mudoks records 004
The musicians and players are: Paolo Spaggiari, Arianna Fiorini, Teresa Tresoidi, Mariagrazia Baraldi, Salvator de Lucia, Christian Pistoni, Marco Schiavetti, Cinzia Ghelefi, Luca Tavernelli, Paolo Succi, Lorella Rebucci, Carla Nasi, Ton! Toma, Claudio Cremaschi, Nicola Frignani, Simona Malagola, William Malagoli, Roberto Manicardi, Michele, Petriilo, Alessandra Barigazzi, Alessandra Fini, Sandro Cioni, Roberta Veronesi, Gianluca Pirrotta, Fabio Riva, Giampiero di Candia, Andrea Gualandi, Hubert Bergmann.
The Instruments: Tambourin, Rassein, several drums, Woodxylophon, Metallxylophon, several Basswoodblocks, Woodsticks, Triangel, Tempelblocks, prepared piano, Guitarre, Voice.
Tracklist: 1. Ninos 4:00 2. at tensione 3:35 3. poco a poco dopo 6:28 4. Balili 3:15 5. Igor’s Dream 6:01 6. Park Sandro(*) 3:05 7. Gianblue 2:57 8. Vieni andare 4:54 9. lachende Ruhe 5:47 10. Archverde 4:00 11. Buddha Robby ‘s pace 5:15 12. space points 3:22 13. di mattina 6:23 14. Nomenomen 5:47 15. cause 4:44 Total Time: 70:33
All pieces except (*) by Sandro Cioni are composed and directed by Hubert Bergmann. Produced by NAZARENO COOP. Sociale A.R.I. Via Bollitora Interne ,130 41012 Carpi (MO). Coproduction with:”Werkstatt fÜr improvisierte und neue Musik” Hafenstr. 10 D-88662 Oberlingen.
Recorded: 10.05. -14.05.99 at Carpi Tornelli rnusicschool. Recording Engineer: Hubert Bergmann. Mastering: Nova Studio / 41035 Massa Finalese via per Modena 121 a/b by Giuseppe Monari. Special thanks to Davide and Serena, Vittorio Possenti, Etyen Wery and the staff of NAZARENO. Layout: Hubert Bergmann / cover painting by Cesare Paltrinieri and Lucas (backside)
Each man can discover his nature
while observing himself in action. We have discovered, playing music ,that we like. Each single music passage of this CD was not created for a “pleasant listening” as it happens for comercial music: instead, each note expresses the person who has felt something new in the reality that surrounds him. The aim of this CD-fruit of a seminar about “improvised music” and “instant composing” – was in fact that of stimulate the freedom of the subject, that is new desires which would have been satisfied together. The work done was a special occasion for our guys to get a deeper knowledge of themselves as weil as joy reality through something newly incorporated music. Music created mouvement, opened towards something new and beneficial. That’s why we can speak of aesthetical experience. Friedrich Nitzsche begins one of his famous works with this sentence: “Since just thanks to aesthetic events, both our experience and our world have their reason forever …. ” The musical seminar was a pleasant unexpected event which gave us the possibility of knowing something beyond our usual reality.
The seminar was leaded by the German pianist and composer Hubert Bergmann
creator of a method introducing to the composition based on various structures of instant music called “CODE-MUSIC” . In all that, the most important aspect is the attitude while playing music, and not only with pieces composed by other persons, but also opening oneself to a spontaneous search for a musical resolution. Composition of instant music and strenghening of a musical language expressing “stories of moments”, are the most important interests. “Change” as the begining of a new originally language. That kind of performance can be considered as the equivalent of an interpretation of live, which consists of various and changing aspects, and which is an attempt for a conscious work in it.
CD version (incl. shipment cost world-wide)