Thomas Pernes | Andy Mandorff | Perndorff | Not Two Records

All compositions by Thomas Pernes and Andy Manndorff. Recorded at Pernes Private Studio – Vienna, September 5, 2003. Mastered at Red Yard Studio, Vienna. Sound Engineer: Karl Petermichl. Photographers: Herbert Ellinger (Andy’s photo), Didi Stattmann (Thomas’ photo), Thomas Pernes and Andy Manndorff (landscape photo). Designer: Bartosz Winiarski. Andy Manndorff plays strings made by Thomastik-Infeld exclusively. Supported by SKE-Fonds, austro mechana. Copyright 2004 by Thomas Pernes and Andy Manndorff, AKM. Continue reading

Joe Giardullo | Weather | Not Two Records

Solo soprano saxophone albums in so-called free improv are surprisingly frequent these days (think Alessandro Bosetti, John Butcher, Stéphane Rives, Michel Doneda…) but in jazz they’re still relatively rare, probably because the musicians concerned don’t exactly relish being compared to Steve Lacy, whose work still remains something a benchmark in the genre, albeit an idiosyncratic one. In fact the distinction I’m trying to draw is a rather silly, maybe even nonexistent one, insofar as three of the four pieces on offer on Weather are marked as Joe Giardullo “compositions” (though they sound pretty open and improvised to me). The fourth track though is most definitely a composition, and a well-known one too: Coltrane’s “A Love Supreme” (rather sloppy titling, that: in fact it’s “Acknowledgment”). Giardullo, taking advantage of an intimate acoustic and attentive audience in Cracow’s Klub Re (home base for Not Two’s Marek Winiarski), seeks to lift Coltrane’s work gingerly down from the ridiculously high pedestal on which it’s been placed over recent years and return it to the domain of the personal, the introspective. Dan Warburton Continue reading

Marcin Oleś | Ornette On Bass | Not Two Records

Oles’ 12-track CD is a tribute to Ornette Coleman, creating versions of the alto saxophonist’s combo compositions using only his bass. Oles may be the first bassist to record a whole solo CD of Coleman themes. But considering many of the heads harken back to the country blues string band tradition, a bull fiddle would seem to be ideal for the task. You’ll certainly believe that once you’re heard the Krakow-based bassist traverse the tunes. For instance on “Humpty Dumpty”, he speeds up the tempo a bit, yet here and throughout the disc he allows the basic song-like quality of Coleman’s themes to come out. At times as well, his vibrations are such that plucks and the echoing malleable harmonic tones almost sound like two basses. — Ken Waxman Continue reading

Marcin Oleś | Theo Jörgensmann | Bartloliej Brat Oleś | Miniatures | Not Two Records

Robust circulating spirits guide the interaction of the trio of M.Oles, B.Oles and Jorgensmann on Miniatures. After an ethereal opening, strong, responsive bass lines by M.Oles carve a trail through uncharted territory while B.Oles clears all the underbrush with his power-laden drumming. Jorgensmann leaps into the clearing breathing fire through his basset clarinet (a slightly longer version of today’s instrument with extended range in the lower register), resulting in the group taking full charge with simulating improvised music. Although titled Miniatures, the CD’s selections evolve as fully developed, open statements on the creative art form. Tonally, the music dips to the deepest end of the sonic pool through M.Oles’ probing resonance and to its apex, where Jorgensmann creates a maelstrom with his fiery blowing. — Frank Rubolino Continue reading

Janusz Muniak Quartet | Annie | Not Two Records

Some recordings just don’t inspire to set jazz world on fire and take you into an unexplored regions. Well, one might say, that they don’t contribute anything new to jazz history. So, why was it was recorded at all? For whom? Frankly speaking I ask myself this question each time I put newest Janusz Muniak’s CD “For Annie” on. And every time the answer is the same: this music is for me. If I listen to this music with pleasure, if it frequently visits my home, it means that there is something in it, something just for me. And I reckon that there might be quite many people like me. — Pawel Baranowski Continue reading

Joe Morris | Sensor | No Business Records

Joe Morris is a veteran musician, playing and teaching in New England and New York. Primarily known a guitarist, he added bass to his arsenal about a decade ago, and has built a remarkably original and personal conception of the instrument. This solo album was recorded in 2010 and released as a limited edition vinyl record. — Tim Nilund Continue reading

George Kalamaras and Alvaro Cardona-Hine Read at Acequia Booksellers | Vox Audio

This reading took place at Acequia Booksellers, 4019 Fourth St. NW, Albuquerque, NM on July 18, 2010. George Kalamaras is the author of Gold Carp jack Fruit Mirrors, Borders My Bent Toward, and several other books. Alvaro Cardona-Hine is the author of many books, including The Curvature of the Earth, done in collaboration with Gene Frumkin, His most recent book, The Recumbent Galaxy, was written in collaboration with George. Edited by Bruce Holsapple. Photo by Mary Ann Cain. Copyright c 2010 George Kalamaras, Alvaro Cardona-Hine, and Vox Audio, PO Box 594 Magdalena NM 87825 Continue reading