Narada Burton Greene | Live at Kerrytown House | No Business Records

Though modern, “avant-garde” jazz is an ensemble music often based on collective improvisation, solo performance is its own extraordinarily fruitful sub-area of investigation for the creative improviser. Without a reactive, interpretive partner (or several), the solo recital blurs the lines between composition and improvisation as the performer enters a world of unfettered development. Greene has been performing and recording solo since the 1970s, and these settings have yielded some of the most powerful statements in his oeuvre. As diverse as Greene’s palette is, his music is entirely about being grounded – and at home. — Clifford Allen Continue reading

THE THING with Barry Guy | METAL ! | No Business Records

Recorded live at Saint Catherine’s Church, Vilnius, Lithuania on 3rd April, 2011 by Arūnas Zujus. All compositions by Mats Gustafsson (STIM), Ingebrigt Håker Flaten (TONO), Paal Nilssen-Love (TONO) & Barry Guy (PRS), except “Ride the Sky” by Lightning Bolt, “Praseodymium” by Ingebrigt Håker Flaten (TONO) & Barry Guy (PRS) and “Neodymium” by Mats Gustafsson (STIM) & Paal Nilssen-Love (TONO). Mixed and mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by The Thing and Barry Guy. Executive producer – Danas Mikailionis. Co-producer – Valerij Anosov Continue reading

Nate Wooley | Christian Weber | Paul Lytton | Six Feet Under | No Business Records

Six Feet Under (2009 [2012], NoBusiness): Trumpet, bass, drums, respectively. Lytton is the best known, one of the major drummers of Europe’s avant-garde, but Wooley has been prolific since 2002, even more so since he started releasing records under his own name in 2009 (AMG lists eight, missing this one — an LP release limited to 300 copies, so I’m glad to have received my CDR). Scratchy, lots of low volume, high pressure maneuvers, making the few sections where the trumpet breaks loose all the more impressive. —Tom Hull Continue reading

Wild Chamber Trio | Gianni Mimmo | Elisabeth Harnik | Clementine Gasser | 10.000 Leaves | Not Two Records

The WILD CHAMBER TRIO recording is full of that freshness that easily overcomes genres and categories. The technical preparation of the single performers is impressive and the Trio emphasizes a powerful sense of ensemble by making-music-together in a constant listening to each other in a continuum that is rich of an almost endless palette of colours, sensitivity, shadow and light, weight and lightness. — Dario Palermo 5/2011 Continue reading

Joe Moffett | Noah Kaplan | Giacomo Merega | Jacob William | Luther Gray | Ad Faunum | Not Two Records

It’s not a terribly common rationale for a session of freely improvised music. “The idea was to offer an almost ritualistic praise of animals,” says trumpeter Joe Moffett. And so these five players, under Moffett’s de facto leadership, chose the group name Ad Faunum. “To the animal” is one possible rendering from the Latin, although Ad Faunum (“To Faunus”) is actually the title of Ode XVIII by the Roman lyric poet Horace (65 BC-8 BC). Faunus is half man and half goat, the Roman counterpart to the Greek god Pan. “I was thinking of a primeval idea,” says Moffett, “an idea of ‘worship’ music, something very old, even prehistoric. It relates to the kind of primal energy I imagined creating with this group. Also, I was reflecting on people’s almost religious regard for animals, on humanity’s complex relationship to these other creatures that live in the world.” — DAVID R. ADLER, New York, June 2011 Continue reading

Will Guthrie | Solo – Sticks, Stones & Breaking Bones

The hardest thing in the world is to have an original idea. As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, “brutality”, all of which point to performance, not playing. Musicians cling to the next solution that the media spotlights, as if consensus actually ever helped anything in art. — Anthony Pateras Continue reading

Faruq Z. Bey with Northwoods Improvisers | Primal Waters | Entropy Stereo Recordings

Faruq Z. Bey – tenor, alto saxophone | Mike Carey – flute, bass clarinet, alto saxophone, kalimba | Skeeter C. R. Shelton – tenor, soprano, alto saxophone, flute | Mike Gilmore – vibes, kalimba | Mike Johnston – bass, shakers, bells | Nick Ashton – drums, log drum. Live Studio Recording, August 4, 2011. Recorded and Mixed by; Mike Johnston. Cover Design; Mark Rudolph / Mike Johnston. Cover Photo by; M. Andren Continue reading

Howard McCord Reads at the Anasazi Fields Winery Placitas. NM | Vox Audio

Howard’s most recent books are The Complete Poems of Howard McCord (Bloody Twins Press 2002), The Man Who Walked to the Moon, A Novella ( 1 (McPherson 1997) and Walking to Extremes (McPherson 2008). This reading was part of the 2011 Duende Reading Series. Recorded in Placitas, NM October 30, 2011. Edited by Bruce Holsapple. Cover photo by James M. Gay Jr. Copyright c 2011 Howard McCord and Vox Audio P.O. Box 594 Magdalena, NM 87825 Continue reading