Daniel Carter | Alberto Fiori | Tom Abbs | Federico Ughi | Perfect Blue | Not Two Records

Daniel Carter – alto sax, tenor sax, trumpet | Alberto Fiori – piano | Tom Abbs – bass | Federico Ughi – drums. Recorded on December 2, 2008 at Park West Studios, Brooklyn, NY by Jim Clouse. Edited by Alberto Fiori. Mixed and mastered on May 8, 2009 at ARTESOUND RECORDING STUDIO, Cavalicco, Udine, Italy, by Stefano Amerio. Produced by Alberto Fiori. Quartet photo by Alberto Fiori. Layout by Marek Wajda. All music by D. Carter / A. Fiori / T. Abbs / F. Ughi except # 1/3/5 by D. Carter / A. Fiori Continue reading

Oluyemi Thomas | Ijeoma Thomas | Michael Bisio | Kenn Thomas | Positive Knowledge – Edgefest Edition | Not Two Records

Oluyemi Thomas – bass, musette, flute, soprano, percussion | Ijeoma Thomas – voice , percussion | Michael Bisio – bass | Kenn Thomas – piano. Compositions by Ijeoma & Oluyemi Thomas (OLUIJEO UNIT MUSIC, ASCAP), Michael Bisio (AMB MUSIC, ASCAP), Kenn Thomas. Recorded by Oluyemi Thomas at Edgefest / Kerrytown Concert House, Ann Arbor, MI, October 15, 2009. Mixed and mastered September 2010 by Rafal Drewniany (DTS Studio). Cover photo by Oluyemi Thomas. Inside photos by Marc Andren. Layout by Andrzej Wojnowski. Continue reading

Tomas Fujiwara | Taylor Ho Bynum | Stepwise | Not Two Records

On a spring day in 1997 I laid on a threadbare rug in an old Geary Street apartment in San Francisco. I had spent the day maniacally rushing around the city with my (very patient) friend to find a specific CD that had not yet come to Oregon, where I was living at the time. As my friend took a nap after all her driving, I stretched out in the sun and put on headphones : to listen. The name of the CD doesn’t matter for our purposes here, but what I heard is exactly to the point. It was pure, unadulterated joy. Big deal, right? We are constantly attacked in public by happy music. Joyful music on elevators, in ads for drugs and at the opening of tv shows. But this wasn’t just happy music; this was music that was nothing but joy, and there is a very big difference. This music I was hearing on that spring day wasn’t trying to represent joy. It wasn’t the kind of music that you want to dance to, or that gives you a warm sense of simpler times. This was a grouping of timbres, melodies, harmonies, and rhythms, played by a group of musicians, which summed up completely and wholly embodied the abstract concept of joy. It was in that moment, listening to that music as a young trumpet player, deciding whether or not to continue, that I saw a series of new paths open for me in my life. — — Nate Wooley, Fall 2009 Continue reading

Antonio Arnedo | Brian Willson | Dominic Duval | Border Crossing | Not Two Records

Throughout “In a Sentimental Mood” Dominic’s bass keeps a long-flowing, running dialogue with Brian sizzling cymbals and Antonio’s sublime sax. The one original piece is called “Dibujo” by Mr. Arnedo and it is sounds like a slightly twisted dream as it lurks towards a quirky conclusion. The final piece is Trane’s classic “Equinox” and a perfect closing song with some fine, haunting soprano from Antonio. This trio plays together as if they have been playing for many years, which is great considering that this was their first session together. — Bruce Lee Gallanter, Downtown Music Gallery Continue reading

Szilard Mezei Ensemble | BOT | Not Two Records

If, as they say, the stick or rod is a part of the world-tree then this must be as true for the bow of the viola as it is for the flute, oboe, clarinet, tuba, or drumstick. Expert users of this bow are motivated by a quest for the path leading to the world-tree. As I imagine things, the person who draws his bow across his instrument knows that since they belong to the world-tree, sound and silence are not two separate things, but spring from the same stem. Because the root of these two things is one, silence cannot be the absence of sound, and sound is able to become music by virtue of the fact that it does not merely fill a space, but also creates that space. Accordingly, the person who having heard the silence stands centre-stage and calls forth sound with his bow creates and opens up a whole world. — Tibor Várszegi | Translated from the Hungarian by Chris Sullivan Continue reading

Joe McPhee | Dominic Duval | Jay Rosen | Mikolaj Trzaska | Magic | Not Two Records

As the 1990s drew to a close McPhee discovered two like-minded improvisers in bassist Dominic Duval and drummer Jay Rosen. The trio premiered at the Vision Jazz Festival, but the concert went unnoticed by the press; McPhee, Duval and Rosen therefore decided that an apt title for the group would be Trio X. A number of Trio X recordings, have since been released on the CIMP and CADENCE JAZZ RECORDS labels, and the band has received favorable critical notice for these, as well as for its live concert and festival appearances. This is the first Trio X album on NotTwo, and it features a special guest – one of the leading European improv music masters — Mikolaj Trzaska. Continue reading

Ken Vandermark | Marcin Oles | Bartlomiej Brat Oles | Ideas | Not Two Records

Our first contact with Ken Vandermark was just a handshake – at one of the concerts in Poland of the DKV formation. Marek Winiarski, the boss of NotTwo Records, introduced us to each other. Some time passed until we had the chance to play together for the first time. When the Vandermark Five gave a concert, at the Cracow music club Alchemia,we got together after and jammed. The idea of recording an album together was with us before the evening had ended. We had prepared original compositions for the recording session, but we talked before going into the studio, and after Ken Vandermark’s suggest we decided for the recording to be one of the free improvisation. We normally work in different musical fields and despite that, or maybe just because of that, every meeting like this brings about a new experience, even a kind of journey into the unknown… Marcin & Bartlomiej Brat Oles (album’s original linear notes) Continue reading

Ivo Perelman | Rosie Hertlein | Dominic Duval | Near to the Wild Heart | Not Two Records

For nearly two decades Brazilian-born and Brooklyn-based saxist Ivo Perelman has been evolving his own path of improvised jazz, playing solo, in duos, trios & quartets with a number of downtown’s best musicians. One of Ivo’s most constant companions is contrabassist Dom Duval who has recorded on perhaps a dozen of Ivo’s previous duo & trio CD’s. Violinist Rosie Hertlein has also recorded and performed with Ivo on occasion and is yet another local talent who has knocked me out whenever I’ve heard her play although she remains beneath the radar screen of recognition. Over the past decade, Ivo has also developed as a painter, helping him to establish himself in a different art scene. His wonderful and evocative works have adorned a number of his recent discs, this one has an especially appropriate cover. Tenor sax, violin and contrabass. An interesting combination which works so well here. The trio continually weave their wares around one another magically, swirling bowed notes with vocal-like sax sounds, ever distinctive, pure and often intense. Rosie has a way of matching Ivo’s middle register just right while Dominic holds the low end down and adds his own depth, warmth and richness. This is a most exciting dialogue that keeps developing, shifting, bending, twisting and coming together time after time. There is a sense of calm at the center of the storm, there is also an aura of mysterious ghosts floating throughout like those Ayler-with-strings moments. There are also those occasional eruptions and well-selected screams which are perfectly shadowed by the strings as they navigate the rapids washing over all three members of this grand trio with one voice. The further out this trio goes, the more they remain in the same orbit circling around one another in balanced, elliptical threads. Beauty is a rare thing and this discs is a rare treat.– Bruce Lee Gallanter, Downtown Music Gallery Continue reading