D – E – F

All artists filed by last name under D, E and F :

Kris Wanders – Mani Neumeier Quintet | Taken by Surprise | Not Two Records

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During the mid-to-late 1960’s future Guru Guru drummer (Mani Neumeier) and tenor saxist (Kim Wanders) played together in the Peter Brotzmann Quintet and in an early version of the Globe Unity Orchestra. Since that time, Mr. Wanders moved to Australia where he still lives and Mr. Neumeier went on to form Guru Guru and collaborate with members of Acid Mothers Temple and Kazuhisa Uchihashi. Now, more than forty years later Mr. Wanders and Mr. Neumeier have gotten back together and put together an extraordinary quintet of mostly lesser known Australian musicians. — Bruce Lee Gallanter Continue reading →

Billy Bang’s Survival Ensemble | Black Man’s Blues – New York Collage | No Business Records

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The late, great violinist’s first two albums — the first so obscure I missed it when I assembled a discography for my 2005 Voice piece on Bang. A quartet for the first record, with Bilal Abdur Rahman on tenor and soprano sax, William Parker on bass, and Rashid Bakr on drums. Rahman, an old friend of Bang’s, picked up Islam in prison and recorded reluctantly but more often than not his cutting and slashing is terrific here. Both albums are hit and miss, with bits of spoken word spouting political critique — “when the poor steal, it’s called looting; when the rich steal, it’s called profit” is one turn of phrase. Second album adds Henry Warner on alto sax and Khuwana Fuller on congas — Warner’s another player who shows up on rare occasions but always makes a big impression. Way back when I would probably have hedged my grade, seeing each album as promising but half-baked, but now they’re indisputable pieces of history — and not just because Bang and Parker went on to have brilliant careers. Also note that the label in Lithuania that rescued them cared enough to provide a 36-page booklet on the era and this remarkable music. — Tom Hull Continue reading →

Connie Crothers | Richard Tabnik | Roy Campbell | Roger Mancuso | Ken Filiano | Band Of Fire | NA 1050

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Fire creates its own sonic universe. Its timbre comes from the burning, while the elemental transmutation breeds new forms of light and ash. It roars and whispers, constantly susurrating just below the energy that bespeaks its crackling multiplicity, its multileveled and precisely detailed identity. The title”Band of Fire” captures the essence of this music with uncanny perfection. Connie Crothers, Richard Tabnik, Roy Campbell, Ken Filianoand Roger Mancuso share a common tradition, but their musical vision refuses to be bound by it. The freedom they created at The Stone, on November21″, 2010, grounded in hard-won precision, tempered through improvisation, is released in bursts of flaming energy. Old forms burn as the quintet’s creative energy destroys and recreates them with new life. Continue reading →

Daniele D’Agaro Adriatics Orchestra | Comeglians | El Gallo Rojo Records

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Free clashes of the “Furlania” (lands of Friuli) in that of the comelican valley, recorded during the small jazz festival organized by D’Agaro in August 2006. Gluttony allegiance towards its own free jazz background, as if it were the first time. There are tasty Ellingtonian echoes in the growl of the arrangements, played by a luxurious orchestra, led by the creative drums of the ever-great Han Bennink. — Giovanni Natoli Continue reading →

Franco D’Andrea Quartet | Sorapis | El Gallo Rojo Records

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Newly awarded as European jazz musician of the year from the Franch Jazz Academy, Franco D’Andrea carries on his fellowship with El Gallo Rojo with this second work. He surprises us giving up to that live dimension that he and his quartet accustomed us to: Sorapis is a studio recording. The listeners may be reassured: the freshness of their approach and the intensity of their performance are untouched. The stretched gait of the stream of consciousness that connects, often as medleys, original compositions and tunes coming from the jazz tradition is also intact. The more concise forms and the clearness of the sonic layers give us the meaning of the passage under the magnifying lens of the recording studio: D’Andrea is once again a poet of the synthesis. — Francesco Bigoni Continue reading →

Standhard3io & Silvia Donati | Cocktail Saturno | El Gallo Rojo Records

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A new and subversive drink against the summer that makes inexorable and hot….. You, drink Cocktail Saturno! Raise the glasses! Toast! The blue color and intense flavor will take you into a cosmic and interstellar travel to enjoy very close the galaxy of a changing and amending flavour, like a chameleon. A standard trio (right and duty quote) + voice that accompanies you in the jazz universe, without the fear of displacement, to and caress the ears (and heart) of the listener to often engaging sounds, sometimes hard (think a certain punk idea), which tend to open and be admired. To listen in several hours of the day … Martino Fedrigoli Continue reading →

Zeno de Rossi Shtik | The Manne I Love! Vol.1 & 2 | El Gallo Rojo Records

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De Rossi’s take on Manne is reminiscent of John Zorn’s tribute to Ennio Morricone on The Big Gundown (Nonesuch, 1986), where the Downtown saxophonist/composer combined various musicians to salute the spirit of the noted film composer. Like Zorn, De Rossi chooses not to adhere to strict covers remakes, employing Daniele D’Agaro and Francesco Bigoni, on his cover of Sonny Rollins’ trio session, Way Out West (OJC, 1957), as a two-tenor saxophone conversation, under which he applies his deft beats. Throughout the set, De Rossi’s passionate playing is the constant—like Manne, always swinging and tasteful. […] Throughout, De Rossi delivers a drum clinic. Accenting, driving, and swinging the tribute, he makes you want to dig in, dig? — Mark Corroto, All About Jazz – 21.12.2010 Continue reading →