In Japanese culture KANREKI is the celebration of one’s 60th birthday. It is a time of reflection of one’s past experiences and renewal of one’s energies while moving forward into a new chapter of one’s life with clarity and determination. This CD would not have been possible without all the musicians here, Marek Winiarski and the love of Barbara Manes. — Steve Swell Continue reading
The work of composing rehearsing, and performing Double Arc took place in November, 2013. Now, more than a year and a half later, I am writing the liner notes to complete the last aspect of the project. The extended distance in time between the recording and mixing/mastering of the musi gave me a different perspective toward the material than I have for most albums. Working on now — 19 months after the performance was documented at the Manggha Culture Center in Krakow — what strikes me most is that this piece seems to be my Pierrot le Fou. No insult intende toward Jean-Luc Godard by comparing his work to mine but, as that film can be seen as a such motion of ideas and filmic strategies that he had developed up until that point, Double Arc can be heard as taking similar place within my own creative development. — Ken Vandermark Continue reading
Ken Vandermark – baritone saxophone & Bb clarinet | Mark Tokar – acoustic bass | Waclaw Zimpel – Bb & alto clarinet | Mikolaj Trzaska – alto saxophone & bass clarinet | Dave Rempis – alto & tenor saxophone | Michael Zerang – drums | Tim Daisy – drums | Steve Swell – trombone | Per-Åke Holmlander – tuba | Magnus Broo – trumpet | Devin Hoff – bass VI (on CD1 only)
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In mid December of 2004for some completely unknown reason, a complimentary issue of Time Magazine showed up in my mailbox. I hate the periodical, never read it except when I’m at the dentist, so I have no idea why it arrived. On the front cover was George W. Bush’s face, he had been selected as “Person of the Year” by the magazine’s editors after his reelection as president. Just one more reason to hate the publication. As I flipped through the pages with masochistic curiosity while drinking my morning coffee, I came across the following, an excerpt from Late Ripeness, written by Czeslaw Milosz, a poet I had never heard of. — Ken Vandermark Continue reading
Magnus Broo – trumpet (Stockholm) | Michael Zerang – drums (Chicago) | Ken Vandermark – tenor saxophone, Bb clarinet (Chicago) | Mikolaj Trzaska – alto saxophone, bass clarinet (Gdansk) | Mark Tokar – bass (Kiev) | Steve Swell – trombone (New York) | Dave Rempis – alto & tenor saxophones (Chicago) | Per-Âke Holmlander – tuba (Stockholm) | Tim Daisy> – drums (Chicago) | Waclaw Zimpel – Bb & bass clarinet, taragato (Warsaw). All compositions by Ken Vandermark (Twenty First Mobile Music / ASCAP). Recorded in concert at the Philharmonic Hall, Gdansk, Poland, by Piotr Traszkiewicz on October 31, 2009. Mixed by Bob Weston and Ken Vandermark at Chicago Mastering Service. Cover design by Marek Wajda. Thanks to the musicians, Marek Winiarski, Marek Wajda, Ola Trzaska (who made the concert in Gdanks possible), the presenters who took a chance on the band (except for the organizer in Szekesfehervar, who never paid us), and of course – the listeners. Continue reading
This 2-CD’s set documents an expanded Vandermark 5 at Chicago’s Green Mill club in June of 2009. The quintet is assisted by Scandinavian stalwarts Magnus Broo (trumpet) and Håvard Wiik (piano), both members of Atomic who previously worked with several members of the Chicago outfit. The album once again proves that the Vandermark catalogue for this band is an awe-inspiring work-in-progress. Using several songs from ‘Annular Gift’ (Not Two, 2009) as a foundation, leader Ken Vandermark augmented his compositions, rewriting passages and rethinking their structures to fit this seven-piece Special Edition. The result is a striking balance of tight interplay, free excursions and anything in between. The album includes recent compositions, returns to ‘A Discontinuous Line’ and ‘Beat Reader’ (with a marvellous version of “Friction”), contains one new composition (“Nameless”) and two pieces composed by the guests: Broo’s “New Weather” and Wiik’s “Green Mill Tilter”. ‘The Horse Jumps And The Ship Is Gone’ is another strong V5-release, that not only confirms Vandermark’s reputation as one of the hardest working men in the business, but also the band’s telepathic interplay and adventurous spirit. — Instantjazz Blog Continue reading
At the end of the week, music fans from all over the region flocked to the concerts in Lviv and Krakow that the musicians had been rehearsing for over the preceding five days, one group even chartering a jet from Georgia. At the end of the week, when it was time to say goodbye, the bonds formed between some of the musicians were so strong that some couldn’t contain their tears. But for many of these artists it was adieu rather than farewell as many intend to build on their Resonance experience by collaborating with each again in the future. — Philip Palmer, Jazzwise magazine) Continue reading
There are albums that you can‘t stop listening to. That is “Boom Boom” by Atomic. Earlier released on CD only, this reissue on LP will provide a great joy for vinyl addicts. Now already a classical Atomic album includes a unique design with a special numbered insert. Continue reading
Like “Boom Boom” this is a reissue of Atomic’s long out of print 3CD box “Bikini Tapes”. It includes the best pieces from their tour in Europe in 2004 and remains one of the groups’ best releases. It is released as a tripple gatefold numbered vinyl with an original graphic work on the cover. A real bomb for the fans of great jazz music. Limited to only 300 copies. Be quick. Continue reading