Mickey Finn | Dudek! | El Gallo Rojo Records

Music in its purest state. Improvisation intended as a method of instant collective composition. Sonorous symbols which are as bare and essential as Zen aphorisms are dropped onto hypnotic and feverish pulsations. Gashes of a new psychedelia, with a visual valence that is cinematographic. Dilutions of sound meet with a killer instinct for proportions and colours. Displacements in real time, guided only by sparse but very distinct micro-thematic reference points. Enrico Terragnoli’s guitar is a box of sounds with unlimited secret compartments. Giorgio Pacorig’s Rhodes distances itself from the limits of its own tradition. Danilo Gallo’s bass meanders darkly around the gut and Zeno De Rossi’s drumming here is absolutely unbeatable. — Giorgio Signoretti Continue reading

Zeno de Rossi Shtik | The Manne I Love! Vol.1 & 2 | El Gallo Rojo Records

De Rossi’s take on Manne is reminiscent of John Zorn’s tribute to Ennio Morricone on The Big Gundown (Nonesuch, 1986), where the Downtown saxophonist/composer combined various musicians to salute the spirit of the noted film composer. Like Zorn, De Rossi chooses not to adhere to strict covers remakes, employing Daniele D’Agaro and Francesco Bigoni, on his cover of Sonny Rollins’ trio session, Way Out West (OJC, 1957), as a two-tenor saxophone conversation, under which he applies his deft beats. Throughout the set, De Rossi’s passionate playing is the constant—like Manne, always swinging and tasteful. […] Throughout, De Rossi delivers a drum clinic. Accenting, driving, and swinging the tribute, he makes you want to dig in, dig? — Mark Corroto, All About Jazz – 21.12.2010 Continue reading

The Resonance Ensemble | Kafka In Flight | Not Two Records

Magnus Broo – trumpet (Stockholm) | Michael Zerang – drums (Chicago) | Ken Vandermark – tenor saxophone, Bb clarinet (Chicago) | Mikolaj Trzaska – alto saxophone, bass clarinet (Gdansk) | Mark Tokar – bass (Kiev) | Steve Swell – trombone (New York) | Dave Rempis – alto & tenor saxophones (Chicago) | Per-Âke Holmlander – tuba (Stockholm) | Tim Daisy> – drums (Chicago) | Waclaw Zimpel – Bb & bass clarinet, taragato (Warsaw). All compositions by Ken Vandermark (Twenty First Mobile Music / ASCAP). Recorded in concert at the Philharmonic Hall, Gdansk, Poland, by Piotr Traszkiewicz on October 31, 2009. Mixed by Bob Weston and Ken Vandermark at Chicago Mastering Service. Cover design by Marek Wajda. Thanks to the musicians, Marek Winiarski, Marek Wajda, Ola Trzaska (who made the concert in Gdanks possible), the presenters who took a chance on the band (except for the organizer in Szekesfehervar, who never paid us), and of course – the listeners. Continue reading

Michael Marcus | Lenwood Turner | John Austria | Rashaan Carter | Clifford Barbaro | Darrell Green | Emannuel Harrold | Jay Rosen | Russell Carter | For Yes! | Not Two Records

Michael Marcus – Bb clarinet | Lenwood Turner – trumpet | John Austria – Rhodes piano (#1,2,5,6,8,9) | Rashaan Carter – bass | Clifford Barbaro – drums (#8) | Darrell Green – drums (#5) | Emanuel Harrold – drums (#3) | Jay Rosen – drums (#2,4,6,7) | Russell Carter – drums (#1,9). All compositions by Michael Marcus – Marmisun Publ. – ASCAP. Recorded and edited in New York City in May-June-July 2010 at Soulsounds Studios. Mastered by Christian Ravaglioli at Molino Ballardini Studio, Italy. Produced by Michael Marcus and Rashaan Carter. Executive producer: Marek Winiarski for Not Two Records. Art design: Marmisun Productions. Special thanks to all the artists who participated in this unique and special musical communion…To Marek Winiarski of Not Two Records for continuing to believe in my visions…A special, special thanks to my friend Rashaan Carter for collaborating with me to make this art piece a reality. — Michael Marcus, July 2010 Continue reading

Frank Gratkowski | Sebastian Gramss | Tatsuya Nakatani | oirTrio | Kanata | Not Two Records

The OIRTRIO started furiously. Tatsuya Nakatami diligently moved along with the band steeping into scratching, beating and violonizing his instruments…where Gratkowksi is brash and experimental at every turn, the bassist, Gramss, is almost chameleon-like in his ability to mimic and build upon the lines Gratkowski is playing. He’s the ultimate support player here, as integral to the sound as any of the others, but sometimes almost disappearing until you listen carefully and realize that the horn line is being doubled, or tripled, by the bowing of the bass… Compelling, experimental, but also quite beautiful and even… poetic — MIB Bremen Continue reading

Joe McPhee | Ingebrigt Haker Flaten | Blue Chicago Blues | Not Two Records

In Blue Chicago Blues, recorded in 2007 the duo of tenor player Joe McPhee and bassist Ingebrigt Håker-Flaten balances out very well, in ethnicity, instrumentation, musical personality, and tonal character. McPhee is relaxed with the openness of his horn and Håker-Flaten, attentively diligent at emphasizing the tautness of his bass strings. “Requiem for An Empty Heart” sounds the blues-iest of all of the six tracks. But McPhee’s poetry on the back cover of the record jacket settles any question of how blues are anyway: “For this here ain’t nothin’ but the blues, nasty, low down, trifflin’ and sweet…” Dedicated to the late Chicago tenorman, Fred Anderson, the recording refers to blues-makers Oliver Nelson and Ornette Coleman and simple imaginations of the downtrodden or the mercurial female kind. — Lyn Horton, Jazz Times Continue reading

Ivo Perelman | Rosie Hertlein | Dominic Duval | Near to the Wild Heart | Not Two Records

For nearly two decades Brazilian-born and Brooklyn-based saxist Ivo Perelman has been evolving his own path of improvised jazz, playing solo, in duos, trios & quartets with a number of downtown’s best musicians. One of Ivo’s most constant companions is contrabassist Dom Duval who has recorded on perhaps a dozen of Ivo’s previous duo & trio CD’s. Violinist Rosie Hertlein has also recorded and performed with Ivo on occasion and is yet another local talent who has knocked me out whenever I’ve heard her play although she remains beneath the radar screen of recognition. Over the past decade, Ivo has also developed as a painter, helping him to establish himself in a different art scene. His wonderful and evocative works have adorned a number of his recent discs, this one has an especially appropriate cover. Tenor sax, violin and contrabass. An interesting combination which works so well here. The trio continually weave their wares around one another magically, swirling bowed notes with vocal-like sax sounds, ever distinctive, pure and often intense. Rosie has a way of matching Ivo’s middle register just right while Dominic holds the low end down and adds his own depth, warmth and richness. This is a most exciting dialogue that keeps developing, shifting, bending, twisting and coming together time after time. There is a sense of calm at the center of the storm, there is also an aura of mysterious ghosts floating throughout like those Ayler-with-strings moments. There are also those occasional eruptions and well-selected screams which are perfectly shadowed by the strings as they navigate the rapids washing over all three members of this grand trio with one voice. The further out this trio goes, the more they remain in the same orbit circling around one another in balanced, elliptical threads. Beauty is a rare thing and this discs is a rare treat.– Bruce Lee Gallanter, Downtown Music Gallery Continue reading