All artists filed by last name under C :
A great story teller, Barry Callaghan is one of the most distinctive man of letters Canada has ever produced. He is fascinated by the no-man’s land that stands between fiction and journalism. Politically and culturally engaged, he is a public scholar and acute critic in the tradition of Edmund Wilson. Barry Callaghan’s fiction and poetry have been translated into seven languages. Continue reading
“This is a beautiful example of the difference between influence and imitation: Bird never did this thing that he inspired Harry to do. Harry got a feeling from Bird and it took him to something completely original. It’s also the kind of line of influence that particularly moves and delight me: a singer, inspired by a saxophone player, comes up with a new conception with shattering implications for singers and instrumentalists alike.” — Andy Fite, Village Life 1992 Continue reading
It is possible for music to be both beautiful and challenging as evidenced on THE WAY I AM by the vocalizing of Satin, who performs in a series of duets with pianist Crothers or guitarist Fite. The beauty comes from the delightful voice of Satin, who sings eight standards that are dripping with love. She conveys warmth and passion through her singing… (Satin) skirts through these love songs displaying all the romance and eloquence the tunes hold. The challenge comes from the instrumental side of the equation. Crothers… excels with probing solos… Her dense patterns underlining Satin’s voice and her own explorations add considerable substance to the duets. Fite… contributes a challenging ring to his… duets with Satin. His playing adds lyricism to the songs… Love is in the air with Satin at the mike…. The three form two delightful teams. – Frank Rubolino, Cadence February 2000. Continue reading
Casanova and Crothers have created a moving album that weds an atypical vocal style with creative piano improvisations. It was a treat to hear. — Frank Rubolino, Cadence, February 1998
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“He is a true ‘Jazz Singer,’ meaning someone who uses their voice as an instrument instead of merely interpreting lyrics… A flair for dramatic scale-climbing improvisations, and a silken singing voice that can tell a story. Bob Casanova is a talent.”- Jerome Wilson, Cadence Magazine Continue reading
Thereis a small, specialized subgenre of jazz that occurs when out-cats decide to come in from the cold and play it (relatively) straight for a tune or two. (Think Eric Dolphy exhausting “You Don’t Know What Love Is”on Last Date, or Alber Ayler croaking“Nobody Knows the Trouble I’ve Seen.” The fun comes from the tension created by turmoil under voluntary temporary restraint. Nod has some of that tension (and fun). Jessica Jones and her husband, Tony Jones, are perhaps the only avant-garde, tenor-sax playing man-and-wife tandem in jazz. Their 15-year track record revolves around experimental composition, freer forms and collective improvisation. But the Joneses planned Nod as “a tribute to the jazz guys (and gals) in the lineage.” The result is an approachable, intriguing album, full of surprise and positive energy. Continue reading
Piano and alto sax are paired in this program of nine original pieces plus the ballad oldie “Star Eyes.” Connie Crothers plays with great strength and fire, yet seems to draw her lines with lightness and a fine edge. Her rhythmic sense never wavers, even in the most “outside,” adventurous constructions she develops with Richard Tabnik. Some of the airy dryness of the late altoist Paul Desmond colors his sound, but Tabnik follows a different path in terms of both harmonic conception and energy. He and Crothers obviously share close ties in this music which is both individualistic and a direct descendant of the late pianist/teacher Lennie tristano. Substantial and refreshing. — Lois Moody Continue reading
…abstract harmonically and rhythmically swirling improvisations, expertly played…” — Michael Rosenstein, Cadence Continue reading
The contrasting tonality of these two musicians characterizes the performance. Tristano’s playing concentrates on rapid-fire combustion using upper-register ignition, and Crothers’ pronouncements linger at subterranean levels. The sound swells to a common ground of excitement where each artist finds order in the union. This duet is a highly stimulating experience where two opposing forces meet on a battlefield and resolve the conflict with their unifying communicative skills. Although heavy in heart, this match is an uplifting example of creative improvised art.” — Frank Rubolino, One Final Note, Spring 2002 Continue reading
Playing Clarinet with Connie is like breathing, totally natural. Our concert at “The Stone” in New York City on December 14, 2008 was a true success artistically. We had the distinct pleasure to have the great artist Jeff Schlanger improvising with us via paint and brush while we were on stage performing. It was a night to remember. — Bill Payne, December 2008 Continue reading