission. Edited by Bruce Holsapple. Cover photo by Pete Jonsson. Copyright 2010 the Estate of Todd Moore, Zerxpress and Vox Audio PO Box S94 Magdalena NM 87825 Continue reading

Anne Valley-Fox Reads at Acequia Booksellers in Albuquerque, NM | Vox Audio

Anne reads from How Shadows are Bundled (UNM Press 2009). Her books include Sending the Body Out (Zephyr 1986), Fish Drum 15 (1999), and Point of No Return (La Alameda 2004). The first reading occurred November 29,2009 at Acequia Booksellers, 4019 Fourth St. NW, Albuquerque, NM. Additional material was recorded with Jeff Bryan on saxophone in Placitas, NM January 10, 2009. Continue reading

Donald Levering and Janine Pommy Vega Read at the Anasazi Fields Winery | Vox Audio

This reading was part of the 2010 Duende Reading Series Recorded in Placitas, NM January 10, 2010 (with loud heater fan overhead) Edited by Bruce Holsapple. Cover photo by James M. Gay Jr. Copyright c 2010 Donald Levering, Janine Pommy Vega and Vox Audio P.O. Box 594 Magdalena. NM 87825. Donald’s books include Outcroppings from Navajoland (Navajo Community College 1984), Horsetail (Woodley Memorial 2000) and Whose Body (Sunstone 2007). Janine’s recent books include Mad Dogs of Trieste, New &_Selected Poems (Black Sparrow 2000) and The Green Piano (Black Sparrow 2005). Continue reading

Amy Beeder and Stefi Weisburd Read at Acequia Booksellers | Vox Audio

This reading took place at Acequia Booksellers, 4019 Fourth St. NW, Albuquerque, NM on January 17, 2010. Amy Beeder is the author of Bum the Field (Carnegie Mellon 2006). Stefi Weisburd is the author of The Wind Up Gods (Black Lawrence 2007) and Barefoot: Poems for Naked Feet (Wordsong 2008). Edited by Bruce Holsapple. Copyright c 2010 Amy Beeder, Stefi Weisburd and Vox Audio PO Box 594 Magdalena NM 87825 Continue reading