The Shoreditch Trio | Again | Amirani Records

When I think about what I look for in a musician it is that they add something to music. That they have their own musicality. The musician also has to have a generosity of spirit. Freely bringing their complete range of skills to the playing situation and serving a musical imperative rather than following or hiding behind an agenda. They must also have what I call the edge. This is creating in real time. There are many musicians who can play Charlie Parker solos note for note but the edge is missing as they are not, nor ever could be, Charlie Parker. Non of us can be someone else. To have the edge is not to trot out a series of well rehearsed licks but to be there, in the moment, playing the music in the way only you can. I have had the good fortune to have played with three musicians on this CD and they pass all my criteria to the full. Generous with ideas, open minded and spirited, and with a genuine musical curiosity. As a group I heard them in October 2009 at Shoreditch Church in London and thought at the time ‘this group has legs’ meaning that it could continue growing and developing its music for a long time if the chance was there. I’m delighted it wasn’t a one off concert and that the group has indeed grown into the fine one you can here on this CD, where each musician is intimately aware of the space occupied by the others and the aim is quite simply to play good music. — John Russell Continue reading

Andrea Wolper | The Small Hours

One of the best things about releasing a CD is it gives one the opportunity to express gratitude to the many people who’ve helped along the way. I have to start with Ron and Ken, without whom this would surely be a very different CD. Playing music with them—not to mention hanging out between sets—is just a hell of a lot of fun, and they both continue to inspire me more, I’m sure, than either would imagine. Victor, Frank, Lou, and Jamey all have unique voices that we wanted on the date, and they all jumped right in, fully and generously. I’m grateful to each of them for their special contributions. Todd brought not only his expertise as a producer, but also respect and openness, as well as a belief in the project that really made a difference. Thanks also to Katherine Miller, whose great technical skills are matched by great ears, and to Todd Gerard for his excellent work and sensitive approach. — Andrea Wolper Continue reading

Andrea Wolper | Parallel Lives

I live somewhat “parallel lives” as a singer in that my musical interests are wide-ranging. Like so many other jazz singers, I started with standards, the best kind of training play/ ground, which I love like old friends who can still surprise me. But through the years, doing all sorts of gigs, living in New York, where there’s so much music to hear and so many people to play with, I came to realize there was no reason not to widen my embrace to include all sorts of music: music that plays it straight, music that doesn’t, songs I’d heard as a child, songs I discovered I had it in me to write, songs that didn’t seem to fit in any particular category. The selections on this CD traverse some of the now-parallel, now-converging paths I’ve been traveling these past several years, reflecting the idea that we all live dual (or more) lives, if only in our dreams, our hopes, our memories. As everyone knows, having the right traveling companions is crucial. And as every musician knows, there’s nothing like playing with your band, people with whom you develop understanding and trust. When you have that, you’re lucky. I’m lucky. Not only do Ken, Kris, Michael, and TA have the musicianship and the curiosity to travel with me wherever I feel like going, but each has a highly developed, very personal musical identity that means I get to travel down some unexpected byways. And that makes working with them a joy and an adventure. — Andrea Wolper Continue reading

Mockuno NuClear | Drop It | No Business Records

This is the first album of this trio with my homeland musicians. The music balances in between impro and composed, between heavy and beautiful, between jazz and whatever… I’v been playing most of these tunes with different ensembles of mine during the last 6 years, but they have never been released for different reasons. I realised – to be able to move on you really have to finish your unfinished work… Here it is. Enjoy! — Liudas Mockūnas Continue reading

Joe McPhee | Jeb Bishop | Ingebrigt Haker Flaten | Michael Zerang | Ibsen’s Ghosts | Not Two Records

Joe McPhee – tenor saxophone |Jeb Bishop – trombone | Ingebrigt Haker Flaten – bass | Michael Zerang – drums Recorded at Victoria Theater, Oslo, February 21, 2009. Recorded by Thomas Hukkelberg. Mastered by Rafal Drewniany (dts studio). Produced by Ibsen’s Ghosts. Co-produced by Marek Winiarski. Cover art, photos and design by Marek Wajda Continue reading

André Goudbeek | Lê Quan Ninh | Peter Jacquemyn | Uwaga | Not Two Records

André Goudbeek – tenor sax | Peter Jacquemyn – bass, voice | Lê Quan Ninh – percussion. Recorded live at the Alchemia, Kraków on October 23, 2008. Recorded by Rafal Drewniany. Mixed and mastered by Rafal Drewniany (dts studio). Cover art work by Peter Jacquemyn. Photograph by Pierre Michel Zaleski. Design by Marek Wajda. All compositions by André Goudbeek / Peter Jacquemyn / Lê Quan Ninh Continue reading

Karl Berger | Werner Hasler | Gilbert Paeffgen | No Business Records

The electrified acoustic trio combines several worlds. Stories are told here in the jazz idiom: starting from a basic groove is stressed about this and also improvises with nesting and rhythmic themes. The compositions are mainly played on scales from division of the octave harmonic structures and parallelisms, scales, supposedly inspired by such contrasting worlds as well as the oriental Maqamwelt of natural horns in the Alps region. The trio moves also because of the natural inclusion of electronica outside “world music” sound is ethnocentric and exoticism of the young new century – in which bits and bytes a supporting role-play required. The clash of purely electronic and acoustic sounds of the trio receives a new topicality and urgency. Continue reading

TARFALA TRIO | Mats Gustafsson | Barry Guy | Raymond Strid | SYZYGY | No Business Records

The TARFALA TRIO has its roots from 1992, meeting at the SOLO – 92 festival in Stockholm, Sweden. After that first encounter in 1992, the trio has worked sporadically and played festivals in Europe and releasing 2 Cds on Maya Recordings. This recording captures them playing live in Belgium, 2009. It is explosive, high energy loaded ferocious music focusing on low dynamic melodic material. Tarfala Trio is at their peak creating the most exciting improvised music you can hear today. Continue reading

Daniele D’Agaro Adriatics Orchestra | Comeglians | El Gallo Rojo Records

Free clashes of the “Furlania” (lands of Friuli) in that of the comelican valley, recorded during the small jazz festival organized by D’Agaro in August 2006. Gluttony allegiance towards its own free jazz background, as if it were the first time. There are tasty Ellingtonian echoes in the growl of the arrangements, played by a luxurious orchestra, led by the creative drums of the ever-great Han Bennink. — Giovanni Natoli Continue reading