Sabir Mateen | Frode Gjerstad feat. Steve Swell | Sound Gathering | Not Two Records

Saxophonist Sabir Mateen is one of those musicians who have been playing free jazz since the seventies, playing with all the icons of the genre such as Cecil Taylor, William Parker, Daniel Carter, Steve Swell and Frode Gjerstad, to name just a few. With the latter two he recorded a new album on Not Two, and a solo album on RogueArt. He is a frequent player in the free jazz mini big bands, like the Little Huey Orchestra, Gjerstad’s Circulasione Totale, and Earth People. On this album Sabir Mateen is co-leader with Norwegian saxophonist Frode Gjerstad, and with Steve Swell on trombone, Clif Jackson on bass and David Gould on drums. On the long first track, Swell’s trombone is one of the strongest voice, both in volume and presence, wailing in all emotional registers, from distress to sadness, with the two saxes adding appropriate background support, but the piece becomes strongest when the saxes do their solo-thing. Otherwise there are lots of dialogues and trialogues, and as the title of the album indicates, this is more about sound that about lyricism. That changes with the second piece, when Mateen picks up his flute for a hesitant, almost fragile slowly moving forward tune. With the third piece we’re back in high intensity territory, a kind of jubilant blowing fest. You get the gist: wild interaction reigns, lots of dense interplay, but in my opinion a little lacking in focus and real musical vision.–Stef Continue reading

Steve Swell’s Slammin’ The Infinite | 5000 Poems | Not Two Records

Slammin’ IV – 5.000 Poems The title for this fourth installment of Slammin’ The Infinite takes its name from an essay by Walt Whitman. His theme in this essay, briefly summarized, is that in all art, and life too for that matter, being prolific, hardworking and productive in all you do, including trying those things whose outcome may not be exactly perfect in one’s mind, will eventually lead to that one good idea or work of art. Farmers after all plant many seeds, not just one, in the hope that some of those seeds will yield a nourishing crop. So it is with how I view my own work as an improvising musician and composer. Only by constantly creating can there be any hope that some of that creating will yield something worthwhile. Something that will mean something to someone, making that connection to even that one listener that might be moved and nourished by this most human of endeavors. I am fortunate to have a band that is still working together planting those seeds as a band and as individuals throughout the world always in the hope of creating that one crop of abundance that might fill the listener with strenght and hope and life. Also, there would be no ground to plant these musical seeds if it weren’t for the likes of Marek Winiarski, the wonderful people of Alchemia in Krakow and that most gentle and wisest of gardeners, Barbara Backer Manes. Thanking them all here does not even scratch the surface of their commitment to this music and to me personally. To all of them and the amazing musicians on this recording that I have been fortunate to work with, I am humbly grateful. —Steve Swell Continue reading

Vijay Anderson | Hardboiled Wonderland | Not Two Records

Vijay Anderson is a freelance drummer, bandleader, and teacher who lives and works in Oakland, California. He has been performing professionally in the Bay Area since 1997. He holds a MFA in music performance from Mills College, where he studied with Roscoe Mitchell, William Winant, David Bernstein, and Fred Frith. He earned his BA in music performance from S.F. State, studying under Eddie Marshall, Francis Wong, Hafez Modirzadeh, and Wayne Wallace. Anderson has performed and recorded with such diverse, outstanding musicians as Los Angeles-based multi-instrumentalists Lynn Johnston and Vinny Golia, Bay Area composers/performers Ben Goldberg, Sheldon Brown, John Schott, Graham Connah, Darren Johnston, Smith Dobson V, Lisa Mezzacappa, Aaron Bennett and Ava Mendoza, and Austria-based saxophonist/composer Marco Eneidi. He also has worked extensively with Brooklyn based bass player/composer Adam Lane as part of Lane’s Full Throttle Orchestra, the Adam Lane Trio featuring Vinny Golia, and Adam Lane’s Blue Spirit Band featuring Avram Fefer and Roy Campbell.
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Rosa Luxembourg New Quintet | Night Asylum | Not Two Records

