G – H – I

All artists filed by last name under G, H and I :

ENVISION ENSEMBLE | Live at Berkeley Arts Festival | Hummingbird Records

Posted by

0

For the second-ever performance by the ENVISION ENSEMBLE, the players expanded instrumentation and instrumental range, moving more fully into multi-dimensional “festival form”. The ENSEMBLE’s formal expansion more or less flips the concept of a usual approach to improvisation, that in which players “listen” to and complementarily match what other players are doing while only occasionally moving into an entirely independent space. The ENVISION ENSEMBLE begins in independent space. The players hear the whole as well as listen to the parts, creating beyond the strictures of standard complementarity. The intent is to fashion an experiential rather than compositionally logical totality. Continue reading →

d.a.levy | if i scratch, if i write | the levy film + book | Bottom Dog Press

Posted by

0

if i scratch, if i write – the levy film produced & directed by KON PET MOON with Allen Ginsberg, Russell Salamon, Joan Turnbo, Russell Atkins, Martin Simon, Grace Butcher, Kent Taylor, John Scott, John Rose, Tony Walsh, Jake Leed, Dagmar Walter, Steve Ferguson, Ralph Delaney, Robert Carothers, Cleo Malone, Frank Osinski and Gerald Gold. 16-9 Anamorphic Widescreen 104 minutes.

This dvd is part of the d.a.levy & the mimeograph revolution book, edited by Larry Smith and Ingrid Swanberg. Chronology of his life and work, Biographical essays, Photographs, Interviews, Profiles, Statements, Letters, Art Work, Collage, Poems and Critical appreciations of his writing and art levy’s “Cleveland Prints” Eight pages in full color. ISBN -1-933964-07-3 | 276 pages. Continue reading →

Big Hammer No. 5 | Iniquity Press

Posted by

0

William Carlos Williams wrote of Alfred Kreymborg: “Crude symbolism is to associate emotions with natural phenomena such as anger with lightning, flowers with love it goes further and associates certain textures with. Such work is empty. It is typical of almost all that is done by the writers who fill the pages every month of such a paper as. Everything that I have done in the past – except those parts which may be called excellent – by chance, have that quality about them. It is typified by use of the word “like” or that “evocation” of the “image” which served us for a time. Its abuse is apparent. The insignificant “image” ma be “evoked” never so ably and still mean nothing. With all his faults Alfred Kreymborg never did this. That is why his work – escaping a common fault – still has value and will tomorrow have more (Spring and All).” Continue reading →

Big Hammer No. 15 | Iniquity Press

Posted by

0

REMEMBERANCES

I don’t remember the reason we sat in front of Rite Aid that night. Someone needed a prescription filled. I do remember my mom banging her paims on the steering wheel, Asking, “Why did you ever become a writer?” “I don’t know mom. it was you and dad that bought me a desk for Christmas.” “That’s because your 6th grade teacher told us you had potential to be a professional writer. Not poetry, music and that other stuff.” She was visibly angry at the situation which brought us together. We were picking up pills for her husband Bob I now remember. It was the eve of his disappearance. Entering one hospital after another. Finally – allowed to rest – we surrounded Bob with the Lord’s Prayer. Such remembrance strangely triggered by a Leonard Cohen self-portrait – A drawing of his face – left lobe opened – in which he scrawled:

I never found the girl
I never got rich
Follow me

– John Lunar Richey Continue reading →