William Carlos Williams wrote of Alfred Kreymborg: “Crude symbolism is to associate emotions with natural phenomena such as anger with lightning, flowers with love it goes further and associates certain textures with. Such work is empty. It is typical of almost all that is done by the writers who fill the pages every month of such a paper as. Everything that I have done in the past – except those parts which may be called excellent – by chance, have that quality about them. It is typified by use of the word “like” or that “evocation” of the “image” which served us for a time. Its abuse is apparent. The insignificant “image” ma be “evoked” never so ably and still mean nothing. With all his faults Alfred Kreymborg never did this. That is why his work – escaping a common fault – still has value and will tomorrow have more (Spring and All).” Continue reading
The inspiration for this Laundromat-themed issue came from David Cope’s poem As the dryers rolled. I had 3 of my own laundromat poems & figured it’d be a good idea for a collection. —David Roskos Continue reading
“Inclusion is always an option.” Beth Borrus said that.
“I urge you all to make magazines.” I said that. Continue reading
In Memory of my Sister Mary Beth Roskos & of our friend & fellow poet Dave Church, a pure product of America. Front a back cover photos by Donald Eng. Other photos found at flea market. —David Roskos Continue reading
My greatest invention. Some people call these things “samplers” akin to them embroidery and needlework delicacies those dear 19th century maidens stitched together. Just like that. — Mark Weber ALL … Continue reading
“First, it is a great thing to have Dillinger reborn again being read this time you hear his voice in poem Dillinger and Todd Moore is reading his poem of American hero. His voice (Moore’s) and poem enhances J. A. Deane’s music and the music fits like a knife in the rare cooked steak of Dillinger served up by Moore.” — Michael Basinski, The Hold, March 2002 Continue reading
This sturdy series of little ‘books’ has been compared to the Pocket Poets series begun in the early 60s by City Lights Publishing and continues to delight audiences with the powerful imagery of the writers selected. As Laurel Speer (Beatlick News) wrote: “You can carry a Little Red Book in your coat pocket along with a passport. The passport will take you out of the country. The book will transport you out into the galaxy.” Continue reading