Udu Calls Trio feat. William Parker | The Vancouver Tapes | Long Song Records

A lost and found gem documenting the first meeting ever of two Italian avant jazz masters with the NY jazz bass giant. Totally live and improvised! Tiziano Tononi says: “Rockin’ the Vaults…sometimes you know, sometimes you don’t, what you find may become a great deal of a surprise, and this time we found out something very unusual like a mini-disc recording!!! What’s that? I’m pretty sure some people don’t even know what a mini disc was, anyway the music contained herein still sounded fresh and surprising after a few years, so I say to myself “why not?”, and here we are! Years after the Long Song Record “Smoke Inside” we got the smokin’ side of a joyful, powerful and subtle trio of characters, praising the Gods of music and improvisation through instruments tuned on a common language, burning, that night in Vancouver, the wall/bridges of the distance from Milano to New York. Continue reading

The Kazzrie Jaxen Quartet | Quaternity | NA1060

Sometimes virtuosic players merge into the thing they were clearly born for. Charley Krachy’s saxophone — where does such beauty of soul come from? Heaven and Earth meet. Kazzrie Jaxen’s piano — earth-scattering harmony and melody. Ascension into liberation, cutting roads through a wilderness sky. Don Messina’s bass — intense, whispered poetry. The quiet between the notes, like Sufic meditation, which effect it has. Drummer Bill Chattin’s rhythms enter a depth of being — beating like a heart to the pulsing weave of the other three voices. These musicians assemble and slowly, with the playing of the music, become the mountain top where God and Man dance in sheer, unobstructed heights and distillation of joy. — Helena Clare Pittman Continue reading

Misha Mengelberg | Dirk Bell | Ryan Carniaux | Gerd Dudek | Joscha Oetz | Nils Tegen | Nunc! | Nemu Records

I once asked Misha how many steps to his front door and he said: “eleven” —sheer fantasy. I’m here to pick him up for a concert at the Loft in Cologne. We have a cup of coffee toebroek: a personal ritual of his that he performs for his visitors. And off we go to Cologne, to meet the rest of the band at my place — dinnertime. Ryan Carniaux, from New York, professor for jazz trumpet in Essen. We’re both members of gRoBA, an orches-tra in Cologne. Gerd Dudek, a German jazz-legend, knows Misha for decades. Nils Tegen, a composer and piano player in his other life. Joscha Oetz, back from Lima — when he’s playing the bass, you feel at home. These musicians have been working together for years in numerous combinations all over the world. And we’re all fans of Misha Mengelberg.– Dirk Bell Continue reading

Nate Wooley | Hugo Antunes | Chris Corsano | MALUS | No Business Records

An often inspired study in post-noise atmospherics, Malus brings together three pioneering improvisers in their late thirties. Nate Wooley deploys vocalisation and extreme extended technique to turn his trumpet into a hissing steam engine and a bubbling cauldron, channelling electricity to create groggy lo-fi textures. Chris Corsano is in a reflective, exploratory mood, dragging objects across amplified skins to create queasy high-pitched drones and dull metallic rings. Double bassist Hugo Antunes steadies the ship while Wooley and Corsano scramble up the rigging, yet he’s far from conventional: hear him loom into orbit on ‘Seven Miles From The Moon’, carving monolithic obsidian slabs out of deep space silence. The trio’s sense of timing, texture and space is impeccable. In ‘4 Cornered’, a manic Wooley declaims over Corsano’s accelerating scuttle before Antunes walks the muttering trumpeter home. Wooley’s compositional nous, meanwhile, radiates in the Andalucian blues ‘Gentleman of Four Outs’. — Stewart Smith Continue reading

Jacques Coursil | Alan Silva | FreeJazzArt | RogueArt Jazz

The three free sessions of Free Jazz Art, in duo with Alan Silva, came out in one go (with Christophe Hauser, sound engineer and subtle arranger). Alan knew all the procedures in advance having lived through the same experience with Dixon though at a different period. It was easy, because he and I are old friends, having so often played together and so often wandered in the hectic New York of the sixties. Already at that time, he had found his remarkable style of bowed double bass. — Jacques Coursil, excerpt from liner notes Continue reading

Variable Density Sound Orchestra | Evolving Strategies | Not Two Records

Talk with just about any improviser and he or she will tell you that their music happens in the moment, it’s best when they are fully in the present. Garrison Fewell always recruits members of the Variable Density Sound Orchestra (VDSO) that he knows can perform fully in the moment. It gives the music it’s vividness and urgency and it’s spiritual core as well. “In Buddhism there are three existences of life—past, present, and future—and they are all one,” explains Garrison, a practicing Buddhist for nearly 40 years. “Everything is determined in the present moment—a series of present moments.” Which is as good a description of the music on this disc as any. — Ed Hazell Continue reading