Gianni Mimmo | Angelo Contini | Two’s Days / Tuesdays | Amirani Records

The duo is translucent and light formula, first communication nucleus, distance to live, exploration of a moment-built spaces. Duo is a pure modality, where catching inner voices, subtle tones moves. Sanding tones, sculpted light, earthquake’s delight. Dialogical to welcome and fuse the silences with sounds. Two instruments, a soprano sax and a trombone, without any rhythmic or harmonic support, played with a contemporary attitude, in a composed and improvised score, including originals and a couple of tunes by Steve Lacy two sounds, friends & enemies, two sides: instinctive & direct vs elegant & mindy, really blade runners. Continue reading

Gianni Mimmo | One Way Ticket | Amirani Records

One way ticket is a compendium of Gianni’s quest on the soprano sax. Besides those already mentioned, there are compositions by Monk, S.Lacy, and D.Ellington. A varied and unusual repertory tackled with innovativeness and inventiveness. The use of extended techniques, the result of intense hard work on the instrument, is never “encyclopaedic”, but a function of an aesthetics that looks carefully at the relationship between monodic sound and silence. Continue reading

Angelo Contini | Mirio Cosottini | Gianni Mimmo | Alessio Pisani | A Windy Season | Tidal Amphidromic Cotidal | Amirani Records

Be sure to find here a cutting edge recording! Marvellous sound textures, perfectly balanced moods and violent delights. Surprising, one-of-a-kind wind quartet featuring sizziling musicians taken here in an excellent album. A Tidal music where elements dance in a fluid structure starting from solid centers and radiating to live nerve endings. Continue reading

Wild Chamber Trio | Gianni Mimmo | Elisabeth Harnik | Clementine Gasser | 10.000 Leaves | Not Two Records

The WILD CHAMBER TRIO recording is full of that freshness that easily overcomes genres and categories. The technical preparation of the single performers is impressive and the Trio emphasizes a powerful sense of ensemble by making-music-together in a constant listening to each other in a continuum that is rich of an almost endless palette of colours, sensitivity, shadow and light, weight and lightness. — Dario Palermo 5/2011 Continue reading

EA Orchestra | Likeidos | Amirani Records

Amazing interplay and brilliant skills are here the perfect medium to reach perfect result, in terms of complexity, fresh interpretations and emotional involvement. A breathtaking performance in a superbe recording session, featuring the most interesting voices of the italian avant-scene, here is an high level release with intriguing compositions by bassoonist Alessio Pisani and trumpetist Mirio Cosottini, founders of GRIM, artistic association that aims to promote improvisation and a fresher approach to modern composition. Continue reading

The Shoreditch Trio | Again | Amirani Records

When I think about what I look for in a musician it is that they add something to music. That they have their own musicality. The musician also has to have a generosity of spirit. Freely bringing their complete range of skills to the playing situation and serving a musical imperative rather than following or hiding behind an agenda. They must also have what I call the edge. This is creating in real time. There are many musicians who can play Charlie Parker solos note for note but the edge is missing as they are not, nor ever could be, Charlie Parker. Non of us can be someone else. To have the edge is not to trot out a series of well rehearsed licks but to be there, in the moment, playing the music in the way only you can. I have had the good fortune to have played with three musicians on this CD and they pass all my criteria to the full. Generous with ideas, open minded and spirited, and with a genuine musical curiosity. As a group I heard them in October 2009 at Shoreditch Church in London and thought at the time ‘this group has legs’ meaning that it could continue growing and developing its music for a long time if the chance was there. I’m delighted it wasn’t a one off concert and that the group has indeed grown into the fine one you can here on this CD, where each musician is intimately aware of the space occupied by the others and the aim is quite simply to play good music. — John Russell Continue reading

Gianni Mimmo | Harri Sjöström | Live at Bauchhund Berlin 2010 | Amirani Records

The soprano saxophone is an unsafe place. Here two musicians devoted to the “fish horn” in an intriguing sound mirror play. Transparence and flexibility of this rare formula rapresent the first nucleus of a reciprocal discover, a distance suddenly dialogic and without hiding possibility. It’s a dance, ovelapping different and close identities, where the inner voices catch themselves, giving room to a new narration, easy and complex at the same time, and to an expressive push. Deeply explored here, the soprano sax shows still a surprising modernity, a plastic psossibility, a great elegance and a more phisycal, direct sometimes violent side. Both pupils of the modern soprano sax master Steve Lacy, but with different derivations, Harri Sjöström and Gianni Mimmo are considered among the most interesting sound declinations of the soprano saxophone. Lyrical, ispired, harsh and warm at the same time they are performers with a personal style, great skills and sensitive feelings. Continue reading