T – U – V

All artists filed by last name under T, U and V :

Zeitgeist Press

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Zeitgeist Press started in 1986 to publish work from a group of poets generating tremendous heat at the Cafe Babar readings in San Francisco. It was originally a collective more than a traditionally structured press, which explains both the press strengths and weaknesses. All the way back to the late 1950s North Beach Coffee Gallery, there was a Thursday night open reading in San Francisco. This community spawned some incredible poets– Bob Kaufman, Richard Brautigan, Jack Micheline. Other top poets of the era passed through as well– Diane di Prima, Ginsberg first drafted Howl at a cubbyhole in North Beach, Jack Gilbert, Corso & Kerouac, Rexroth, Ferlinghetti, etc. The reading had died down, lost energy, by the mid-1980s when it moved to the Mission District in 1985. Bruce Isaacson and David Lerner, Julia Vinograd, Bana Witt, were the original partners in the 4 books that came out on Zeitgeist Press at the end of 1987. Lerner named the press and did publicity. Isaacson handled the business side, the mechanics, and acted as publisher. Both edited books by various authors, as did poets and others. Continue reading →

Bayou Seco

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Ken Keppeler and Jeanie McLerie who form the heart of Bayou Seco, have been researching and playing the music of the Southwest USA – from the Mississippi to the deserts of Arizona – for twenty two years. Respectfully drawing from these traditions and from their own ancestors, they present to the public an exciting and informative overview of Southwestern music on diatonic accordions, fiddles, guitar, mandolin, banjo and harmonica. Continue reading →

Pata Music

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Pata Music or the Concept of Composed Spheres

If you want to know the meaning of “pata” you will have to learn that your dictionary stubbornly refuses to reveal any information in this respect. To illuminate the origin of the little word we need a short literary excursion into the fascinating world of Doctor Faustroll. Because it was he who in 1898 under the overall control of the French Alfred Jarry created the expression of ” pata physics “. In the epilogue of the German edition (Alfred Jarry, Heldentaten und Ansichten des Doctor Faustroll, Pataphysiker; Publisher: Zweitausendeins) the translater Klaus Völker gives the following definition: ” Pata physics is the science which is based on unreal logic and a new reality beyond the borders of the world of external appearences removed from the usual principles of causality. Everything is able to be mixed up, to be changed, to be turned around and exchanged: things, times and spaces. But nothing is arbitrary, only that every simplicity consists of an interrelated and self-penetrating complexity.” Continue reading →

Jean-Michel Van Schouwburg | Jean Demey | John Russell | The Mercelis Concert (Brussels 2006)

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“Van Schouwburg… unleashes a distinctive array of throat, mouth and tonsil intonation that encompasses guttural murmuring, duck-like quacks, extended nattering, Satchmo-style growls, saliva-filled expositions, Bedlam-like mumbles and vibrating warbles. Russell responds with crossbow-like pulls on his strings, rasps beneath the guitar’s bridge and abrasive extended slides.” — Ken Waxman, JAZZword Continue reading →

S. A. Griffin

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I remember sitting up half the night talking to S.A. Griffin in my book littered office about everything from poetry to crime to movies to getting drunk. I remember listening to S. A. read The Apes Of Wrath at the Gerald Peters Gallery in Santa Fe. I remember the crazy outlaw talk talk talk in John Macker’s converted roadhouse home out in Bernal and the walk out into the wilderness beyond his house where he had made a slab rock altar for Sam Peckinpah’s typewriter. I remember the hour long interview S. A. Griffin did with me on his blogtalk radio show. Mostly, what I remember about the times that S. A. I get together is the excitement of the conversation. Which is really more like plugging into a shared energy source. — Todd Moore Continue reading →