William Parker | Centering | Unreleased Early Recordings 1976 – 1987 | 6 CD Box Set | No Business Records

This box of music is dedicated to my wife, Patricia. I would also like to thank the producer Danas Mikailionis for his conviction to the project and Ed Hazell for guiding us through these musical memories. I give sincere thanks to all the musicians who made a commitment to the music; those who have passed on to the next life – Billy Bang, Malik Baraka, Denis Charles, Raphe Malik, Jay Oliver, Charles Tyler, Arthur Williams – and those who continue to play and create beautiful music of their own today – Ramsey Ameen, Brenda Bakr, Roy Campbell Jr., Daniel Carter, Ellen Christi, Charles Downs, Charles Gayle, John Hagen, Masahiko Kono, Rozanne Levine, Alex Lodico, Zen Matsuura, John Mingione, Jemeel Moondoc, Lisa Sokolov, Ricardo Strobert, and David S. Ware. — William Parker Continue reading

The Resonance Ensemble | What Country Is This? | Not Two Records

In mid December of 2004for some completely unknown reason, a complimentary issue of Time Magazine showed up in my mailbox. I hate the periodical, never read it except when I’m at the dentist, so I have no idea why it arrived. On the front cover was George W. Bush’s face, he had been selected as “Person of the Year” by the magazine’s editors after his reelection as president. Just one more reason to hate the publication. As I flipped through the pages with masochistic curiosity while drinking my morning coffee, I came across the following, an excerpt from Late Ripeness, written by Czeslaw Milosz, a poet I had never heard of. — Ken Vandermark Continue reading

Narada Burton Greene | Live at Kerrytown House | No Business Records

Though modern, “avant-garde” jazz is an ensemble music often based on collective improvisation, solo performance is its own extraordinarily fruitful sub-area of investigation for the creative improviser. Without a reactive, interpretive partner (or several), the solo recital blurs the lines between composition and improvisation as the performer enters a world of unfettered development. Greene has been performing and recording solo since the 1970s, and these settings have yielded some of the most powerful statements in his oeuvre. As diverse as Greene’s palette is, his music is entirely about being grounded – and at home. — Clifford Allen Continue reading

THE THING with Barry Guy | METAL ! | No Business Records

Recorded live at Saint Catherine’s Church, Vilnius, Lithuania on 3rd April, 2011 by Arūnas Zujus. All compositions by Mats Gustafsson (STIM), Ingebrigt Håker Flaten (TONO), Paal Nilssen-Love (TONO) & Barry Guy (PRS), except “Ride the Sky” by Lightning Bolt, “Praseodymium” by Ingebrigt Håker Flaten (TONO) & Barry Guy (PRS) and “Neodymium” by Mats Gustafsson (STIM) & Paal Nilssen-Love (TONO). Mixed and mastered by Arūnas Zujus at MAMAstudios. Design by Oskaras Anosovas. Produced by The Thing and Barry Guy. Executive producer – Danas Mikailionis. Co-producer – Valerij Anosov Continue reading

Wild Chamber Trio | Gianni Mimmo | Elisabeth Harnik | Clementine Gasser | 10.000 Leaves | Not Two Records

The WILD CHAMBER TRIO recording is full of that freshness that easily overcomes genres and categories. The technical preparation of the single performers is impressive and the Trio emphasizes a powerful sense of ensemble by making-music-together in a constant listening to each other in a continuum that is rich of an almost endless palette of colours, sensitivity, shadow and light, weight and lightness. — Dario Palermo 5/2011 Continue reading

Joe Moffett | Noah Kaplan | Giacomo Merega | Jacob William | Luther Gray | Ad Faunum | Not Two Records

It’s not a terribly common rationale for a session of freely improvised music. “The idea was to offer an almost ritualistic praise of animals,” says trumpeter Joe Moffett. And so these five players, under Moffett’s de facto leadership, chose the group name Ad Faunum. “To the animal” is one possible rendering from the Latin, although Ad Faunum (“To Faunus”) is actually the title of Ode XVIII by the Roman lyric poet Horace (65 BC-8 BC). Faunus is half man and half goat, the Roman counterpart to the Greek god Pan. “I was thinking of a primeval idea,” says Moffett, “an idea of ‘worship’ music, something very old, even prehistoric. It relates to the kind of primal energy I imagined creating with this group. Also, I was reflecting on people’s almost religious regard for animals, on humanity’s complex relationship to these other creatures that live in the world.” — DAVID R. ADLER, New York, June 2011 Continue reading

Will Guthrie | Solo – Sticks, Stones & Breaking Bones

The hardest thing in the world is to have an original idea. As much as creative musicians hate to admit, free improv/experimental/underground (and all other useless adjectival identifiers) music now has as many stylistic tropes as your standard 19th century symphony: the endless variations on white noise, the orgiastic free ensemble climaxes, reassuring bass drones, “brutality”, all of which point to performance, not playing. Musicians cling to the next solution that the media spotlights, as if consensus actually ever helped anything in art. — Anthony Pateras Continue reading

EA Orchestra | Likeidos | Amirani Records

Amazing interplay and brilliant skills are here the perfect medium to reach perfect result, in terms of complexity, fresh interpretations and emotional involvement. A breathtaking performance in a superbe recording session, featuring the most interesting voices of the italian avant-scene, here is an high level release with intriguing compositions by bassoonist Alessio Pisani and trumpetist Mirio Cosottini, founders of GRIM, artistic association that aims to promote improvisation and a fresher approach to modern composition. Continue reading