ALBUzerxQUE Volume 17 | Zerx 057
My greatest invention. Some people call these things “samplers” akin to them embroidery and needlework delicacies those dear 19th century maidens stitched together. Just like that. — Mark Weber ALL … Continue reading
Richard Tabnik, jazz alto saxophonist, was born in New York City on April 6th, 1952 at 1:16 a.m. He still loves being awake at that hour, especially for gigs and jam sessions.
Richard Tabnik has been living in New York City since 1979. Between 1975-79, he lived in Buffalo, N.Y. He appeared on radio, television, and in concert with his own groups. He played lead alto in Frank Fosters Big Band at The State University of New York at Buffalo, and was a featured soloist at the historic Colored Musicians Club. The apex of his time there was 2-1/2 years with the Federally-funded [CETA] Buffalo Jazz Ensemble under the direction of Allen Tinney, with whom Charlie Parker played early in his career at Monroes Uptown House. Prior to this, Richard wrote for and performed in various contexts in Houston, TX., Atlanta, GA., and Providence, R.I., where he had his first jazz gigs under the tutelage of guitarist Tom Brown, who also gave Roy Haynes, the great jazz drummer, his first gig. Richard Tabnik studied with jazz alto saxophonist Lee Konitz from 1970 to 1972.
Richard’s most important musical experience in life, undoubtedly, was studying Jazz Improvising on alto saxophone – and on piano for a few years as well – with the outstanding, unparalleled, and overwhelmingly sought-after teacher, pianist, singer, composer, band leader, President of New Artists Records, recording engineer, jazz historian and lecturer, etc., etc., Ms. Connie Crothers since January 1980.
He was presented in concert in her studio soon after that in duos with Peter Scattaretico on drums and Ms. Crothers on piano. Currently, Richard Tabnik may be heard on DUO DIMENSION (NA1003-CD&LP) on New Artists Records, with Connie Crothers on piano. He and Ms. Crothers have performed in duo and in quartet. They appeared with Carol Tristano on drums and Calvin Hill on bass at Greenwich House in NYC on April 6, 1990. Mr. Tabnik appeared with Ms. Tristano and Mr. Hill at Greenwich House on January 11, 1990. He appeared as a solo artist in concert at Greenwich House on February 9, 1991 and released the solo alto saxophone recording, SOLO JOURNEY.
Recently released is a trio recording with Carol Tristano on drums and Cameron Brown on bass. It is on New Artists Records and is entitled IN THE MOMENT (NA-1015CD).
A quartet record with Andy Fite on guitar, Calvin Hill on bass, and Roger Mancuso on drums entitled LIFE AT THE CORE has just been released. The quartet, with bassist Sean Smith, gigged around NYC during 1993-4 in various clubs. In addition to the settings he has recorded with, Richard Tabnik is currently performing with the newly-formed quartet CCQt, featuring Connie Crotherson piano, Roger Mancuso on drums, and Sean Smith on bass. He has also performed recently in a trio with Roger Mancuso and bassists Ed Broderick, Sean Smith and Chris Lough. Richard Tabnik is currently listed in the Penguin Book of Jazz on CD, Records, and Cassette.
My greatest invention. Some people call these things “samplers” akin to them embroidery and needlework delicacies those dear 19th century maidens stitched together. Just like that. — Mark Weber ALL … Continue reading
“The poetry was a perfect foil to a musical background, consequently a good time was had by all, a visual and audible treat.” — Kenny Davern Continue reading
The deepest friendship fosters freedom and from there, the joy of flight. The deepest friendship, like real freedom, is pluralistically unified, a place where the boundaries are malleable, at one moment wide open to the slow build and arc of myriad histories, then suddenly capturing a single moment in all its import, a look, a shared remembrance, a phrase spoken with neither artifice nor conceit, a simple act of communication whose ramifications define and transcend the shared experience, worlds and galaxies emerging from the gestural seed. Continue reading
Thanks to Roberta Romeo, the genius who keeps my saxophone singing; thank you jushi (June Siegel) for believing in me when so few people did; thank you Sonny Dallas for all the wisdom that you imparted to me; thank you Lee Konitz for being the reason that I play the alto saxophone; thanks to John Zorn for The Stone; thank you Connie Crothers, for inviting me to do that trio gig at The Stone: you will always be my inspiration, teacher, and favorite musician; and above all, Thank You, Prem Rawat, for showing me Beauty beyond everything else. Thank you etc……Richard Tabnik Continue reading
Fire creates its own sonic universe. Its timbre comes from the burning, while the elemental transmutation breeds new forms of light and ash. It roars and whispers, constantly susurrating just below the energy that bespeaks its crackling multiplicity, its multileveled and precisely detailed identity. The title”Band of Fire” captures the essence of this music with uncanny perfection. Connie Crothers, Richard Tabnik, Roy Campbell, Ken Filianoand Roger Mancuso share a common tradition, but their musical vision refuses to be bound by it. The freedom they created at The Stone, on November21″, 2010, grounded in hard-won precision, tempered through improvisation, is released in bursts of flaming energy. Old forms burn as the quintet’s creative energy destroys and recreates them with new life. Continue reading
It was autumn. In New York. Warm days and chilly nights. The Lower East Side. Down at the Stone, where did Connie’s band find that amazing chord for that Sanskrit chant? Wow. — Mark Weber Continue reading
…a great musician with a unique approach that’s not a household name but still deserves world class attention… His solos are models of melodic improvisation…his conception is as vivid as it is unique…a saxophonist of unquestionable ability… –Tim Price, Saxophone Journal Continue reading
…aptly titled…music shaped by the moment’s inspiration…they can pursue uncharted paths with confidence and musical vocabulary rooted in past moments of the jazz experience…” – Lois Moody, Jazz News Continue reading
The songs on this album are not tunes which you are likely to start singing in the shower. More likely you will be stuck contemplating what it is about these songs that is so engaging. The elements presented could easily be a standard jazz recording session, but as soon as the first notes well-up you are immediately informed that you are in for a wild ride. The strumming and linear stylings of guitarist Andy Fite combined with the driving rhythm provided by bassist Calvin Hill and drummer-extraordinaire Roger Mancuso provide the perfect background for Tabnik’s lightening-fast improvisations. Tabnik reaches into this foundation to pull interesting and tasty pieces out which he uses to shape and create his solos out of. This is especially apparent in the two takes of Tabnik’s tune “Timescapes” (cuts 6 and 7). Listen for the interplay between Fite and Tabnik as they wind through the changes. Richard Tabnik is someone that you should definately check out. This is an artist who is not afraid to be himself. — Review (c)1996 Jason DuMars Continue reading
Piano and alto sax are paired in this program of nine original pieces plus the ballad oldie “Star Eyes.” Connie Crothers plays with great strength and fire, yet seems to draw her lines with lightness and a fine edge. Her rhythmic sense never wavers, even in the most “outside,” adventurous constructions she develops with Richard Tabnik. Some of the airy dryness of the late altoist Paul Desmond colors his sound, but Tabnik follows a different path in terms of both harmonic conception and energy. He and Crothers obviously share close ties in this music which is both individualistic and a direct descendant of the late pianist/teacher Lennie tristano. Substantial and refreshing. — Lois Moody Continue reading