Moe! Staiano’s Moe!Kestra! | Two Rooms Of Uranium Inside 83 Markers: Conducted Improvisations Vol. II

Moe! Staiano founded the Moe!kestra! project back in the beginning of 1997. The idea came from a show he did in 1996 in Berkeley at a place called Beanbenders where he gathered some dozen or so musicians to do a simple instruction, playing a one sustained note from soft, quite, crescendoing into a loud frenzy before playing free and all totally out while Moe! destroys several television sets and lighting off Whistling Pete’s fireworks (a frantic and future Moe!kestra! player Bill Horvitz had to momentarily stop Moe! to save his guitar amp that was in harms way). At the end of the show o all the excitement and cheering, Brian Hall (from Ubzub) was shouting “Moechestra! Moechestra!” This gave Moe! the idea of working in a large orchestra format and started writing text instructional scores (Moe! has no music theory, so he needed to describe how the musicians play his scores though there are some notated parts, both traditional and graphically) and wrote Piece No.1: Death of A Piano, which was loosely based on the 1996 performance and literally requires the actual destruction of a piano, which has been performed in about six times total. Continue reading

Jeff Robinson Trio | Getting Fixed

The Jeff Robinson Trio is a very refreshing sound of ‘real’ acoustic Jazz and genuine creativity. The interplay between the words and the music flows very naturally. There are musical and lyrical moments that remind me of the Great Rahsaan Roland Kirk. The poetry (mostly prose) is heavily laden with the experience of a heroin addict. It actually has the main ingredient for a sound track to a movie. Even though there have been many recordings about the abuse of drugs, the culture, the highs and the lows, i.e., Superfly, The Last Poets, Marvin Gaye’s ‘What’s Goin’ On’, I can’t recall an entire album in this case a CD solely devoted to the addict and his addiction. This is by no means a commercial hit nor is it a typical CD of music and poetry. Continue reading

Connie Crothers Quartet | Deep Friendship | NA1058

The deepest friendship fosters freedom and from there, the joy of flight. The deepest friendship, like real freedom, is pluralistically unified, a place where the boundaries are malleable, at one moment wide open to the slow build and arc of myriad histories, then suddenly capturing a single moment in all its import, a look, a shared remembrance, a phrase spoken with neither artifice nor conceit, a simple act of communication whose ramifications define and transcend the shared experience, worlds and galaxies emerging from the gestural seed. Continue reading

The Resonance Ensemble | Head Above Water, Feet Out of The Fire | Not Two Records

Ken Vandermark – baritone saxophone & Bb clarinet | Mark Tokar – acoustic bass | Waclaw Zimpel – Bb & alto clarinet | Mikolaj Trzaska – alto saxophone & bass clarinet | Dave Rempis – alto & tenor saxophone | Michael Zerang – drums | Tim Daisy – drums | Steve Swell – trombone | Per-Åke Holmlander – tuba | Magnus Broo – trumpet | Devin Hoff – bass VI (on CD1 only)
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Blood Trio | feat. Sabir Mateen, Michael Bisio, Whit Dickey | Understory | Not Two Records

We’ve reviewed albums before with saxophonist and clarinetist Sabir Mateen bassist Michael Bisio and drummer Whit Dickey. Use the “search” engine on the right and lists of albums will appear, with the three artists as leaders in their respective bands, and in bands like Frode Gjerstad’s Circulasione Totale, William Parker’s orchestras, the David S Ware bands, or in albums with Joe Morris, Matthew Shipp, Joe McPhee, Daniel Carter … and many more. And now we get all three in a trio, and a real trio, with all three musicians shaping the sound. Is it all improvised? It’s hard to say, because most of the tracks have a clear and identifiable sound or even a theme, that, vague as it may be, creates the focus for the ensuing free development, with an underlying boppish element that is never far away. — Stef Continue reading

Joe McPhee | Fred Lonberg-Holm | Michael Zerang | Survival Unit III | Game Theory | Not Two Records

Joe McPhee – alto sax, pocket trumpet |Fred Lonberg-Holm – cello, electronics | Michael Zerang – percussion. Recorded in concert on October 26, 2010, at Instants Chavires, Paris, France by Jean-Marc Fossat. Mixed by Michael Zerang and Lou Mallozzi at Experimental Sound Studio, Chicago. Mastered by Rafal Drewniany (dts studio). Inside photo: Steve Robinson. Cover photo: Filip Przewozny. Cover design: Malgorzata Lipinska. Continue reading

Zlatko Kaucic Trio | Stefano Battaglia | Paolino dalla Porta | December Soul | Not Two Records

ZLATKO KAUCIC has been known to take household items and turn them into percussive instruments incorporating them into his music, experimenting with the sound they make and the sharpness and clarity of their timbres. This is also a point made by one of his most memorable fans Jakob, a ten year old boy, who attended Zlatko’s concert in Nova Gorica and said loudly to his father in the middle of the show, “Look what Zlatko is playing, some funny home-made instrument.” Provocative, thoughtful, spellbinding, and always original and contemporary, Zlatko Kaucic’s compositions have inspired collective improvisations in his native Slovenia and abroad for over thirty years, celebrating this achievement with his 2009 recording 30th Anniversary Concerts. His sonic contributions, experimental sounds and concepts can be found on 24 recordings combining his solo efforts and collaborative offerings.– SUSAN FRANCES Continue reading