Rosa Luxembourg New Quintet consists of five talented musicians who respect no boundaries when it comes to creating music. The five musicians in this group all exhibit good talent for free jazz improvisation. Heddy Brubaker’s sound hovers between the academics of Anthony Braxton and the more primordial sounds of a Marion Brown or Julius Hemphill. Piero Pepin’s trumpet growls and moans Lester Bowie style as it plays off the rest of the ensemble. Marc Perrenoud provides bass and electric guitar in a manner that adds rhythm and color rather than tonal assistance. Fabien Duscombs expertly uses a wide range of percussion instruments. Lastly, Françoise Guerlin’s voice is an improvisational instrument in its own right. — freethemusic – olatunji.blogspot Continue reading

Sei Miguel | Pedro Gomes | Turbina Anthem | No Business Records

Turbina Anthem delves into the throes of assertive, sometimes chaotic experimentalism. A pungent trumpet opener pierced with mutated guitar plucks is standard fare across much of the track list, to most astringent effect on “Spoon” and “Jura”. Gomes aurally transforms his guitar into a metal sheet-washboard hybrid on the former, providing a percussive foundation for Miguel’s flaring trumpet. Beneath the grating overlap of the two strong-willed sounds, however, there does lay an appealing sense of discord and darkness – an ‘antiharmony’ of sorts. This quality reaches its height in “Jura”; Miguel plays with more apparent momentum, immediately searing the air when met with Gomes’ guitar gunshots. Turbina Anthem’s recurring piece – “The Pale Star”, recorded in five parts – offers some much-needed palate-cleansing. These tracks open with bare plucks of guitar or extended trumpet notes, proceeding serenely with few adornments. Gomes and Miguel still stretch the bounds of their instruments but on a more controlled scale, showcasing their versatility past caustic composition. —Sharon Mizrahi Continue reading

Thomas Heberer | Joachim Badenhorst | Pascal Niggenkemper | Klippe | Thomas Heberer | One | No Business Records

Thomas Heberer is called “a European master” and “new trumpet genius”. The music in his new double LP brings a fresh approach to blending improvisation and composition, which allows for the highest amount of freedom on the musicians’ side while incorporating significant structural tools on the composer’s side as well. His solo recording applies a vast variety of conventional and extended techniques, among which the most distinctive component is the exclusive use of circular breathing. Continue reading

William Hooker and Thomas Chapin | Crossing Points | No Business Records

It is May 30, 1992. New York. William Hooker plays drums. Thomas Chapin plays sax. They meet. All hell breaks loose. For seventy-one minutes. No holds barred. No limits. Just exploring. Just interacting. Just enjoying. Volume. Pulse. Speed. Power. Power. Energy. Anger. Depth. Scope. Lyricism. Sensitivity. Rawness. Rebels. Innovators. Ayler. Coltrane. Rashied Ali. Elvin Jones. Billy Higgins. Spirituality. Authenticity. Honesty. Integrity. Reality. Humanity. Energy. Freedom. Optimism. The creative force. Life. —Stef Continue reading

Satoko Fujii ma-do Quartet | Desert Ship | Not Two Records

4 ½-stars…. Satoko Fujii. She and her band are the perfect synthesis of modern music, going beyond jazz, integrating anything from classical over folk and traditional music, with jazz, free improvisation and avant-garde, but then pushing it all over the edge. This enables her to explore composition/improvisation with a musical richness which is given to few…. The last piece’s title, “Vapor Trail” is a good descriptive of the music, which comes as a kind of soothing finale, when catharsis has been reached, a moment of acceptance, of resignation, of awe for the beauty that arises after the violence, the fire has died down, after the sun has set. Brilliant!” ― Stef Gijssels, Free Jazz Continue reading

Satoko Fujii Quartet | Zephyros | Not Two Records

The Satoko Fujii Quartet makes full use of their characteristic musical density and speediness. Satoko Fujii’s powerful left hand, Takeharu Hayakawa’s fat, distorted and rolling electric bass sound, busy but extremely solid drumming of Tatsuya Yoshida and Tamura Natsuki’s trumpet conveying linear power and lyricism altogether pump out impending groove which is maximized by the slick and radical mixing technique incorporating compression and reverberation.” ― Koji Murai, Swing Journal Continue reading